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Introduction
Benjamin, Walter
Bismarck, Otto v.
Brecht, Bertolt
Celan, Paul
Döblin, Alfred
Fontane, Theodor
Grosz, George
Grünbein, Durs
Heartfield, John
Honigmann, Barbara
Isherwood, Christopher
Johnson, Uwe
Kleist, Heinrich v.
Kollwitz, Käthe
Kracauer, Siegfried
Lang, Fritz
Lasker-Schüler, Else
Liebermann, Max
Liebknecht, Karl
Luxemburg, Rosa
Marc, Franz
Ossietzky, Carl v.
Riefenstahl, Leni
Ruttmann, Walther
Schinkel, Karl Friedrich
Speer, Albert
Tieck, Ludwig
Tucholsky, Kurt
Ury, Lesser
Varnhagen, Rahel
Wenders, Wim
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Kleist, (Bernd) Heinrich (Wilhelm) von
Heinrich v. Kleist. Drawing by Wilhelmina v. Zenge, 1801
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b. Oct. 18, 1777, Frankfurt an der Oder, Brandenburg
d. Nov. 21, 1811, Wannsee
the first of the great German dramatists of the 19th century. Poets of the Realist,
Expressionist, Nationalist and Existentialist movements in France and Germany all saw
their prototype in Kleist, a poet whose genius had foreseen modern problems of life and literature.
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Biography
Kleist was born Oct. 18, 1777 in Frankfurt-an-der-Oder. He was the oldest of eight children in
the family of a military officer, Joachim Friedrich von Kleist, and his second wife, Juliane
Ulrike, née von Pannwitz. He received his education at home from a tutor Christian Ernst Martini.
In 1788, after his father's death, Kleist's mother petitioned the king for a pension, and in 1789
for her son's admission to the military academy. Neither of her requests was granted. Heinrich was
raised in the house of the Huguenot preacher Samuel Heinrich Cartel in Berlin and attended a
French school.
In 1792 Kleist joined the Potsdam Guard Regiment. He took part in the Rhein campaign in 1796 and
was promoted to the rank of lieutenant in 1797. Having grown up in military surroundings that were
distasteful to him, Kleist was dissatisfied with the career of an army officer, which had been
chosen for him, and in 1799 voluntarily resigned his commission after "the loss of seven valuable
years." For a time he studied law and mathematics in Frankfurt (1799-1800), but his reading of the
philosophy of Immanuel Kant destroyed his faith in the value of knowledge. Despairing of reason,
he decided to place his trust in emotion. The conflict between them remained unresolved, however,
and lies at the heart of his work.
In 1800 Kleist became engaged to Wilhelmine von Zenge. In 1801, after his so called "Kant-Krise"
(Kant crisis) he abandoned his studies and traveled to Switzerland, Weimar and Paris. In Weimar
(November-December 1802) he lived in Wieland's house and met Goethe and Schiller. The same year
he broke his engagement with Wilhelmine. In Switzerland Kleist wrote his first work, the tragedy
Die Familie Schroffenstein (1803; "The Schroffenstein Family"), which depicts pathological
states with ruthless clarity. Underlying this drama of error is Kleist's recurring theme, the
fallibility of human perception and the inability of the human intellect by itself to apprehend
truth. The same year he suffered a severe physical and emotional crisis and contemplated suicide.
At this time Kleist was also working on the unfinished play Robert Guiskard, an extremely
ambitious work in which he attempted to unite ancient Sophoclean tragedy and the Shakespearean
drama of character. He set out on a new journey and in Paris, overcome by despair, burned his
manuscript of Guiskard (though he partially rewrote it later) and tried to volunteer for
the French army. Expelled from France, he traveled to East Prussia and applied for a civil-service
post in Königsberg. He resigned during training, however, and left for Dresden, where he hoped to
continue writing, but was arrested by the French and imprisoned for six months as a spy.
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