Stanford Honors Essays in Humanities

PUBLISHED ESSAYS

• I. Helen Philips, J. M. Keynes: Vision and Technique. (1951)

• II. Ethel Caro, Music and Thomas Mann. (1959)

• III. Brent E. Barksdale, Pacifism and Democracy in Central Pennsylvania. (1961)

• IV. Lynette Kohn, Graham Greene: The Major Novels. (1961)

• V. and VI. (in one volume, 1962)
  • Betty Kantor, The Sin of Pride in "The Pardoner's Tale".

  • Elizabeth Wright, Theology in the Novels of Charles Williams.

• VII. Willeen van Loenen Pursell, Love and Marriage in Three English Authors: Chaucer, Milton, and Eliot. (1963)

• VIII. Garret Green, A Kingdom Not of This World: A Quest for a Christian Ethic of Revolution with Reference to the Thought of Dostoyevsky, Berdyaev, and Camus. (1964)
• IX. Ronald Moore, Metaphysical Symbolism in T. S. Eliot's "Four Quartets." (1965)

• X. Sidney Hillyer Bremer, Bertolt Brecht's Hauspostille: Introduction and Selected Translations. (1967)

• XI. Rick Sprague, The Entrance Way: The Early Dialects Within Husserl's Transcendental Phenomenology. (1968)

• XII. George P. Hunsinger, Kierkegaard, Heidegger, and the Concept of Death. (1969)

• XIII. Barbara Packer, The Motley Crew: Audience as Fool in Tristam Shandy. (1969)

• XIV. Irene Clurman, Surrealism and the Painting of Matta and Magritte. (1970)

• XV. Stephen A. Moe, The Nation Triumphant. (1971)

• XVI. Andrew Walkover, The Dialectics of Eden. (1974)

• XVII. Jonathan Kahn, The Political Economy of Thorstein Veblen and John Kenneth Glabraith. (1975)
• XVIII. and XIX. (in one volume, 1976)
  • Monika A. Dudli, Pushkin, Mickiewicz, and the Overcoming of Romanticism.

  • Jeffrey M. Perl, "Except in Tendency": T. S. Eliot and the Dilemma of Post Symbolist Classicism.

• XX. Laurie Jane Anderson, Challenging the Norm: The Dialect Question in the Works of Gadda and Pasolini. (1977)

• XXI. Barbara Ungar, Haiku in English. (1978)

• XXII. Christopher Michael Sperberg, Approaching Mother Courage or Who's Afraid of Bertolt B.? (1979)

• XXIII. Amy Klatzin, Peter Handke: The First Five Plays. (1979)

• XXIV. William Carpenter, Vers le Théâtre Interieur: Elements of Mallarmé's Total Art Form. (1981)

• XXV. Anthony Back, Constructing Reality: Multiple Perspectives in Ulysses and The Waves. (1982)

• XXVI. Lisa Marie Hoagland, An Edge of History: The Implicit Feminism of Dorris Lessing's The Four-Gated City. (1984)

• XXVII. Claire Oshetsky, "Die Rose Schšnheit Soll Nicht Sterben": Paul Celan's Translations of Shakespeare's Sonnets. (1984)

• XXVIII. James D. Herbert, The Political Origins of Abstract-Expressionist Art Criticism: The Early Theoretical and Critical Writings of Clement Greenberg and Harold Rosenberg. (1985)

• XXIX. Daniel L. Potter, Finding a City to Live In: Metaphor and Urban Subjectivity in Baudelaire and Mayakovsky. (1986)

• XXX. Greg Watkins, Elective Affinities: An Essay on Textured Forces and Forms of Desire. (1987)

• XXXI. William R. Handley, Virginia Woolf: The Politics of Narration.

• XXXII. Susan Silverman, Time and Problems of Self-Definition and Uncertainty: Proust, Beckett, and Stravinsky. (1989)

• XXXIII. Maren E. Ormseth, The Significance of Artistic Affirmation in Nietzsche and Joyce. (1989)
• XXXIV. Sydney E. Smith, The Opposing Voice: Christine de Pisan's Criticism of Courtly Love. (1990)
• XXXV. Victoria Guest, Reweaving the Violated Narrative: Strategies for Confronting the Discourse of Political Terror in Luisa Valenzuela's The Lizard's Tail. (1990)
• XXXVI. Simon W. Beavon, Terrible Swift Sword: The Action of Grace in Three Stories by Flannery O'Connor. (1992)
• XXXVII. William J. Neuenfeldt, The Making of the Cauldron: An Analysis of Witch and Witchcraft Power in Macbeth. (1992)

• XXXVIII. Scott Saul, Homing Pidgins: Immigrant Tongues, Immanent Bodies in Abraham Cahan's Yekl. (1995)

• XXXIX. Nicholas Brown, Umbuji Wa Mnazi and the Possibility of Swahili Poetry. (1995)

• XL. Ian McCrudden, The Phenomenon of the Voice and the Listening "I": The Subject in Beckett's Later Prose and Drama. (1995)

• XLI. Sandra Lim, Double-Consciousness and the Protean Self in Sylvia Plath's Ariel. (1997)

• XLII. Chi-ming Yang, Pseudonymous Authorship and Kierkegaard's Either/Or: The Anxiety of the Aesthetic. (1998)

• XLIII. Rula Razek, Dress Codes: Reading Nineteenth Century Fashion. (1999)

• XLIV. Brian Babcock, Cyborgs and Nomads: A Vision of Identity for the Information Age. (2001)

• XLV. Michelle Tung, Technology Transformation: The Anime Cyberbabe. (2001)

• XLVI. Karsten Schoellner, An Aesthetic Portrait of Stephen Dedalus: Epiphany and Idolatry. (2003)

• XLVII. Matthew D. Coffman, Death, Language and Human Limitation in British First World War Poetry. (2003)

• XLVIII. Nico Slate, Where Nothing Needs to Be Said: Heidegger, Walden, and the Odes Elementales of Pablo Neruda. (2004)

• XLIX. Josephine Hiu Yen Lau, The Faith of Nonsense: The Analogy of God and the Faith of James Joyce's Finnegan's Wake. (2004)

• L. Chuan-Mei Lee, As Far as Cho-fu-Sa: The Anxiety of Translation in Ezra Pound's Cathay. (2005)

• LI. Casey R. Riffel, Spaces of Accommodation: A Study of Central Park for the 21st Century. (2006)