DesignXSpring2012

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The Imaginarium is an artful recreation of a fixture of the Stanford Design Program from its early experimental days in the 1960s. It is a space to encourage creativity, alternative thinking and playful interaction. The interior of the dome is equipped for complete media immersion with hemispherical video projection, surround sound audio and even climate control. It is a tool for education, research and entertainment. Rich media and modular, sustainable engineering merge to create a unique space.
The Imaginarium is an artful recreation of a fixture of the Stanford Design Program from its early experimental days in the 1960s. It is a space to encourage creativity, alternative thinking and playful interaction. The interior of the dome is equipped for complete media immersion with hemispherical video projection, surround sound audio and even climate control. It is a tool for education, research and entertainment. Rich media and modular, sustainable engineering merge to create a unique space.
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== <br>11&nbsp;April 2012: Miriam Kolar [PhD Canditate, Stanford University] ''Archaeoacoustics and Psychoacoustics at Chavín de Huántar, Perú'' ==
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== <br>11&nbsp;April 2012: Miriam Kolar [PhD Candidate, Stanford University] ''Archaeoacoustics and Psychoacoustics at Chavín de Huántar, Perú'' ==
<br>Miriam will speak about the design and acoustics of the 3,000-year old Andean ceremonial center at Chavín de Huántar, Perú. An exemplary subject for archaeoacoustic investigation, Chavín provides well-preserved enclosed interior architecture known as "galleries", where acoustic measurements can be made and auditory perception tested. Site excavations have unearthed intact musical/sound-producing instruments, the Strombus galeatus marine shell aerophones/trumpets known as "pututus", which can be examined as ancient sound generators. On-site psychoacoustic experimentation probes the relationships between Chavín gallery acoustics and the perception of sound source location by human participants in these spaces.
<br>Miriam will speak about the design and acoustics of the 3,000-year old Andean ceremonial center at Chavín de Huántar, Perú. An exemplary subject for archaeoacoustic investigation, Chavín provides well-preserved enclosed interior architecture known as "galleries", where acoustic measurements can be made and auditory perception tested. Site excavations have unearthed intact musical/sound-producing instruments, the Strombus galeatus marine shell aerophones/trumpets known as "pututus", which can be examined as ancient sound generators. On-site psychoacoustic experimentation probes the relationships between Chavín gallery acoustics and the perception of sound source location by human participants in these spaces.

Revision as of 13:04, 10 April 2012

Contents

4 April 2012: Greg Kress  [CDR] Imaginarium Tour

The Imaginarium is an artful recreation of a fixture of the Stanford Design Program from its early experimental days in the 1960s. It is a space to encourage creativity, alternative thinking and playful interaction. The interior of the dome is equipped for complete media immersion with hemispherical video projection, surround sound audio and even climate control. It is a tool for education, research and entertainment. Rich media and modular, sustainable engineering merge to create a unique space.


11 April 2012: Miriam Kolar [PhD Candidate, Stanford University] Archaeoacoustics and Psychoacoustics at Chavín de Huántar, Perú


Miriam will speak about the design and acoustics of the 3,000-year old Andean ceremonial center at Chavín de Huántar, Perú. An exemplary subject for archaeoacoustic investigation, Chavín provides well-preserved enclosed interior architecture known as "galleries", where acoustic measurements can be made and auditory perception tested. Site excavations have unearthed intact musical/sound-producing instruments, the Strombus galeatus marine shell aerophones/trumpets known as "pututus", which can be examined as ancient sound generators. On-site psychoacoustic experimentation probes the relationships between Chavín gallery acoustics and the perception of sound source location by human participants in these spaces.

18 April 2012: TBD

TBD


25 April 2012: TBD

TBD

2 May 2012: TBD

TBD


9 May 2012: TBD


TBD


16 May 2012: TBD


TBD


23 May 2012: TBD


TBD


30 May 2012: TBD

TBD


6 June 2012: TBD

TBD


15 June 2012: Year-end event

TBD

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