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Nazi Era Provenance List
Paintings, Page 5 of 5

		Marcel Rieder France (1862–1942) The Cherry Pitters 1852 Oil on canvas 46.2 x 38.3 cm. 1974.260 Subject type: Genre Signature/Inscriptions: "M. Rieder", bottom left, in red Provenance: Mrs. Frank E. Buck, Menlo Park, California; by gift to Cantor Arts Center, 1974
		Hubert Robert France (1733-1808) Corridor in the Prison of Saint-Lazare 1794 Oil on canvas 40.7 x 32.7 cm. 1981.173 Subject type: Genre Provenance: Galerie Arnoldi-Livie, Munich; purchased by Cantor Arts Center, 1981 Exhibition history: Collecting for Stanford: Recent Acquisitions, 11 January–20 February 1983, T.W. Stanford Art Gallery; Rococo to Revolution: French Art of the Eighteenth Century from the Stanford Museum, 6 March–29 April 1984, T.W. Stanford Art Gallery; Searches, Terrors, Dreams: Romantic Themes in Art, 8 February–1 May 1988, T.W. Stanford Art Gallery; The Still, Sad Music Humanity: Images of Work and of the Pleasures and Pains of Everyday Life, 10 January–16 April 1989, T.W. Stanford Art Gallery Bibliography: The Stanford Museum, X-XI, 1980-81, p. 36
		Cristoforo Roncalli, called Pomarancio Italy (1552–1626) The Education of the Virgin 1608–11 Oil on canvas 141 x 115.5 cm. 1955.27 Subject type: Religious Provenance: Arthur U. Newton Galleries, New York City, by 1940; sold to Mr. and Mrs. Stewart M. Marshall, Palo Alto, California; by gift to Cantor Arts Center, 1955 Bibliography: Bodil Sorensen, Gamle mestertegninger fra Sophus Larpents samling [Old Master Drawings from the Collection of Sophus Sarpent] exhibition catalogue, Nasjonalgalleriet Oslo, 1999, no. 71, p. 212, fig. 33 (ill.)
		Attributed to Salvator Rosa Italy (1615-1673) The Torment of Tityus mid-17th C. Oil on canvas 112.5 x 148 cm. 1992.14 Subject type: Mythology Provenance: Joseph F. McCrindle, New York City, by gift to Cantor Arts Center, 1992
		William Shayer Great Britain (1788–1879) Shipping Oil on board 30.5 x 40.3 cm. 1970.102 Subject type: Marine Signature/Inscriptions: "W. Shayer", lower center; " W. Shayer" verso, bottom stretcher bar Provenance: Mr. and Mrs. Stewart M. Marshall, Palo Alto, California; by gift to Cantor Arts Center, 1970 Bibliography: European Paintings, The Stanford Art Gallery Presents a Loan Collection of Stanford University, April 1951
		Lucien J. Simon France (1861–1945) Maid with a Tray in Front of a China Cupboard Oil on canvas 92.1 x 70.5 cm. 1980.217 Subject type: Genre Signature/Inscriptions: "L Simon", lower right, oil Labels/Marks: On back of canvas is canvas maker's stamp: oval, in black -- "...QUE DE COULEURS (?)/MAISON MERLIN/PAUL DENIS Succ/PARIS/(?)/18, RUE DE MEDICIS, 18. " On back of the frame at the bottom, a rectangular white label with cut corners, inscribed in black ink: 2213; the remains of a white label with red border inscribed in black ink: "no. C-1019/STEVENS." At the top of the back of the frame, inscribed in black: 253/(inverted) 53927208. Indecipherable graphite inscriptions at the top stretcher. Provenance: Shepherd Gallery, New York City; purchased by Cantor Arts Center, 1980 Exhibition history: Art around 1900, 9 October–2 December 1984, Stanford University Museum of Art; The Still, Sad Music Humanity: Images of Work and of the Pleasures and Pains of Everyday Life, 10 January–16 April 1989, T.W. Stanford Art Gallery; Cantor Arts Center, Europe & USA 19th Century Gallery, 21 January 1999–2 July 2000; Cantor Arts Center, Europe & USA 19th Century Gallery, 9 September 2004–1 January 2006 Bibliography: French and other European Drawings, Paintings and Sculpture of the 19th Century, Winter Exhibition, 1980-81, Shepherd Gallery, New York, no. 145
		Thomas Stothard, R.A. Great Britain (1755-1834) Satan Summoning his Legions c. 1790 Oil on canvas 33.02 x 26.67 cm. 1972.148 Subject type: Literature Provenance: Thomas Agnew & Sons, Ltd., London; purchased by Cantor Arts Center, 1972 Exhibition history: William Haley and His Circle, 17 September–31 October 1982, Edmonton Art Gallery, University of Alberta; Hogarth to Blake: British Art of the Eighteenth Century, 18 December 1984–24 March 1985, T.W. Stanford Art Gallery; Dreams of Terror/Scenes of Destruction, 19 October–12 December 1993, T.W. Stanford Art Gallery Bibliography: Chan, Victor, William Haley and His Circle, Sept. 17 - Oct. 31, 1982, Edmonton Art Gallery, University of Alberta, no. 101, repr. p. 55
		Thomas Stothard, R.A. Great Britain (1755-1834) The Canterbury Pilgrims c. 1807 Oil on panel 11.5 x 41 cm. 1984.206 Subject type: Literature Provenance: Somerville & Simpson (dealer), London, early 1980s; sold to Sven Bruntjen (dealer), Woodside, California; purchased by Cantor Arts Center, 1984
		Pierre Hubert Subleyras France (1699-1749) A Bishop Seated, Giving Benediction c. 1745 Oil on canvas 58.5 x 42 cm. 1979.3 Subject type: History Provenance: John Maxon, Chicago; Christie, Manson & Woods International, Inc., New York City, January 11, 1979, lot 95; purchased by Cantor Arts Center, 1979 Exhibition history: Rococo to Revolution: French Art of the Eighteenth Century from the Stanford Museum, 6 March–29 April 1984, T.W. Stanford Art Gallery
		Giovanni Domenico Tiepolo Italy (1727–1804) Portrait of a Bearded Man Oil on canvas 30.5 x 27.9 cm. 1959.82 Subject type: Portrait Provenance: Mr. and Mrs. Arthur Wiesenberger, Pound Ridge, New York; by gift to Cantor Arts Center, 1959
		Giovanni Domenico Tiepolo Italy (1727–1804) Portrait of a Young Man Oil on canvas 30.5 x 27.9 cm. 1959.83 Subject type: Portrait Provenance: Mr. and Mrs. Arthur Wiesenberger, Pound Ridge, New York; by gift to Cantor Arts Center, 1959
		James-Jacques-Joseph Tissot France (1836–1902) Promenade on the Ramparts 1864 Oil on board 52 x 44.4 cm. 1968.107 Subject type: Genre Provenance: Robert Sumpf; by gift to Cantor Arts Center, 1968 Exhibition history: Body Language: The Human Form in Art, 16 July 1996–27 April 1997, T.W. Stanford Art Gallery Bibliography: The Stanford Museum Centennial Handbook (Stanford, 1991), p. 81, repr.
		Wilhelm Trübner Germany (1851–1917) Road Through the Forest 1909 Oil on canvas 77 x 90 cm. 1980.45 Subject type: Landscape Signature/Inscriptions: "W. Trubner", lower left Provenance: Dr. F. Weill, Karlsruhe, Germany; F.A.E.E. Wilson, by 1965; Sotheby's, New York City, March 19, 1980, lot 105; purchased by Cantor Arts Center, 1980 Exhibition history: Art Around 1900, 16 October–1 December 1984, Stanford Museum Bibliography: Klassiker der Kunst, Wilhelm Trubner, Deutsche-Verlags Anstalt, Stuttgart and Berlin, 1971, p. 312. (repr.); "La Chronique des Arts," Gazette des Beaux-Arts, p. 43, no. 231 (pictured); The Stanford Museum, X-XI, 1980-81, p. 37
		Domenico di Bartolomeo Ubaldini, called Puligo Italy (1492–1527) Madonna and Child with St. John and Angel 1518–20 Oil on panel 83.7 x 60.9 cm. 1954.250 Subject type: Religious Provenance: Arthur U. Newton Galleries, New York City; sold to Mr. and Mrs. Stewart M. Marshall, Palo Alto, California, 1954; by gift to Cantor Arts Center, 1954
		Louis Valtat France (1869–1952) Place des Tuileries mid-1930s Oil on canvas 27 x 35.3 cm. 1998.478 Subject type: Landscape Signature/Inscriptions: Estate stamp lower right: "L.V." Labels/Marks: Two labels on verso: (1) THE MAYOR GALLERY LIMITED/14, BROOK STREET/LONDON W.1. 4705; (2) Marlborough Fine Art Limited/39 Old Bond Street London W1/"Valtat, Place des Tuileries/French Landscapes/October-November 1961 Cat. No. 47; inscribed on stretcher bar verso: "5594/1" Provenance: Mayor Gallery, London; Marlborough Fine Arts, Ltd., London, by 1961; Jean M. Steiner, Hillsborough, California; by gift to Cantor Arts Center, 1998 Other information: Does not appear in catalogue raisonné by Jean Valtat (Louis Valtat: Catalogue de l'oeuvre peint 1869-1952, Tome I, Neuchatel: Editions Ides et Calendes, 1977) but is similar in size and subject to nos. 2359-2363 and nos. 2386-2391 (Parisian landscapes dated 1934 and 1935, respectively) and to nos. 2443-2444 and to no. 2480 (Parisian landscapes dated 1936 and 1937, respectively).
		Guilliam van Deynum Flanders (now Belgium) (active 1596–c. 1618) Portrait of a Nobleman 1610 Oil on canvas 236.2 x 162.6 cm. 1996.60 Subject type: Portrait Signature/Inscriptions: "Guelmus van Deyne[n?]" bottom center, on stair banister; "Guelmus van Deyne[n?] / Flamenco / fecit / 1610", bottom center, on stair banister; "Por. No. Poder. Hablar. Mas. Me. Tormen(...)", on device at center of chest, which roughly translates "I didn't have to talk about it, I did it" (the device shows a serpent biting a heart) Provenance: Charlotte H. B. (Happy) Dumas, Hillsborough, California; by gift to Cantor Arts Center, 1996 Bibliography: The Stanford University Museum of Art Journal, XXVI-XXVII, 1996-1997, p. 70 repr.
		Carle van Loo France (1705-1765) Charles de Baschi, Marquis d'Aubais 1734 Oil on canvas 72.5 x 58 cm. 1987.188 Subject type: Portrait Signature/Inscriptions: "Van Loo" lower center, black paint Provenance: Richard J. Collins (dealer), New York City; purchased by Cantor Arts Center, 1987 Bibliography: The Stanford Museum, XVI-XVII, 1986-87, p. 20
		Isaack van Ostade Holland (1621-1649) Landscape with Village Festival 1641 Oil on panel 39 x 48.9 cm. 1965.111 Subject type: Genre, landscape Signature/Inscriptions: Indistinct inscription, lower left (front edge of overturned table) Provenance: A Bishop of Ely, England (Hofstede de Groot); Dr. Ernest Sklarz, London, 1946—1956; Dr. W. Katz (dealer), London; F. Kleinberger and Co. (Mr. Harry Sperling), New York City; sold to Prentis Cobb Hale, San Francisco, 1956; by gift to Cantor Arts Center, 1965 Exhibition history: Cantor Arts Center, Europe 15th-18th Century Gallery, 21 January–8 August 1999; Cantor Arts Center, Europe 15th-18th Century Gallery, 8 June 2001–July 2006; Chasing History: Art and Provenance, Cantor Arts Center, 9 August–26 November 2006
		Abraham van Pelt Belgium (1815–?) At Grandmother’s (after Artz) Oil on canvas 132.1 x 91.4 cm. 2002.87 Subject type: Genre Signature/Inscriptions: "A.V. Pelt. ", lower right, paint Provenance: Ken & Sally Antram Antiques, Solvang, CA, by 1988; sold to John Plummer Steward, Palo Alto, California; by gift to Cantor Arts Center, 2002 Other information: Original painting by Artz was deaccessioned from Rijksmuseum and now in the Beekhuis Collection.
		Willem van de Velde the Younger Holland (1633–1707) Sea View with Fishing Boats in the Distance, and a Storm Approaching 1677 Oil on canvas 36.8 x 56.2 cm.; 52.7 x 71.4 cm. (frame) 1999.95 Subject type: Marine Signature/Inscriptions: Indistinctly signed, lower right: "Wv Velde Jonge 1677" Labels/Marks: On reverse, on top stretcher bar, left side: "68 1 11"; on right side: "SA 653"; on central member of stretcher: "159 / 10 JU(LY) 7[9?]8"; residual illegible chalk marks elsewhere on stretcher on canvas, verso, lower right: "161" (or "791") Provenance: Hugh A. J. Munro, Esq., London [=Novar Collection], by 1854; sale, Christie’s, London, June 1, 1878, lot 140, to Hesketh; anonymous sale, Phillips, London, December 5, 1989, lot 84 ; sold to Sondra Kurtin Robinson and Bennett Robinson, New York City; by gift to Cantor Arts Center, 1999 Exhibition history: Cantor Arts Center, Europe 15th-18th Century Gallery, 1 May 2000–present Bibliography: Gustav Waagen, Treasures of Art in Great Britain, 3 vols. + 1 suppl. (London: John Murrary, 1854), II, p. 139: "Two vessels sailing before a fresh breeze. Spiritedly painted" [Waagen describes the collector, Munro, who has a substantial collection, as one "in whom the love of art alone is the inducement for collecting."]; M. S. Robinson, Van de Velde, A Catalogue of the Paintings of the Elder and Younger Willem van de Velde, 2 vols. (Greenwich: National Maritime Museum, 1958-74), cat. no. 836, p. 814 (ill.); George Keyes, Mirror of Empire: Dutch Marine Art of the Seventeenth Century, exh. cat. Minneapolis Institute of Arts (Cambridge: Cambridge U. Press, 1990), pp. 160ff; 420ff; Lawrence O. Goedde, Tempest and Shipwreck in Dutch and Flemish Art, Convention, Rhetoric, U. Press, 1987
		Eugen Verboeckhoven Belgium? (1798-1881) Barnyard Scene Oil on panel 17.9 x 24.2 cm. 1974.254 Subject type: Animal Signature/Inscriptions: "Eug. Verboeckhoven" lower center, black paint Provenance: Mrs. Frank E. Buck, Menlo Park, California; by gift to Cantor Arts Center, 1974 Exhibition history: The Stanfords in Paris, T.W. Stanford Art Gallery, 26 February–27 April 1980
		Claude Vignon France (1593-1670) The Lament of St. Peter 1623–30 Oil on canvas 106.7 x 86.4 cm. 1960.207 Subject type: Religious Provenance: Mr. and Mrs. Arthur Weisenberger, Pound Ridge, New York (as School of Guercino's St. Jerome); purchased by Cantor Arts Center, 1960 Bibliography: Paola Pacht Bassani, Claude Vignon 1593–1670 (Paris: Arthena, 1992), cat. 95 Other information: aka School of Guercino’s St. Jerome
		Frederick W. Watts Great Britain (1800-1862) Landscape Oil on canvas 60.5 x 91.5 cm. 1970.93 Subject type: Landscape Provenance: Mr. and Mrs. Stewart M. Marshall, Palo Alto, California; by gift to Cantor Arts Center, 1970
		Pieter or Philips Wouwerman Holland (1632-1682?) Cavaliers Oil on metal 44.7 x 49.5 cm. 1974.173 Subject type: Military Provenance: Mrs. Frank E. Buck, Menlo Park, California; by gift to Cantor Arts Center, 1974
		Joseph Wright, called Wright of Derby Great Britain (1734–1797) Vesuvius from Posillipo by Moonlight c. 1774 Oil on canvas 43 x 59.6 cm. 1984.202 Subject type: Landscape Labels/Marks: "48" on verso of canvas Provenance: Christie's, London, November 19, 1982, lot 49A; sold to Spink and Son, Ltd., London; purchased by Cantor Arts Center, 1984 Exhibition history: Hogarth to Blake: British Art of the Eighteenth Century, T.W. Stanford Art Gallery, 18 December 1984–24 March 1985; Searches, Terrors, Dreams: Romantic Themes in Art, T.W. Stanford Art Gallery, 8 February–1 May 1988; Recent Acquisitions, 1984–1990, T.W. Stanford Art Gallery, 11 September–21 October 1990 Bibliography: The Stanford Museum Centennial Handbook (Stanford, 1991), p. 78, repr.; The Stanford Museum, XIV-XV, 1984-85, p. 20