| Sekou Sundiata | June Watanabe | John Santos

Drama 110 (Prof. Elam)
Winter Quarter - 5 Units
Tues./Thurs. 3:15 - 6:00 + Thursday Lunch Lecture,
Instructor: Sekou Sundiata

Writing for Performance

This course is designed for students who are interested in poetry as a spoken art. It is based on the idea that most poems reveal themselves fully when they are performed. That performance may be on a public stage or in the privacy of one’s home. Whatever the case maybe, most poems are meant to be sounded-out, spoken and heard… even if the hearing takes place in the studio of the mind. This course will emphasize poetry as a written craft that leads to performance. The writing comes first.

 

 

Sekou Sundiata

Sekou Sundiata is a poet who writes for print, performance, music and theater. In collaboration with composer Craig Harris, he wrote and performed in several acclaimed theater works. His latest recording, Long Story Short, was released on Righteous Babe Records. He has been a Sundance Institute Screenwriting Fellow, a Columbia University Revson Fellow, a Master Artist-in-Residence at the Atlantic Center for the Arts (Florida) and the first Writer-in-Residence at the New School University in New York. A professor at Eugene Lang College, Sekou was featured in the Bill Moyers PBS series on poetry, "The Language of Life." Mr. Sundiata will be developing a new work over the next year-and-a- half on campuses and in communities in various parts of the country. The IDA residency at Stanford next winter (in collaboration with the Committee on Black Performing Arts) will be a featured site for the development of this new performance work, which involves group and individual interviews with a wide range of Americans on the subjects of the state of the union and the national soul.

Teaching Assistant:

Joseles De La Cruz

Malika Williams

 

Relevant Links:
www.righteousbabe.com

Students will read, study and discuss a variety of lyric, dramatic and narrative poems to understand the ways in which poets address issues of rhythm, attitude, persona and composition in making their poems. Students will also explore performance ideas related to speech acts, methods of address, stage presence, and core identity of the performer. They will be expected to write and to memorize original poems. The class process will include seminars, workshops, performance presentations, critiques, and a final performance at the end of the course.


There will be a section of the course devoted to writing and thinking about the meaning of America at home and in the world. Some of the poetry written during this period may be drawn from interviews and public discussions organized around this theme. The successful student will have some experience with writing poems, prose poems and related texts as well as some experience or interest in performance.

Prospective students should submit a writing sample of 2 poems or other text of 5 pages or less. The poems will be evaluated for ability, clarity of thought and expression, attention to craft. Videotapes, DVDs and recordings of performances will also be accepted as work samples. Student Writing Samples may be emailed to ghclarke@stanford.edu and other work samples can be dropped off at the IDA office by Nov. 19, 2004

The Institute for Diversity in the Arts is sponsored by the Stanford University School of Humanities and Sciences in collaboration with the Stanford Drama Department and Committee on Black Performing Arts.
© 2001 Stanford Irvine Institute for Diversity in the Arts
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