The Sand Hill Review http://www.stanford.edu/~sandhill 2005
The
restaurant dark in the busy morning holds up to its window its napkin
headstones, shining silverware and wineglass moons, and dreams of the dinner
hour, a bright river of diners unfolding their longings – for cooks, for waiters, for each other to
pour their longing into, for God; it is overflowing with the pure attention of
diners, ready to pour them like the songs of Schubert out into the world.
The
restaurant silent in the bright morning is ignorant of sparkle. It does not
glitter like minerals in the sidewalk catching the sun. Think of those crystals
deep in the earth and risen like flowers at last or stony truths to dance in
the light – for a moment everything in
the world has had the light and time it needs. But the restaurant is dark; it
hunches itself into a cave where a black round something too large to hover is
hovering, an insect? A sybil hanging in a cave chanting her old lament? –
No
one could hear the song entire and its grief.
I
said it clearly as I could without the truth falling away like petals that are
too much handled,
truth
the only waking thing I touched or saw, my only flower
though
my dreams were yielding green, hazy with pollen and
day’s-end heat.
– A round black insect hanging in the breeze dancing,
drunk with pollen? –
They
pondered my choice of words but I never saw a choice,
only
much later sometimes the beginnings, flames unfolding like hands,
waiting
to know if it was the world on fire or myself, some old itch of my old body
come
rudely to light where a seam of the bone-sack rubbed the bones.
One
after one I became them; I was lost in the crowd, river of dots
I
was hollowed out with faces, a hollow, singing tree.
They
pecked at my words each searching for where his true story begins
but
no one listened to the song and its whole grief.
– A bumblebee nuzzling the flowers in the
orange heat of autumn? No, a foreigner lost in the crowd coming from the train
who cannot follow directions, who has grown round with all the directions she
has tried, until she gives up all directions and begins to feel something,
could it be happiness?
But
the restaurant is blind as a herring with the scales still shielding its eyes
from the salt bustle of the sea, like that poet on the end of the bench over
there with his notebook and coffee trying to pull the night’s dream back out of
the dye-pot unchanged, saying to himself, Just one whole thing, noticing
nothing.
Patrick
Daly