| Panels Organized: | |
| 2011 |
Coordinator of Working Group on Intellectual Property and Performance (with Oliver Gerland) American Society for Theatre Research |
| Presentations: | |
| 2012 |
"On Bow and Exit Music" Colloquium on Theatre Sound |
| 2012 |
"The Trials of
Jesus Christ Superstar" Association for Theatre in Higher Education (ATHE) |
| 2012 |
"Performative Performances: A History and Theory of the 'Copyright Performance'" Performance Studies international (PSi) #18 |
| 2011 |
"Copyright Law's Absolute Music and the Impossibility of Absolute Musicology" American Musicological Society |
| 2011 |
"The 11:30 Number: Applauding the Musical's Musical Curtain Call" ATHE |
| 2011 |
"Variations on 'Do Re Mi'; or, An Absolute Music Lesson" Song, Stage & Screen VI |
| 2010 |
"Polyvocally Perverse: Stephen DeRosa's 'The Baseball Game' and the Pleasures of Singing Along" Song, Stage & Screen V |
| 2010 |
"Polyvocally Perverse: Stephen DeRosa's 'The Baseball Game' and the Pleasures of Singing Along" Harvard Graduate Music Forum, "Song & Dance" |
| 2010 |
"'Far from the Home I Love': Tradition and Diaspora in
Fiddler on the Roof" Song, Stage & Screen IV |
| Discussant: | |
| 2011 |
Panel Participant, "Voice in Theory/Voice in Practice" ATHE |
© 2012 Derek Miller
Site Design by
Ben Gimpert