Plot Motivation

Plot motivation is one of the big differences between comic plots and dramatic plots. By plot motivation I mean whether a particular plotline is grounded in previously existing events and characters, or if it primarily occurs because of something completely new. In other words, whether the plot is motivated by previous storylines, or if it is motivated by elements internal to itself. Comic plots don't usually need a lot of motivation. They can just happen, and whatever jokes there are are all the justification they need.

Dramatic plots tend to need more reasons for occurring. Sometimes good dramatic plots can come out of nowhere, especially in adventure strips, but these are the exception and not the rule. Usually dramatic plots are a consummation of some element of the strip that came before, perhaps two characters finally admitting their love for one another, or an old enemy who vowed to return finally coming back.

It is very important for the first serious storylines of a transitioning strip to grow from what came before. Otherwise the plot can seem not to fit with the remainder of the strip rather than being an organic extension. The strip is already changing a lot, from completely humorous to a mixture of comedy and drama, and if a plot with no motivation in the strip's humorous past is added, the effect is jarring and the storyline seems artificial and forced.

The example comics for plot motivation are Sluggy Freelance [G] and Roomies [G]. To see the discussion of the example comics, go to:

Plot Motivation in Practice.

Or, to see other important elements of a Cerebus transition,

Character Development

Meshing of Tones

No Backtracking

Enjoyment