| Clarice Lispector: the Style of Ecstasy | This course highlights the presence, both in the mystic and in the erotic sense, of the feeling of ecstasy in Clarice Lispector’s texts (novels, short stories, chronicles). Ecstasy favors a non-conceptual approach to writing and reading and an effect of delight that can be only communicated by words that mimitizes music and visual arts. Theoreticians of ecstasy, eroticism and epiphanie: G. Bataille, H. Cixous, Jean-Luc Nancy; Gumbrecht, Lyotard. Course in English (Readings in English and Portuguese). | Spr |
| Machado de Assis: Mimesis, Memory and Money Machinations | Machado de Assis’s paradoxes: the greatest author of the 19th Century and his oblique and peripheral perspective. The ruins and rebuilds of memory: Memórias Póstumas de Brás Cubas and Memorial de Aires; Jealously view and its mimesis in Dom Casmurro; his short stories and Rio de Janeiro’s 19th century’s sociability. The economy in his chronicles. Recent critical readings and editions. Course in English (Readings in English and Portuguese). | Spr |
| Cultural Perspectives in the Luso-Hispanic Americas | Major theoretical debates about the construction of Latin American identities, from the 19th century to the present. Readings by writers, poets, philosophers, and historians, including Rodo, Retamar, O’Gorman, Vasconcelos, Henríquez-Ureña, Ramos, Paz, Carpentier, Lezama Lima, Borges, and Fuentes.
| Win |
| Brazilian Presence: Landscape, Life and Literature | This course explores Brazil’s literature and its representation of the country’s diverse regional cultures and ecology. The course offers an in-depth discussion of Brazilian society, presenting fundamental texts that portray Brazilian landscape with its diverse eco-regions, people and culture. The syllabus includes major authors such as Euclides da Cunha and his description of the Amazon in the early 1900s; the travels of anthropologist Claude Lévi-Strauss related in Tristes Tropiques, and his contact with Caduveo, Nhambiquara, Bororo and Tupi indigenous tribes; Mario de Andrade’s novel, Macunaima and its ironical representation of Brazilian identity and miscegenation; Guimarães Rosa’s short stories that show the imagery of the sertão and its people (the sertanejo culture); Milton Hatoum’s novel, The Brothers, and its impressive portray of Manaus city in the 20th Century as an unstable world seen through the lens of Lebanese immigrants. These central books will be discussed together with critical essays about some important historical and contemporary challenges that Brazil has faced and continues to grapple with today. | Aut |