Rapture at Death: a talk by Margaret Cohen

 

Margaret Cohen, PhD is the Andrew B. Hammond Professor of French Language, Literature, and Civilization, the director of the Center for Study of the Novel at Stanford, and a research affiliate at The Europe Center. She will give a talk on Jan 14, 2013 at the Humanities Center called “Rapture at Death: The rhetoric of enchantment in dive documentation.”

A description of the event from The Europe Center’s webpage:

As part of The Europe Center’s ongoing lecture series “Europe Now”, Stanford professor Margaret Cohen will bring to light documentary narratives by dive pioneers of the 1920s-1950′s (Beebe, Hass, Taillez, Diolé), and why these documentarians turn to a poetic imagery of marvels and enchantments to express aspects of human perception.

The talk is a part of the Europe Center Seminar Series, and is open to the public. Organizers request that attendees RSVP by 5pm on January 21.

And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.

- Adrienne Rich, from ”Diving into the Wreck”

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Happy 2013, and welcome back!

Breathe in. What’s that clean scent you’ve just inhaled? It’s that new quarter smell! Time for a fresh start, the chance to build upon your successes from the fall and learn from the challenges.The excitement of a blank quarter always gives me the chills. Sometimes, though, that “excitement” and those “chills” rank slightly closer to the “I’m anxious like the first time I read a Poe story” side of the excitement scale rather than the “Did Neville Longbottom just chop off a giant snake’s head!? Cool!” side of the excitement scale. This is the start of my eighth quarter at Stanford, and I’ve had different emotions every time…

Freshman Year, or One Flew Over the Cuckoo’s Nest

Fall: Hmmm…I should just take a little bit of everything, get my feelers out. Maybe I’ll shop 15 classes.

Winter: I should triple major in English, Psychology, and Computer Science and create my own company that makes well-written and psychologically complex video games.

Spring: Too many good classes. Must take 22 units.

Sophomore Year, or On the Road

Fall: Man, can I get away with taking 12 units? Also, I should go pre-med. Also, I shouldn’t.

Winter: I should try to graduate early.

Spring: I should never graduate.

Junior Year, or Fifty Shades of Grey (Kidding!)

Fall: This is the perfect time to focus on myself and my health.

Winter: What? I have to start preparing for grad school?

Each quarter brings along new possibilities, and with those possibilities, plenty of questions. Your Peer Advisors are here to help you work through everything that may be running through your mind. Best of all, we’ve been there, too. Heck, we’re there now. Drop by Margaret Jacks, room 207, to see us during our new office hours:

Monday: Sarah, 9:45am-10:45am
Tuesday: Vanessa, 9:00am-11:00am
Wednesday: Sarah, 9:45am-10:45am
Thursday: Kyle, 1:00pm-3:00pm

Cheers!

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How to procrastinate like an English major…

Hello English majors!

I just wanted to check in on all of you guys at this stressful point of the quarter, and make sure everyone’s taking care of themselves. We’re kind of a lucky bunch, we English majors. Our final exams involve us having to re-read great poetry and novels. What a DRAG. But still, exams are rough. We need study breaks. So, dear friends, I invite you to turn to some of my preferred and time-tested literary-themed procrastination devices:

1. English Major Armadillo. If you have never seen this site, you have been missing out so much, my English major friend. This site reads my soul.

This may actually be my default response for getting out of any potentially awkward social interaction.

This would have probably been a reality, but I decided not to engage, because I remembered my 7th grade attempt at literary criticism of a movie trilogy, and felt burning shame. (This summer, I found over 60 pages of hand-written scene-by-scene notes comparing Star Wars (the original trilogy) to The Aeneid, complete with marginalia filled with derisive comments about how poorly written the script was and with prescient lamentations about Hayden Christensen’s acting in Episodes II-III.)

… I laughed.

I can’t… This is too real.

2. Literary-themed online shopping.

-          If you don’t already know about Out of Print Clothing, you’re also behind the times. Want your favourite book cover on a piece of clothing (or an iPhone case or a journal or a tote bag or a …coaster set?)? Yeah, these people have your back. I am the proud owner of a Gatsby shirt, sweatshirt, and two bags. Sometimes, I declare Fitzgerald Fridays, and I wear them all at the same time. I also own half of the rest of the site.

-          One of my friends just turned me on to this site, which is kind of similar. I can’t decide what to do with myself. I couldn’t talk for a straight two minutes after I saw this. They also have shirts, apparently. Dying.

-          Well, this exists… so you might as well order it… (I’ve already ordered three. You can never be too prepared when it comes to Blake-themed waterproof temporary tattoos.)

3. Spend some quality time looking at writers in bathing suits. I can’t remember how I found this article originally, but now it’s embarrassingly bookmarked in my Google Chrome.. So…. there’s that.

4. Divest the English Department of all of their books (and take photographic evidence with Instagram). From time to time, some good soul leaves their old, unwanted books for us to go through on the benches of the second floor. It kind of feels like sanctioned stealing…

This is only my fourth copy of Gatsby.

5. Register for the GRE. It’s never too early to start preparing for your graduate school applications. On a whim, I decided to take it on December 31st. At 8:30AM (???). Wish me luck (waking up that early)!

6. Admit you actually liked Old Man and the Sea, after having railed against Hemingway since you read A Farewell to Arms. http://whatshouldwecallenglish.tumblr.com/post/22644060551/when-i-approve-of-anything-hemingway-says

7. Contemplate ordering a copy of a romance novel in which you are the main character. http://www.amazon.com/City-Dark-Magic-A-Novel/dp/0143122681. (There are two trailers. Watch both of them.)

8. This… http://putapoeonit.tumblr.com/

9. Die laughing… If you haven’t seen this site, you need to. Here are some highlights.

I died....

SO ACCURATE.

For my friends taking Literary History I...

 

Oh, Hitler. Always keeping it classy.

I think a more accurate title would be "How I met MY mother..."

He's so CUTE! Why is Keats so cute?!?!??!? WHY!?

Maybe my favourite..

Good luck on finals!
Love, Sarah

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Recent Alum & The Real World

If you saw the most recent issue of Stanford Magazine, you noticed the phalanx of professors from Stanford’s humanities programs occupying the cover. Their postures—stiff, resolute, intensely gazing—suggest something about the embattled nature of the humanities. At the very least, it suggests something about how people affiliated with the humanities themselves think about their work. In a world quickly filling up with “Start-up universities,” the humanities still have a place, even if it might not seem so obvious any more.

I’ve written about these kinds of misperceptions for the Cellar Door in the past. Indeed, the argument in defense of the humanities seems tired now, even if it is still true. The proof is in the pudding: humanities enrollment is down, English department enrollment is down, and morale threatens to follow it. English majors and alumni instantly recognize what’s implied about the English Major. An English degree isn’t useful—doesn’t “pay” off in any obvious way, won’t help you get a job, won’t lead to “stability” or “security.”

At the risk of redundancy: There are new and unique problems in the world, problems that require the kind of careful and creative thinking that comes with a course of study of the world’s most profound texts and ideas, and English majors—whatever they hear from their peers—accept the challenge. The world’s newest problems call for elegant solutions—solutions that, perhaps not coincidentally, offer themselves up amidst the world’s oldest and most profound texts, in a living network of accreted human knowledge.

But enough abstractions! You ask for proof? Here it is: Too anecdotal? Too qualitative? Too subjective? Perhaps. Useful nonetheless? Certainly. Cellar Door asked several recent alumni about a range of topics related to what being an English major has meant for them, both while they were at Stanford and after they left. Here’s what they had to say about their experiences and what advice they would give to current undergraduates:

 

Class of 2010 – Miles Osgood, Assistant Editor at Oxford University Press

“There are a few things that are as true for English majors as for any other job hunters (that I didn’t realize until I went through the process last year)…You have three between-term summers to use at Stanford, and with the wealth of funding and support for academic projects, it’s tempting to use all of them for research and coursework, as I did. I couldn’t imagine passing up opportunities to do Overseas Seminars, creative arts grants, and sponsored fieldwork, so those projects (and their associated travel) filled my summers. But this was somewhat shortsighted: at least one summer (and not necessarily any more than one) should be devoted to an internship/job in a field of future interest.”

 

Class of 2011 – Emily Rials, 2nd-year PhD student in English Literature at Cornell University

“I knew all along that people majoring in English were writing for all kinds of companies and causes, that people majoring in English were going on to pursue teaching, but for me, for my own sense of where I wanted to go with my English major, what happened was that it became clear that I didn’t just want to be pursuing creative writing but that I also wanted to enter the conversations that were happening in literary studies, in the critical field. I had no idea, when I declared my major, that I would end up where I am, studying what I’m studying—my conviction that I wanted to do this kind of work came from the classes I took, the conversations I had, the questions I found myself scribbling in the margins of my notes.”

 

Class of 2012 – Caroline Chen, master’s student at Columbia Graduate School of Journalism

“There’s no point in switching to a ‘more lucrative’ major or one that would have ‘better’ job prospects, because if you’re not actually interested or excited about that field, you won’t be happy in the long run. But I think we should also be very realistic about what sorts of jobs are out there—no, we can’t all be novelists and no publishing company is going to give a first time author enough of an advance to write a book without having at least a part time job on the side…For now, focus on doing the best job you can in everything you do at school, and making the most of your time at Stanford and in the English department—get the skills you will need later on in life. Take classes that will teach you things you can’t pick up later by yourself.”

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Meet Kyle O’Malley (again)!

Kyle O’Malley, a veteran Peer Advisor, is back for another year! He’s a senior (THIRTEEN!) majoring in English with a concentration in Literature. His office hours are from 1pm-3pm on Mondays and 1pm-2pm on Wednesdays.

As a returning advisor, Kyle is an excellent resource for all undergrads. Whether you’re an undeclared and undecided freshman (or sophomore…or junior…) or a senior trying to figure out which English classes you just can’t miss before you graduate, he’s the guy for you.

Kyle loves Victorianism and Modernism (~1850-1950) and Postmodernism. (Picture the love child of Dickens, Pound, and Nabokov, if you can. Something along the lines of The Lolita Copperfield Cantos.) Kyle’s favorite authors are Vladimir Nabokov and Henry James, so it should come with little surprise that Kyle’s favorite book is Lolita, and he is writing a thesis on James’s Portrait of a Lady.

I recently had the chance to ask Kyle some of journalism’s toughest questions. You know, things like “What’s your Hunger Games strategy?” and “Who would you be in a game of Clue?”

Favorite place to read?  In bed during a golden afternoon.
Favorite place to write? The darker and lonelier the better.
If you could meet up with a literary character, who would it be? I would agree to “the ceremony known as afternoon tea,” as James puts it, with Isabel Archer.
How would you change the ending of a popular literary work? Lady MacBeth would survive the play.
Create an Ike’s sandwich. “The Groucho” – served on “wry” bread, complete with a pair of those silly mustache-nose-glasses.
What would your strategy be in the Hunger Games? “beta female”
What’s your favorite style of poetry? Free verse
Clue character/room/weapon. Colonel Mustard, in a Stanford dining hall, with a waffle maker.

Remember, you’ve got two chances per week to catch Kyle during his office hours: 1pm-3pm on Mondays and 1pm-2pm on Wednesdays!

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Meet Sarah Weston!

Sarah Weston is one of your new Peer Advisors! She’s a junior (FOURteen!) majoring in English with Creative Writing and minoring in Art History. Her office hours are from 10am-12pm on Thursdays, but you can also catch her wearing a different hat during her Creative Writing Peer Advisor office hours from 2:30pm-3:30pm on Wednesdays.

I challenge you to find a better student to talk to about grants and research opportunities. As a freshman, Sarah received a Small Grant from the UAR to travel the UK during the summer studying William Blake’s “Songs of Innocence and of Experience.” Sarah was also a recipient of the Chappell-Lougee Grant last year. She used her grant to study Blake’s technique of etching and printing from an expert in the field, and then applied what she had learned to create her own set of “Songs of Innocence and of Experience.” And then she topped off her summer by curating an exhibit for Special Collections at Green Library. You can see the exhibit on the Seven Medieval Liberal Arts and the idea of a Medieval Student this coming winter in the library! (Sarah declined to comment on whether she might have the secret superpower to cram 36 hours into each day.)

Sarah plans to attend graduate school, specializing in British (and maybe American) Romantic Poets/Romanticism. Come chat with her about the loves of her life: British Literature from 1660-1850, and Emily Dickinson.

I interviewed Sarah recently and hit her with the hard questions. You know, things like “What Ike’s sandwich would you create?” and “Which literary character is most likely to go fountain hopping?”

How would you change the ending to a popular story? King Arthur cheats on Guinevere with Gawain.
Create a literary hashtag. #afarewelltohemingway
Create an Ike’s sandwich. The Hamlet: ham, watercress, provolone, tuna, roast beef, and honey mustard; not served on bread. [Editor’s note: No bread?? “To be, or not to be a sandwich?”]
Literary character most likely to go fountain hopping? Ophelia
Literary character most likely to win FMOTQ bingo? Hester Prynne
Favorite form of poetry? Limmerick
Create a ridiculous use of figurative language. She was as hot as the —– — [I'm not censoring anything here and Sarah didn’t swear. I just can’t read my own handwriting.] of a habanero pepper in the middle of the Sahara while wrapped in leg warmers.
Clue character/room/weapon. Professor Plum, in the billiards room, with a candlestick.

Come see Sarah and pick her brain while you can! She will be abroad at Oxford in the Spring quarter of this year, where she will be taking two tutorials: one on nunneries in 18th century literature (yeah, you read that correctly) and one on fairy and folk tales/legends in both literature and art. If you’ve managed to get through this whole doozy of a blogpost without abandoning your computer in a mad rush to find Sarah, one of the kindest people you will ever meet, just remember that you can catch her during her office hours: 10am-12pm on Thursdays!

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