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Introduction
Benjamin, Walter
Bismarck, Otto v.
Brecht, Bertolt
Celan, Paul
Döblin, Alfred
Fontane, Theodor
Grosz, George
Grünbein, Durs
Heartfield, John
Honigmann, Barbara
Isherwood, Christopher
Johnson, Uwe
Kleist, Heinrich v.
Kollwitz, Käthe
Kracauer, Siegfried
Lang, Fritz
Lasker-Schüler, Else
Liebermann, Max
Liebknecht, Karl
Luxemburg, Rosa
Marc, Franz
Ossietzky, Carl v.
Riefenstahl, Leni
Ruttmann, Walther
Schinkel, Karl Friedrich
Speer, Albert
Tieck, Ludwig
Tucholsky, Kurt
Ury, Lesser
Varnhagen, Rahel
Wenders, Wim
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Wenders, Wim
Quotes
"Some of my favorite films are extremely violent. I saw 'Taxi Driver' again
and I was amazed at how violent it was. A lot of my favorite films deal with
violence, and Sam Fuller's films deal with it very explicitly. But they deal
with it in such a way that you know why it occurs. You see it coming and you
know what happens afterwards. There's not necessarily a reason for it, but
you feel why it happens and sometimes you even understand why it happens. I
think violence is a very important part of contemporary life, so why should
it be kept out of movies? That's not my argument. My argument is that it
should be treated as what it is, so people can understand it instead of
savouring it. Violence is strictly a consumer product in movies now, not a
story element." --Wim Wenders in Sight and Sound, May 1997.
"When Bono first sent me a draft of it, just to get my opinion, not to be
involved as director, I thought, great characters. I was taken by the
ambience of it, and the story. Mel Gibson's company, Icon, was developing it
at the time. Then, a few years later, Bono approached me about directing it.
And so I met with him and Nicholas [Klein], and we worked on it for two
years. And during that time, the script became 'The Billion Dollar Hotel',
because it had become a science fiction story set in the future. I worked on
that with them while I was doing 'Beyond the Clouds' and 'Lisbon Story'. So
Nicholas and I came here last May, to get the film going. And even though
it's not a big-budget film, it's complicated because it's a project which
calls for a lot of production work. So when it became clear that it would
take a little more time to get things going . . . I decided to make another
movie ['The End of Violence']." --Wenders quoted in Moviemaker, October
1997.
Source
2001 BASELINE II, Inc. Celebrity Biographies
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