Many thanks to Barbara (Garrett) Ulibarri, Clara's second cousin and goddaughter, for sharing her
family pictures with us. Most of them were inherited from Clara herself.
Click on the thumbnails for larger views.
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Publicity still | |
Publicity still |
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Publicity photo | |
Publicity still |
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Costume portrait | |
Costume portrait |
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Costume portrait | |
Costume portrait |
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Portrait in costume from Enter Madame (1922) | |
Another shot of the same dress from Enter Madame |
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Portrait in costume from The Common Law (1916) | |
Costume portrait |
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Lucile gown from The Rise of Susan (1916), Ivory chiffon and lace evening gown over foundation of flesh pink silk and trimmed with pink and blue rosettes (thanks to Randy Bigham for this picture) | |
Another Lucile gown from The Rise of Susan (1916), Rose and silver afternoon gown, black net hat with pink ribbons (thanks to Randy Bigham for this picture) |
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Lucile tea gown from The Reason Why, which appeared in Photoplay, October, 1918 (thanks to Randy Bigham for this picture) | |
Portrait from 1912 (thanks to Randy Bigham for this picture) |
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Portrait from 1916 (thanks to Randy Bigham for this picture) | |
Post card from 1916 (thanks to Randy Bigham for this picture) |
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Portrait from 1919 (thanks to Randy Bigham for this picture and to Jane for identifying this as photographed by Alfred Cheney Johnston) | |
Portrait from 1919 (thanks to Randy Bigham for this picture and to Jane for identifying this as photographed by Alfred Cheney Johnston and noting that it appeared on the cover of the New York Times Mid-Week Pictorial, Oct 7 1920) |
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In Russian costume for My Official Wife. | |
Tinted portrait also from 1912 (thanks to Randy Bigham for this picture) |
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Costume portrait | |
Tinted portrait |
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Tinted portrait | |
Costume portrait |
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Tinted portrait | |
Tinted portrait |
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Tinted portrait | |
Publicity portrait |
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A lovely portrait by Arnold Genthe from 1920 (thanks to Randy Bigham for this picture) | |
Modeling a fur trimmed dress and coat (thanks to Mark Goffee for this picture) |
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A picture courtesy of Cleo from Luxembourg | |
A tinted cigarette card also from Cleo from Luxembourg |
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A nice picture of Clara in a hat (thanks to Mark Goffee for this picture) | |
A post card, courtesy of Phil J. Tedeschi |
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A picture of Clara in costume for My Official Wife which appeared on a Moriarty playing card. For information on this interesting set of cards, see the article on Things-and-other-stuff.com. At least two poses of Clara were issued on the 7 of hearts card, which can be seen here | |
Looks to be the from the same photo session as the Enter Madame ones with the striking black dress (thanks to the executors of Larry M. Reynolds' estate for use of this photo) |
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Two souveneir felt pennants (thanks to Derek Boothroyd for the one on the left and EBay for the one on the right | |
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Unidentfield clipping from the 1930s | |
Another unidentfied clipping |
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Unidentfied clipping from the probably the 1950s | |
Another unidentfied clipping |
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An unidentfied clipping, also from the Enter Madame photo session | |
Another unidentfied clipping, this time from the Camille series of publicity shots |
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An page from an unidentfied magazine, photographed by Alfred Cheney Johnston (thanks to Jane for the identification) | |
Another unidentfied clipping, in a very handsome dress |
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Another unidentfied clipping, a very cute picture with a black cat | |
Apparently this picture was intended to be clipped and framed |
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A soulful portrait from her Vitagraph years | |
A picture and blurb that appeared in an unidentified fan magazine in 1931 |
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An advertisement for Select Pictures, which also includes Norma Talmadge. Thanks to Derek Boothroyd for this. | |
A photo by Hartsook. Thanks to Jane from the Historical Ziegfeld site for this photo and the next few |
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A photo by Hoover. A tinted version of this appears a few rows up. | |
A great beaded dress in a portrait by Witzel |
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Another nice portrait by Witzel | |
And another |
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Another by Witzel from the prolific Enter Madame session | |
And another. A reversed printing of this appears a few rows up |
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This one is from 1915 | |
And this fine portrait by Lumiere is from 1917 |
Last revised, May 27, 2009