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Nazi Era Provenance List
Paintings, Page 4 of 5

		Bernhardt Keil Denmark (1624–1687) Child Holding a Fan with Cat Looking On 1655–60 Oil on canvas 73.9 x 98.2 cm. 1972.96 Subject type: Portrait, genre Provenance: William H. Aspinwall (as Murillo); Mrs. Lloyd Aspinwall; private collection, California; Parke-Bernet Galleries, New York City, February 25, 1961, lot 250 (as Antonio Amorosi); Museo de Arte de Ponce; Central Picture Galleries, New York City Other information: Has been attributed to Murillo and Antonio Amorosi
		Moise Kisling France (1891-1953) Canal in Holland c. 1914 Oil on canvas 55 x 38 cm. 1967.104 Subject type: Landscape Signature/Inscriptions: "Kisling" lower left Provenance: Dr. Ralph J. Spiegl, Atherton, California,1967; Kathryn M. Hollister, Menlo Park, California Exhibition history: Stanford Museum of Art, 20th Century Gallery, Spring–Summer 1975; Stanford Museum of Art, 20th Century Gallery, May 1977–?
		Salomon Koninck Holland (1609-1656) The Aged Philosopher Oil on canvas 100 x 75 cm. 1970.91 Subject type: Portrait Provenance: Arthur U. Newton Galleries, New York City; sold to Mr. and Mrs. Stewart M. Marshall, Palo Alto, California, c. 1940; by gift to Cantor Arts Center, 1970 Bibliography: European Paintings, The Stanford Art Gallery Presents a Loan Collection of Stanford University, April 1951, no. 11 (illus. p. 7)
		L.C. Italy (?) Allegorical Landscape with Pomegranate 1631 Oil on canvas 96.5 x 124.9 cm. 1957.20 Subject type: Allegory, landscape Provenance: Florsheim Estate, Chicago; Robert Jernberg, Los Altos, California Exhibition history: Cantor Arts Center, Europe 15th-18th Century Gallery, 17 October 2001–9 July 2004; Question, Cantor Arts Center, 14 July 2004–2 January 2005
		John Berney Ladbrooke Great Britain (1803–1879) Donkeys Under a Tree – A Norwich Landscape 1834 Oil on canvas 57.5 x 46.0 cm. 1978.162 Subject type: Landscape, animal Signature/Inscriptions: "JBL" (monogram), lower right Provenance: Lord Palmoor, Great Britain (d. 1978); sold to Thomas Agnew & Sons, Ltd., London; purchased by Cantor Arts Center, 1978
		Thomas Lawrence Great Britain (1769–1830) George IV in Peer's Robes Oil on canvas 72.5 x 59.5 cm. 1970.98 Subject type: Portrait Provenance: Grimaldi Collection, by 1935; Arthur U. Newton Galleries, New York City; sold to Mr. and Mrs. Stewart M. Marshall, Palo Alto, California; by gift to Cantor Arts Center, 1970 Bibliography: European Paintings, The Stanford Art Gallery Presents a Loan Collection of Stanford University, April 1951, no. 2
		Albert-Charles Lebourg France (1849–1928) The Seine at Bas-Meudon c. 1885–90 Oil on canvas 40.7 x 65.6 cm. 1996.37 Subject type: Landscape Signature/Inscriptions: "A.Lebourg", bottom left; "Bas-Meudon", bottom left Provenance: Sale, Butterfield & Butterfield, San Francisco, November 8, 1995, lot 837, to Robert Aichele, Menlo Park, California; by gift to Cantor Arts Center, 1996 Exhibition history: Cantor Arts Center, Europe & USA 19th Century Gallery, 21 January 1999–5 July 2000 Bibliography: Leone Benedite, Albert Lebourg (George Petit: Paris, 1923), see p. 134 ff., p. 342, no. 1023(?); Le paysagiste Albert Lebourg (Cagniard: Bouen, 1911); The Stanford University Museum of Art Journal, vols. XXVI-XXVII, 1996-1997, p. 70 repr.
		Cornelius Lelienbergh Flanders (now Belgium) (c. 1646–1676) The Finished Meal 1665 Oil on canvas 79 x 65 cm. (sight) 1983.267 Subject type: Still life Signature/Inscriptions: "Lelienbergh fec 1663 [5?]" bottom center, black paint Provenance: Anonymous sale, Galerie Fischer, Lucerne, Switzerland, August 31, 1928, no. 326; Bohler and Steimeyr (dealer), Lucerne, Switzerland; private collection, Basel, Switzerland; Julius Bohler (dealer), Munich; purchased by Cantor Arts Center, 1983 Bibliography: The Stanford Museum, XII-XIII, 1982-83, p. 22-23
		John Frederick Lewis Great Britain (1805–1876) A Thatched Cottage on the Coast of the Isle of Wight c. 1829 Oil on panel 25.5 x 35.0 cm. 1978.67 Subject type: Landscape Signature/Inscriptions: "J.F. Lewis" lower right, in black oil Labels/Marks: "Sketch from nature - Isle of Wight/J.F. Lewis/sold by Henry Palser/1851, 366 Strand"" in black oil on verso; "Received from Mr. Sotheby/ Wellington Square" on label affixed to verso Provenance: Henry Palser (dealer), London, 1851; Mr. Sotheby, Wellington Square, London, by 1861; Sotheby's, London, November 23, 1977, lot 94; sold to Thomas Agnew & Sons, Ltd., London; purchased by Cantor Arts Center, 1978 Exhibition history: Searches, Terrors, Dreams: Romantic Themes in Art, 8 February–1 May 1988, T.W. Stanford Art Gallery Bibliography: T. Agnews and Sons, Three Centuries of British Paintings, March 9–April 28, 1978, exhibition catalogue, no. 30, repr. p. 18
		Max Liebermann Germany (1847–1935) Concert at the Opera c. 1923 Oil on canvas 75 x 52.5 cm. 2002.333 Subject type: Genre Signature/Inscriptions: "BL" obverse corner; "M. Liebermann" in red oil Provenance: Given by artist to Georges Clemenceau, Paris; Galerie Bailly, Paris; private collector, Europe, c. 1978–2002; his sale, Sotheby’s, London, October 9, 2002, lot 0005; purchased by Cantor Arts Center, 2002 Exhibition history: Private residence, San Francisco, CA, 18 February–10 September 2003; Cantor Arts Center, Europe & USA Early Modern Gallery, 13 October 2003–15 October 2005; Chasing History: Art and Provenance, Cantor Arts Center, 9 August–26 November 2006; Dürer to Picasso, Cantor Arts Center, 12 November¬ 2008–15 February 2009
		Johannes Lingelbach Holland (1622-1674) Hawking Party Assembled at a Country Mansion Oil on canvas 60.3 x 84.8 cm. 1961.119 Subject type: Genre Provenance: Mrs. Frank E. Buck, Menlo Park, California; by gift to Cantor Arts Center, 1961
		Circle of Michele Marieschi Italy (1696-1743) View of the Piazzeta and the Ducal Palace from the Baccino di San Marco Oil on canvas 71.1 x 95.3 cm. 1941.269 Subject type: Landscape Provenance: Lady Harcourt, London; Mortimer C. Leventritt, San Francisco and Venice; by gift to Cantor Arts Center, 1941 Exhibition history: The Arts of Venice in the Eighteenth Century, 1973, Stanford; Venice in the Eighteenth Century, 5 October–19 December 1982, T.W. Stanford Art Gallery Bibliography: Calendar, The Committee for Art at Stanford, Oct. 1982
		Attributed to Master of the Holy Blood Flanders (now Belgium) Virgin, Child and Two Wise Men c. 1530 Oil on panel 90 x 70 x 1.25 cm. 1970.84 Subject type: Religious Provenance: Arthur U. Newton Galleries, New York City; sold to Mr. and Mrs. Stewart M. Marshall, Palo Alto, California, 1945; by gift to Cantor Arts Center, 1970 Exhibition history: Cantor Arts Center, Europe 15th-18th Century Gallery, 21 January 1998–18 August 2004 Bibliography: European Paintings, The Stanford Art Gallery presents a Loan Collection of Stanford University, April 1951, no. 18
		Claes Cornelisz Moeyaert Holland (1590/91–1655) Sacrifice of Jeroboam 1641 Oil on canvas 99 x 124.5 cm. 1995.6 Subject type: Religious Signature/Inscriptions: "LC Moeyaert fc 1641" lower center in ligature Provenance: Comte de Sellon d'Allaman, Geneva and Chateau d'Allaman, Switzerland, cat. 1795, no. 149; J. Oppenheimer, Berlin, 1928; Goudstikker (dealer), Amsterdam, 1933; Kleinberger (dealer), New York City, 1940; sale, Christie's, London, December 12, 1975, lot 137; sale, Christie's London, February 15, 1980, lot 107; sale, Christie's, New York City, June 6, 1984, lot 148; sale, Christie's, New York , January 1, 1985, lot 41; sale, Christie's, New York City, January 11, 1989, lot 178; Richard Feigen (dealer), New York; purchased by Cantor Arts Center, 1995 Exhibition history: Collecting for Stanford: Selected Acquisitions, 1990–1995, 5 July–3 September 1995, T.W. Stanford Art Gallery; Cantor Arts Center, Europe 15th-18th Century Gallery, 27 October 1998–present Bibliography: A.Tümpel, The Pre-Rembrandtists, exhibition catalogue, E. B. Crocker Art Gallery, Sacramento, 1974, pp. 31 ff.; A. Blankaert et al., Gods, Saints, and Heroes: Dutch Painting in the Age of Rembrandt, exhibition catalogue, National Gallery, Washington, D.C., 1980, pp. 134-35; A . Tümpel and P. Schatborn, Pieter Lastman: The Man who taught Rembrandt, exh. cat. Rembrandt House (Amsterdam, 1991), pp. 35-43; Collecting for Stanford: Selected Acquisitions, 1990-1995, exhibition catalogue, repr. p. 8; Peter C. Sutton, "Claes Cornelisz Moeyaert's Sacrifice of Jeroboam," The Stanford University Museum of Art Journal, vols. XXVI-XXVII, 1996-1997, pp. 10-19, repr. p. 10
		John Hamilton Mortimer Great Britain (1740–1779) Two Banditti 1770 Oil on panel 12.9 x 11.9 cm. 1986.151 Subject type: Genre Labels/Marks: "EP669" stenciled in black ink, verso Provenance: James MacKinnon (dealer), London; purchased by Cantor Arts Center, 1986 Exhibition history: Searches, Terrors, Dreams: Romantic Themes in Art, 8 February–1 May 1988, T.W. Stanford Art Gallery; The "Terrible Imaginings" of John Hamilton Mortimer, Cantor Arts Center, 15 December 2004–27 March 2005 Bibliography: B. Nicholson, John Hamilton Mortimer . . . N6797M6N5 (1968); Gazette des Beaux-Arts, Extracts, March, 1987, p. 48; The Stanford Museum Journal, XVI-XVII, 1986-87, p. 20; Calendar, The Committee for Art at Stanford, Jan. 1988 (repr. cover)
		Patrick Nasmyth Great Britain (1787–1831) Landscape Oil on board 15.3 x 21.4 cm. 1970.87 Subject type: Landscape Provenance: Private collection, New York; Arthur U. Newton Gallery, New York City; sold to Mr. and Mrs. Stewart M. Marshall, Palo Alto, CA; by bequest to Cantor Arts Center, 1970 Bibliography: European Paintings: The Stanford Art Gallery Presents a Loan Collection of Stanford University, April 1951, no. 26
		Joseph Francis Nollekens Flanders (now Belgium) (1702-1748) Children of the Artist: Maria, Jacobus and Joseph Nollekens c. 1744 Oil on canvas 34.9 x 30.1 cm. 1983.1 Subject type: Portrait Provenance: William Drummond/Covent Garden Gallery, London; purchased by Cantor Arts Center, 1983 Exhibition history: Hogarth to Blake: British Art of the Eighteenth Century, 18 December 1984–24 March 1985, T.W. Stanford Art Gallery
		Lorenzo Pasinelli Italy (1629-1700) Salome Receiving the Head of John the Baptist 1670–80 Oil on canvas 77 x 105 cm. 1967.80 Subject type: Religious Provenance: Lady Middleton, Great Britain, by 1767; Willy C.J. Kock (dealer), Amsterdam by 1967; purchased by Cantor Arts Center, 1967 Exhibition history: Cantor Arts Center, Europe 15th-18th Century Gallery, 21 January 1999–30 April 2000 Bibliography: Carmela Baroncini, Lorenzo Pasinelli Painter (1629-1700), no. 40 (ill.)
		Alessandro Piazza Italy View of Constantinople Oil on canvas 101.5 x 114.2 cm. 1941.280 Subject type: Landscape Provenance: Mortimer C. Leventritt, San Francisco and Venice; by gift to Cantor Arts Center, 1941 Exhibition history: The Arts of Venice in the Eighteenth Century, 1973, Stanford
		Jean-Baptiste-Marie Pierre France (1714-1789) Bacchus and Ariadne 1754–55 Oil on canvas 80.5 x 65 cm. 1971.37 Subject type: Mythology Provenance: Galerie Rossini, France; Dobiaschofsky (auctioneer), Bern, October 1969; sold to Kurt Meissner (dealer), Zurich; purchased by Cantor Arts Center, 1971 Exhibition history: Body Language: The Human Form in Art, 16 July 1996–27 April 1997, T.W. Stanford Art Gallery Bibliography: The Stanford Museum Centennial Handbook (Stanford, 1991), p. 74, repr.
		Francesco Piranesi Italy (c. 1758–1810) Portrait of a Young Woman 1796 Oil on ivory 76 x 70 mm. (oval) 1983.183 Subject type: Portrait Signature/Inscriptions: “Piranesi Rome 1796” right edge, black oil paint; Greek letters on dress Labels/Marks: Writing in pencil on piece of paper glued to backing: “This minature/.../Ro 179?/.../.../.../Italian/found at...” Backed with cardboard, on one side is watercolor of detail of seated man in frockcoat, inscription on other side of this watercolor Provenance: Stanford University Investment Recovery; purchased by Cantor Arts Center, 1983
		Baron Jean-Baptiste Regnault France (1754–1829) Deposition 1789 Oil on panel 60.6 x 33.5 cm. (arched top) 1980.127 Subject type: Religious Signature/Inscriptions: "Ch Regnault", lower left, black paint Provenance: Family of the artist; their sale, March 1, 1830, [no.28?]; possible sale, Blondel, December 12, 1853, no.113; sale, Druout, March 14, 1979, lot 75 (as Jean-Baptiste Jouvenet's La Vierge et les saintes femmes se lamentant sur le corps du Christ étendu au pied de la croix); Fischer-Kiener Gallery, Paris; purchased by Cantor Arts Center, 1980 Exhibition history: Rococo to Revolution: French Art of the Eighteenth Century from the Stanford Museum, 6 March–29 April 1984, T.W. Stanford Art Gallery Bibliography: Calendar, The Committee for Art at Stanford, Dec. 1980; The Stanford Museum, X-XI, 1980-81, pp. 35-36 Other information: aka Jean-Baptiste Jouvenet's La Vierge et les saintes femmes se lamentant sur le corps du Christ étendu au pied de la croix
		Nicolas Régnier, called Nicolò Renieri France (c. 1590–1667) St. Sebastian Attended by the Holy Women 1615–16 Oil on canvas 124 x 166.5 cm. 1972.98 Subject type: Religious Labels/Marks: labels on verso; see file Provenance: Dr. Kurt Thalberg, Zurich; purchased by Cantor Arts Center, 1972 Exhibition history: Stanford University Museum of Art, European Painting Gallery, 1974-1975; Stanford University Museum of Art, European Painting Gallery, Spring 1976; Cantor Arts Center, Europe 15th-18th Century Gallery, 21 January 1999–25 February 2005; Hope and Healing: Painting in Italy in a Time of Plague 1500-1800, 2 April–25 September 2005, Worcester Art Museum Bibliography: A. Brejon de Lavergnee e Jean-Pierre Cuzin, exhibition catalogue, I Caravaggeschi Francesi, Accademia di Francia, Villa Medici, Roma, 15 Novembre 1973–20 Gennaio 1974, ill. fig. 5, p. 96 under "Nicolas Regnier (Nicolo Renieri), Maubeuge, verso il 1590-Venezia, 1668, A Roma prima del 1621 ca.?)-1626"; Annick Lemoine, "Nicolas Regnier's 'Saint Sebastian Attended by the Holy Women,’" Journal of the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, I, 1998-1999, pp. 9-19, repr. p. 9
		School of Rembrandt Holland Sister of Rembrandt c. 1660s Oil on panel 50.2 x 38.7 cm. 1977.51 Subject type: Portrait Provenance: Max Ritter von Gutmann, Vienna, to 1914; Kees Hermsen, The Metropolitan Galleries; Arthur B. Tator, Magna Galleries, Moscow; Dr. Harding Clegg, Santa Rosa, California; by gift to Cantor Arts Center, 1977
		Augustin-Théodule Ribot France (1823–1891) Young Woman with a Hat Oil on panel 38.1 x 21.3 cm. 1980.216 Subject type: Portrait, genre Signature/Inscriptions: "t. Ribot", lower right, black oil Provenance: Gaston Lévy, Paris and New York City; Shepherd Gallery, New York City, by 1980; sold to Mr. & Mrs. Robert Moulton; by gift to Cantor Arts Center, 1980 Exhibition history: French and other European Drawings, Paintings and Sculpture of the 19th Century, Winter Exhibition, 1980-81, Shepherd Gallery, New York Bibliography: The Stanford Museum Journal, X-XI, 1980-81, p. 37