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Art & Intelligence
The memos on (1) Paul Rich's
essay on Chiapas and e-mail and (2) Bilbao and art brought quite a response.
(1) The objection that there is such a mass of information and
disinformaton available on internet is no excuse for giving up. Mexico
and the Zapatistas are of sufficient importance to the US for us
to puzzle over the messy mass. The whole vital issue of intelligence is
a matter of general concern. It was the subject of a conference in
Washington, attended largely by members of the intelligence communities.
They seemed to put too much stress on secret agents. The best address
was given by an academic, Professor Christopher Andrew of Cambridge University
and author of "For the Presidents Eyes Only". He described the incredible
lack of coordination among intelligence agencies, giving details about
Pearl Harbor I had not seen. He stressed the need for the careful examination
of open sources, including now e-mail. He singled out the case of
Iran; it was obvious that American intelligence was inadequate and that
inviting the Shah to the U.S. for medical treatment was a grave blunder.
Obviously a study of the Islamic mentality requires an attention which
Americans are not prepared to give it. Since Spain was the country
of the three religions, the issue has loomed large in my own work.
When U.S. official spokesmen speak on
the Middle East, they seem to be living in a dream world. Perhaps that
is just public relations. Former New York Congressman Stephen Solarz,
an active member of the American Jewish Congress, spoke on the Iraqi problem.
One would expect a balanced judgment from a former member of the
Permanent Select Committee on Intelligence. Instead, he simply called for
an invasion of Kuwait. That is an option to be considered with care.
A woman questioned his judgment and asked why the same standards are not
applied to Israel as to Arab countries. His retort was simply to accuse
her of anti-semitism. At another meeting a Jewish historian adopted
the same tactic, which simply annoyed the audience. It is like calling
any conservative a McCarthyite or a Nazi.
(2) Criticism of modern art, as exemplified by Picassso, is likewise
viewed as proof that the critic is an unenlightened Philistine, which incidentally
is an insult to the Philistines who were quite a civilized people.
My criticism of modern art derives from my conviction that the West faces
a deep intellectual and moral crisis and could collapse from within.
Stanford/Palo Alto is reputedly a very enlightened area. Drive around the
pleasant community; the only jarring notes are chunks of metal filling
the requirement that so much must be spent on "art." Now an apartment complex
has been opened. To fill the art requirement, the local art commission
chose a nude statue of a woman carrying a refrigerator on her head. The
theater of the arsurd! It cost $30,000, spent at a time when the community
is wondering what to do with the homeless who are living on soon-to-be
flooded riverbanks. Has our art commission ever heard of "the greatest
of these is charity" (love)? Art yes, but not "art." Say it with
flowers! Not with overpriced junk. Excuse me. I am really annoyed, and
you should be too.
Ronald Hilton, 11-27-97 |