Dissolve Soda Ash (Na2CO3) according to package instructions. Wear
gloves and safety glasses. Don't get it in your eyes!
The soaking in soda ash is supposed to roughen up the cotton fibers,
make them more receptive for dye; but don't take this to mean that
spills will wash out easily from your unsoaked clothes.
I think the Soda Ash solution will keep for years if you're able to
keep dirt and bugs out.
Cover your work table with a white, plastic-backed paper tablecloth
("Sensations.") Have paper towels ready. Put a dishpan
with warm water within easy reach, to rinse your chopstick and gloved
fingers in between colors; use old towel to dry hands and chopstick.
In my early days of tie-dyeing, I had the piece I was working on
lying on an upside-down
sandbox sieve
in an old cake pan;
now I have a collection of (cake) cooling
racks, and an old keyboard drawer under it to catch spills and dye overflow.
When you're done with one side, put another rack on top
and turn the sandwiched thing over.
I use Jacquard Procion MX dye that I buy at my local art shop. A
beginner's tie-dye set is nice, but the $2 squeeze bottles from my
local art shop allow better control.
Always wear a fitting dust mask and latex or vinyl gloves when
dissolving dye. It might cause headaches.
Jacquard suggests 1 teaspoon of dye for 4 fl. oz. water: I
follow that except that for Lemon Yellow I use 2 tsp for 4 oz water,
and for Turquoise 1½ tsp.; don't use too much for colors like
Golden Yellow, it might turn too much to orange.
Put dye powder in paper or foam cup, add warm to hot water, carefully
mix with wooden stirrers.
Let dye solution cool down before applying. Warm air might force dye
out of the squeeze bottle you're working with at the wrong moment.
Use freshly made dye. After a few weeks it colors will not be so
bright anymore.
View example
After dyeing, the fabric should stay damp for a day or so to allow the
bonding of the dye to the cotton fibers. When I started out tie-dyeing I used
plastic shopping bags, but as I always put on too much dye, the lighter
colors drowned in the puddle of mixed dye at the bottom of the bag, which
sometimes soaked into much of the piece.
A bed of tissue helped a little, a bed of mesh like for mosquito
screens was better, but later I found more sturdy plastic mesh sheets
at a hobby shop (for needlework?) that I put on a layer of marbles in
plastic food containers.
I still cannot visualize how it works, but I have seen a spiral come
out many times, and it usually turns out better than you would think,
don't spend too much time on folding neatly.
To create a spiral:
Lay the damp T-shirt down on an uncovered table (no tablecloth), the
back of the shirt on top; pick up between thumb and index finger about
an inch of fabric in the center (between the bottom ends of the
sleeves) and start turning the shirt around that center; try to
fashion nice, regular folds. If all is well, you'll end up with
something shaped like a loaded pizza; bind with a few rubber bands
over the center to hold everyting in place: now it will look like your
pizza is in six or eight (or ten) slices. (When the pleats are more
narrow, the pizza will be larger but thinner.)
Put the pizza of cloth on a cake rack or a piece of mesh and apply dye,
different colors for the slices; I think squeeze bottles work best,
check with a Japanese chopstick to see if the dye penetrates about
halfway; then turn over on another cake rack (lay it on top and turn
sandwich over) and apply dye to this side, same colors for the slices
on top and bottom. Don't put too much dye in the center, just one
color.
You can (of course) choose another center for your spiral, here's one
centered over the
heart (if it's in the right place.) This excentric-spiral shirt is
another example of the pastellish colors of stain-resistant fabric.
Folding is easiest with damp fabric; but this means you have to
proceed within a few hours to the next step.
Folding in pleats, like a harmonica, is recommended.
You can of course pleat by hand, but I put a thin aluminum bar
(1/16x1-1/2x48) on the damp fabric, fold over, pull out the bar and
put it on top, fold again and again, two bars makes it even easier.
Bind finished snake with rubber bands at regular
intervals.
You could also roll up your piece of fabric, from the top or bottom,
from the sides, even folded double, rolling to the middle for possibly
interesting results: endless possiblities, life is too short.
I prefer pleating because I can see how
far the dye has penetrated; freeform bunching also does not allow that,
but it might come out very nice.
Pleat according to instructions above; for diagonals make pleats (lay
aluminum bar) from shoulder to opposite bottom of shirt, fix with
rubber bands at regular intervals. Put the bound tube of fabric on a
cake rack.
For stripes in two colors there are two methods that give about the same result:
1. roll or fold pleated piece together,
bind with a few rubber bands, then
dye the top in one color, turn over and dye
the other side in the other color (darkest color first,
so it will not leak down
in the bonding),
or
2. put aluminum foil between the coils of the bound
tube ("snake") on the cake rack (so they don't touch and blend) and
color the segments between the rubber bands in different colors.
Pictures
of the two methods
Dyeing stripes in more than two colors can be done as a snake
- or roll up to pizza shape and color wedges,
that's how I process my handkerchiefs: surprising, isn't it?
For multicolor snake calculate before soaking how many
segments you need for the colors you want to use and the order in
which to apply them (not all colors go together well) and how many
times to run your sequence. I usually write out a complicated
sequence, for instance these double, mirrored rainbows:
Fuchsia - Scarlet - Orange - Golden Yellow - Lemon Yellow - Green -
Turquoise - Medium Blue - Lilac - Medium Blue - Turquoise - Green -
Lemon Yellow - Golden Yellow - Orange - Scarlet - Fuchsia (17
segments).
The shirt on the left has the color sequence:
Lemon Yellow - Green - Turquoise - Lilac - Turquoise - Green - Lemon
Yellow - Golden Yellow - Lemon Yellow - Green - Turquoise - Lilac -
Turquoise - Green - Lemon Yellow - Golden Yellow - Lemon Yellow -
Green - Turquoise - Lilac - Turquoise - Green - Lemon Yellow (23 segments).
The shirt is also an example of leaving areas undyed, what I'll call
White as A Color, but as you see it's hard for me to do.
These handkerchiefs are a little better:
(½-inch pleats, roll up tube to minipizza shape, make slices
with rubbber bands, color slices.)
As I said before, the possibilities are endless. There are so many
ways to fold or form the fabric, so many patterns for applying dye.
Writing these instructions I got to
thinking about the folding double at the middle and then rolling up
from the outside: the diminishing color intensity sounds pretty
interesting. It's always exciting to see how things turned out when
you snip off the rubber bands and unfold your creashion at the
sink; but not every piece comes out nice, there are disappointments.
You could dye the tops and bottoms of pizza slices in different colors,
when you choose colors that go together well,
Something else I've also not tried yet but that looks interesting too
is to put fabric around items like spice jars or marbles, maybe even
larger bottles, bind around and/or behind it and apply various colors.
In batik, wax is melted on part of the fabric to keep
dye out in places; later, the wax is removed by
scraping and boiling in water; sometimes wax is applied again in
another pattern. My
stop-sign shirt is a very
simple example. (The dots were dripped on later, I had a plastic sheet
inside the shirt to keep front and back separate, so there would be no
dye flowing in between; covered on table with clingwrap for bonding;
actually, I don't really like the dots pattern.)
Cracks in the wax that allow some dye through may give nice
"craquelé" tracks.
Lemon yellow and turquoise flow together to a nice green, but
compostite colors often mix to an unpleasant brown.
I didn't like the way the standard tie-dye blue and red (turquoise and
fuchsia) mixed, actually didn't mix; the owner of my local art shop
told me that scarlet combines with turquoise to a nicer color than
fuchsia.
I don't mix dye to get other colors, I like Jacquard's colors
better.
All together, I use 8-12 oz. dye solution for an adult T-shirt (little
white).
I use a (pointed) Japanese chopstick to check if dye went halfway into the folds.
Long sleeves are too much of a hassle for beginners.
Spills on skin will wear off in a few days, but may not be healthy.
Be very alert when tie-dyeing with children. One day my son took off his safety glasses and started rubbing his eyes before I could stop him; we were very lucky that his fingertips were clean.
Not all tie-dye projects come out nice or as expected. I hope these guidelines will reduce disappointments by pointing out a reasonable chance of success with a few designs. Please feel free to experiment and follow your own ideas.
Play a good Youngbloods album while you're coloring - or any other time. It will make you feel good.