February 27, 2007

Rafael and Beth's Blog

Rhetorical object:
We chose a cartoon that depicts an interaction between a Western, English speaking person and a Chinese street vendor. The Western customer speaks to the vendor in Cantonese and the vendor replies in English. As the interaction continues, the two men get angrier until the bubbles above their respective heads read: “Jerk, can’t he see I speak Cantonese?!!” and “Jerk, can’t he see I speak English?!!”.

Audience:
Each time the Westerner speaks in Cantonese, his words are spelled out in Cantonese in the American alphabet, but also spelled out in Chinese characters and translated into English. This suggests that the intended audience is anyone who reads either Cantonese or English. Consequently, we can deduce that the author is attempting to make a rhetorical appeal that affects both Westerners and Chinese.

Rhetorical message:
The main rhetorical message of the cartoon has to with the role of language in cross-cultural interactions. Often Americans think that the ultimate sign of respect for a foreigner is speaking in his or her native language. The author is trying to suggest that cross-cultural interactions are highly contextual and that language is just one of many barriers to success. That both people are able to speak the same language does not imply that they will be able to cooperate and communicate effectively.

If you are to do business in Asia you better learn a lot about the culture and the ways of that country, otherwise you are in for a world of pain (and shame). For an example we can take a person that are going to Japan for a business meeting, when he meet the boss (a Japanese older gentleman) he tries to shake he´s hand, the boss will take this as an insult since they don’t great each other that way, they bow. So if you don’t know how things are done in a country you won´t make it all too far. In a sense you don’t need a common language to get along with someone, but if the cultural difference is too big and nether one want to try bridging the gap, then you will have trouble.

What are the effects?
In some ways, this cartoon is discouraging because it suggests that there may be some intangible elements to any cross-cultural interaction that you cannot overcome. On the other hand, it is enlightening because it forces you to question how these two men could have changed their behavior to get along better. Should the two men speak the language of the country they are in? The cartoon doesn’t specify what country it is. Is this deliberate? This cartoon is a strong rhetorical argument that we should continue to study cross-cultural interactions so that we can do business together without offending each other.

Interesting side note from collaboration:
Beth automatically assumed that the Western English speaking character was a Westerner, but Rafael pointed out that the drawing could depict any man from a Western nation that speaks English well. He sees little distinction between Americans and any other Western European nation where people speak English fluently.

February 21, 2007

Mei and Malin's Japanese Commercial Analysis

Rhetorical Analysis
We are going to analyze a commercial, which uses a narrative to increase the popularity of the Ajinomoto stadium in Tokyo. The ad was prized as the 2005 for one of the best ads in the leisure/entertainment category on ad-awards.com and was released in Japan.

The main selling point of this ad uses a blend of logos and pathos to communicate how unusual it is for you not to attend the games held there.

The story is about a boy who has just moved into the town. As he passes through the town he is overjoyed that all of the girls are very attractive, but then is later horrified that they all have a hoarse, manish voice, with the exception of an ugly, nerdy girl. It is later revealed that everyone has lost their voice from screaming at the games. The message could thus be described as: “Don’t miss out on attending the games”. The ad is subconsciously telling the audience that only ugly girls don’t go to the games. If you don’t want to be associated with that girl, then you should attend these events held there. It draws an analogy between being attractive and attending the games. It also draws an cause and effect message saying you can avoid being the social pariah if you attend the games. The same message goes out to the male population who could see the stadium as a place to meet beautiful women. Also, since the boy just moved into the town, he does not understand the tradition of attending these games. This implies that Ajinomoto stadium is an integral part of the cultural life there, as well as helps foster a greater community connection. The final slogan: “Shout all you like” is an appeal to the sense of freedom one can acquire when you go there. It is also interesting to note that the boy is the only male shown in the entire commercial aside from the movers in the very beginning. Perhaps the overwhelming girl to boy ratio is another subliminal factor to draw more males to attend these events at the stadium.

The ad also considers the importance of aptum, because away from a Japanese audience, the same commercial will not have so much appeal and lose most of its cultural context. The concept of beauty may shift from culture to culture, although the abnormal voices will likely cause the same alarming effect. The intended audience for this commercial was probably young adults, perhaps college aged. The same appeal will not hold for another age group.

Overall, the commercial is highly memorable and funny, making it effective for the intended purpose.

Sources
http://www.ad-awards.com/commercials/directory/2005/categories/leisure_-_entertainment/ajinomoto/commercials-28-116.html
http://en.wikipedia.org/wiki/Tokyo_Stadium

Tobias and Natalie analyse Rachael Yamagata's homepage

Analysis of http://www.rachaelyamagata.com/ homepage – Cross cultural rhetoric
By Tobias and Natalie

First impressions:
Peaceful. Large pink and purple flowers muted by a black backdrop. It’s a garden of music. The photos are digitally enhanced, but taken from a handheld camera, giving the site a very down to earth feeling.
Technical issues:
The first thing that happens when you come to the homepage is that music starts. In one sense that’s bad, because people most often want to decide for themselves what their computer should do. (If you don’t have the volume set just right, the music can be jolting) It can give you the same feeling that pop-ups do, which doesn’t cohere with the general peaceful atmosphere of the homepage. At the same time it can help the graphical design that is clearly built to work together with the music. One idea to improve this would be to make the music player a little more noticeable, and let the viewer decide if there should be music.
Graphic dilemmas:
The white color in the news text makes it difficult to read what it says in some areas because of the background. It could work better with a background that is more toned down. The arrangement of the different elements (menu, background etc.) makes it pretty easy to get a complete perspective of the website. Maybe if the right and the left upper-hand side were switched around it would be more effective, so that the title would be the first thing you saw. The music player and the album seems secondary.
How the homepage affects the viewer:
The goal of the homepage is to give the viewer a visual image to associate with the artists sound. The symbolic nature of the homepage derives from the colors, images and textures used to give the viewer a sense of the artist. The focus is therefore description:
Colors: Shocking. The bright magenta contrasts with the red. The white stands out from the black background. The yellow menu opposes itself to the green and the magenta. It is a visually bold and enticing homepage. The point is not to conform or “match” but rather to stick out and show all of your colors. This appeals to the viewer’s logos: the vivid colors represent a vivid woman with an enticing voice. The colors and the voice go hand in hand.
Images: Daring. The flowery, peaceful nature scene finds itself confronted with a picture of two red stilettos on the sidewalk. The natural beauty of the artist is center stage, while the artificial, manufactured images of beauty (the red stilettos) are taken off. This appeals to the viewer’s pathos, as one feels drawn to the sincerity and natural beauty of the artist.
Texture: Rough but playful. Rachael Yamagata’s name appears to have been written with a white crayon and colored in unevenly. This gives a very raw, sincere and childish vision of the artist. When you put the cursor over one of the menu buttons, a flash effect makes it look as though someone is scribbling over the button. This gives the same lighthearted, childish impression that one gets from the font of the artist’s name. This appeals to the viewer’s pathos: there is a very honest and unprocessed nature to the artist that comes out through her page.

Anjali and Fredrik's Collaborative Project

Fredrik Svensson and I collaborated over email and Skype to rhetorically analyze a Volkswagen ad, which can be viewed on YouTube at http://www.youtube.com/watch?v=arfNofxBtfY.

Although we could not find any official information on the commercial, from Volkswagen or from other articles, we do know that the ad was probably supposed to be aired in 2004-2005, and that it was banned in many European countries. The commercial shows a Middle Eastern man who drives up to a crowded area in a Volkswagen Polo and then blows himself up; unexpectedly, the explosion is contained by the car and no one in the vicinity is hurt. The phrase at the end says “Polo: Small but Tough.”

The overall message of the ad is intended to be that the Volkswagen Polo should not be underestimated because it’s so small – actually, it’s so tough that it can even withstand an explosion. The suicide bomber’s attempt to blow up people fails, so one could even extend the message of the ad to be that Volkswagen can stop terrorism, and buying a Volkswagen would show that you support Volkswagen’s cause.

The commercial relies mainly on pathos to send its message. Terrorism and suicide bombings were hot topics in 2004 and 2005 (and they still are now), and the makers of the ad knew that it would cause a stir. Although they probably realized that the ad would be controversial, they could have been relying on the idea that “any press is good press,” and that the publicity that the ad would receive would encourage people to buy Volkswagens. Fredrik and I both felt that the ad was still not successful because it was so offensive to most people – when a viewer first watches the ad, he or she probably feels horrified rather than convinced to buy a Volkswagen.

Volkswagens are very well known cars in Europe, and the ad also relies on this reputation in daring to make this kind of statement. An unknown car brand would not have even attempted to produce this kind of commercial, but because Volkswagens are so popular in Europe the VW company could create this ad without fear of being completely shot down.

One of the main rhetorical strategies that Fredrik and I discussed was kairos. The timing of this ad was horrible, as terrorism, suicide bombings, and car bombs were especially sore subjects in 2004 and 2005. Airing an ad like this would probably just offend people, rather than getting them to buy the car. Additionally, having a Middle Eastern man blow himself up just perpetuated the stereotype that all terrorists are from the Middle East, and so the ad could even be construed as racist.

Although Fredrik and I didn’t think that the ad was at all rhetorically successful, because of its timing and its offensive message, perhaps it would have been well-received just based on its humor and its outrageous quality. First of all, the ad has received almost 96,000 views on YouTube (going back to the “any press is good press” idea). Additionally, many of the comments on the clip are that the viewer would have bought a Volkswagen just based on its attempt to bridge a controversial topic, and just because the ad made them laugh.

February 20, 2007

Talk with 2bi regarding website analysis

(conversation via myspace posts)

Natalydawn: Yeah...Kafka pretty much sucks. I was just thinking about that today. So glad to see my impressions confirmed in your profile.
2bi:Hi! Looks like I've been having some trouble with the router that controls my internet traffic. Almost half that I sent from my computer to the rest of the world seems to have vanished. So I'll reply again; Yes, Kafka is like the boring Satan of litterature. Have you come up with any ideas of what homepage we should look at?
NatalyDawn: webpage...I don't know. I don't want to be dominant just because I'm American. Maybe we should do something that both of us can relate to...like a music page, or an anti-kafka page. Or, if you feel like doing a mock-study, we can pick Justin Timberlake's home page. Let me know your thoughts...
2bi: How about http://www.donniedarko.com/
It's pretty abstract but interesting and entertaining.
http://www.annaternheim.com/ - Swedish singer/songwriter. I think they made a good job representing her music on the page. She has myspace if you want to listen to her music.
Tell me what you think! :)
Natalydawn: Wow...donniedarko was creepy. Cool but creepy...and I don't think that we want to get that deep into an analysis.
I like anna. She has a great voice and style. Her website is interesting, but I don't like how the info box blocks her face. We could either include that in our commentary or pick another site. It's up to you...
2bi: Yeah, she's great! There's a kind of sadness in her voice that I like.
Hmm the thing with her face is really something that could be included in the analysis. The only thing that might make Anna's page a bad object is that it maybe haven't got so much to analyze. It's a pretty small site.

(years later...)

Natalydawn: AAHH! We have to have our analysis finished by tonight. Tell me what you think of http://www.rachaelyamagata.com/
Natalydawn: oops. didn't mean to post that twice...if you like the website, you should do a rhetorical analysis of the home, tour and press pages. I'll do listen, see and journal. The rest isn't as interesting (the website has a bunch of stuff on it.) If not, we'll keep discussing.
2bi: Oh ok I'll look into it.

(to be continued...)