Joan Ramon Resina

Professor
Iberian Studies Program Director

Contact Information: 
Pigott Hall 224
650 723 3800
jrresina@stanford.edu
Office Hours: 
Fall 2009: MW 12:45PM-1:45PM

Professor Resina specializes in modern European literatures and cultures with an emphases in the Spanish and Catalan traditions. He chairs the department of Iberian and Latin American Cultures and also serves as Director of the Iberian Studies Program, housed within the Freeman Spogli Institute.


Professor Resina is most recently the author of Hispanismo y Estado. La cultura al servicio de una idea imperial. Madrid: Biblioteca Nueva, 2009. In this book he lays out the rationale for the overcoming of Hispanic Studies by a new discipline of Iberian Studies and argues that one response to the crisis of the Humanities in this particular field does not lie either in the retrenchment into the national philological traditions or in a vague cultural studies deprived of evaluative principles and oblivious of cultural history. Also recent is Barcelona's Vocation of Modernity: Rise and Decline of an Urban Image (Stanford UP, 2008). This book traces the development of Barcelona's modern image through texts that foreground key social and historical issues. It begins with Barcelona's "coming of age" in the 1888 Universal Exposition and focuses on the first major narrative work of modern Catalan literature, La febre d'or. Positing an inextricable link between literature and modernity, Resina establishes a literary framework for the evolution of the image of Barcelona's modernity through the 1980s, when the consciousness of modernity took on an ironic circularity. The book ends with a highly critical view on the post-Olympic period, arguing that in the early 21st century municipal politics has exhausted the so-called Barcelona model and the city has entered into a new era that is largely inconsistent with the forces that shaped its modern identity. 


He has also published extensively in specialized journals, such as PMLA, MLN, New Literary History, and Modern Language Quarterly, and has contributed to a large number critical volumes. He has held teaching positions at Cornell University, the State University of New York at Stony Brook, and Northwestern University and received awards such as the Alexander von Humboldt and the Fullbright fellowship.


Education

Ph.D., U.C. Berkeley, Comparative Literature, 1986.
Ph.D., University of Barcelona, English Philology, 1984. 


Selected Publications

Authored Books

(2009). Hispanismo y Estado. La cultura al servicio de una idea imperial. Trans. Antonio de Murcia. Marid: Biblioteca Nueva. 

(2008). Barcelona's Vocation of Modernity: Rise and Decline of an Urban Image. Stanford, CA: Stanford UP.

(2008). Barcelona, la vocació de modernitat: auge i declivi d'una imatge urbana. Galaxia Gutember/Cercle de lectors (Catalan translation of Barcelona's Vocation of Modernity).

(2005). El postnacionalisme en el mapa global. Barcelona: Centre d'Estudis de Temes Contemporanis, 2005. 

(1997). El cadáver en la cocina: La novela policiaca en la cultura del desencanto. Barcelona: Anthropos.

(1991). Los usos del clásico. Barcelona: Anthropos.

(1990). Un sueño de piedra: Ensayos sobre la literatura del modernismo europeo. Barcelona: Anthropos.

(1988). La búsqueda del Grial. Barcelona: Anthropos.

(1982). Monólogos con alguien de mí mismo. Madrid: Rielo.


Edited Books

(2008) Burning Darkness: A Half Century of Spanish Cinema. SUNY Press. 

(2005). Casa encantada: Lugares de memoria en la España constitucional (1978-2004). Madrid: Iberoamericana Vervuert.

(2003). After-Images of the City (co-edited with Dieter Ingenschay). Ithaca, NY: Cornell UP.

(2001). Iberian Cities. London: Routledge.

(2000). Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to Democracy. Barcelona: Rodopi.

(1997). El aeroplano y la estrella: El movimiento vanguardista en los Países Catalanes (1904-1936). Barcelona: Rodopi.

(1992). Mythopoesis: Literatura, Totalidad, Ideología. Barcelona: Anthropos.

Teaching
Courses taught in current academic year: 
Viewing Modern Barcelona Since it hosted the 1992 Olympic Games, Barcelona quickly became one of the world’s most fashionable cities. An important Western Mediterranean port some 100 miles South of France and a commuter flight away from Milan or Rome, Barcelona is at the crossroads of an active traffic of goods, people, and cultures. This cosmopolitan city is also the capital of Catalonia, home to an old European culture. A bilingual city with a postindustrial economy based on tourism and advanced research, Barcelona combines postmodern features with a long, complex history: Iberian, Carthaginian, Roman, Visigothic, Arabic, Jewish, Occitan, and Spanish peoples settled here, and, of course, the Catalans, who have shaped the region’s culture for the last 1000 years. This interdisciplinary seminar will acquaint students with salient aspects of the history of this city, its role in Spain’s modernization and democratization as well as its tensions with the state. Emphasis will be placed on the modern period, from the tearing down of the ancient walls and the city’s expansion in the mid-nineteenth century to the Olympic and post-Olympic definition of public space. Attention will be given to city planning, the architecture of Gaudí, the art work of Picasso and Dalí, popular music and literature about the city.Aut
Survey of Modern Iberian Literature1800 to the present. Topics include: romanticism; realism and its variants; the turn of the century; modernism and the avant garde; the Civil War; and the second half of the 20th century. Authors may include Mariano José de Larra, Gustavo Adolfo Bécquer, Rosalía de Castro, Benito Pérez Galdós, Miguel de Unamuno, Pío Baroja, Joan Maragall, Antonio Machado, Federico García Lorca, Salvador Espriu.. GER:DB-Hum Aut
The Films of Pedro AlmodóvarThe evolution of Spain’s most recognizable director from marginal, transgressive amateur cinema to polished visual style. The deliberate blurring of frontiers between mass and high culture; his use of metafilmic allusions and attention to sexuality, extreme experiences, and marginal characters. From his early work to recent award-winning films. Prerequisite: spoken Spanish. GER:DB-Hum Spr
Josep Pla: From Journalism to LiteratureIn the 1920s and 30s journalism gave the tone to a “normalized” Catalan culture, whose distinctive traits were a cosmopolitan outlook and a high degree of professionalism. Josep Pla, arguably the most important Catalan prose writer of the 20th century, began his career in this milieu, working for years as press correspondent in various European cities, before he retired to write his massive oeuvre in his family’s farmhouse after the Spanish Civil War. Pla’s works grow from an underbrush of quality journalism that, long neglected, throws light on the social and political situation of the 1920s and 30s and constitutes an unsurpassed civilizational referent for today’s culture wars. Some of the journalists studied are Eugeni d’Ors, Eugeni Xammar, and Gaziel. The core of the seminar, however, will be the works of Josep Pla. Readings in Catalan will be available in Spanish, but students will be responsible for ordering the texts in the preferred version. The reading list will be available in the Fall Win