Laura Wittman

Assistant Professor of French and Italian
Laura Wittman
Contact Information:
101 Pigott Hall
650 725 5243
lwittman@stanford.edu
Office Hours:
T-TH 2:15-3:00 or by appointment

Laura Wittman primarily works on 19th- and 20th-century Italian and French literature in a comparative perspective, and in particular is interested in connections between modernity, a new spirituality, the twentieth century religion of politics, and the literary expressions thereof. She is also interested in exploring the role of the ineffable, the mystical, and the body in modern poetry and philosophy.

She is currently working on a book entitled Mourning, Modernity, and the Invention of the Unknown Soldier Memorial in World-War-One Italy and France. It explores the creation and reception of the Unknown Soldier Memorial as an emblem for modern mourning, from a cultural, historical, and literary perspective. Bringing together fiction, poetry, popular culture, newspaper accounts, and wartime correspondence, the book argues that the Unknown Soldier Memorial establishes a connection between embodiment and an identity that is both socially and spiritually precarious, yet expressive of a carnal generality or common mortality upon which, it is hoped, a modern ethics and a new symbolic language can be built.

Laura Wittman is the editor of a special issue of the Romanic Review entitled Italy and France: Imagined Geographies, as well as the co-editor of an anthology of Futurist manifestos and literary works forthcoming with Yale University Press in June 2009. She has published articles on Marinetti, Fogazzaro, Ungaretti, Montale, and Sereni, as well as on decadent-era culture.

She received her Ph.D. in 2001 from Yale University where she wrote a dissertation entitled "Mystics Without God: Spirituality and Form in Italian and French Modernism," an analysis of the historical and intellectual context for the self-descriptive use of the term "mystic without God" in the works of Gabriele d'Annununzio and Paul Valéry.

In Spring 2009, she was organizer of the California Interdisciplinary Consortium for Italian Studies (CICIS) Annual Conference, held at the Stanford Humanities Center. She is currently planning an interdisciplinary conference on Mysticism to be held at Stanford in the Winter of 2010.

 

Education

PhD, Department of Italian Language and Literature, Yale University, 2001

BA, Yale University, Summa cum Laude, double major in French (with Distinction) and Italian (with Exceptional Distinction), 1991

French Baccalaureate, Lycée Français de Washington (Washington, D. C.), with honors, 1986

Selected Publications

Futurism: An Anthology, ed. Christine Poggi (Visual Arts), Lawrence Rainey (Manifestos), and Laura Wittman (Literary Works) (New Haven: Yale University Press, forthcoming, June 2009).

Italy and France: Imagined Geographies, ed. Laura Wittman. Special double issue of the Romanic Review, May-November 2006.

“The Visible, Unexposed: Francesco Rosi’s Salvatore Giuliano (1961).” In Mafia Movies, ed. Dana Renga (Toronto: University of Toronto Press, forthcoming in 2010).

"Le Soldat Inconnu et Gabriele d’Annunzio.” In Histoire (Paris), forthcoming in November 2009.

"Mystical Insight and Psychoanalysis in the Fin-de-Siècle Novel: Huysmans, Bourget, d’Annunzio." Forum Italicum. (Spring 2008).

"Eugenio Montale: Cuttlefish Bones, The Occasions, and The Storm, Etc.” In World Literature and Its Times, vol. 7: Italian Literature and Its Times, ed. Joyce Moss (Santa Monica, CA: Thomson Gale, 2006).

"Giuseppe Ungaretti: Life of a Man." World Literature and Its Times, vol. 7: Italian Literature and Its Times, ed. Joyce Moss (Santa Monica, CA: Thomson Gale, 2006).

"Omnes velut aqua dilabimur: Antonio Fogazzaro, The Saint, and Catholic Modernism," in Italian Modernism, ed. Mario Moroni and Luca Somigli (Toronto: University of Toronto Press, 2005).

"A proposito di un dialogo post-francescano," Yale Italian Poetry, vol. VII, Fall 2003: 257-67.

"Vittorio Sereni o l'istinto della gioia," Forum Italicum, Fall 2001: 403-31.

Recent Conference Presentations

"’Divine Women’ and the Poetry of Alda Merini.” Modern Language Association Conference, San Francisco, CA, 27-30 December 2008.

"Logos and Compassion: Benedict XVI’s 2006 “Regensburg Speech” and Pius X’s 1907 “Pascendi dominici gregis.”” Bay Area Benedict Conference. Stanford, May 9, 2008.

“Anonymity, Embodied Memory, and Trauma,” keynote address at Memory and Trauma (Fourteenth Annual Graduate Student Association Conference at the Ohio State University). April 18-19, 2008.

"Mutilation and the Invention of the Unknown Soldier Memorial, Italy and France, 1916-22.” Meeting of the California Interdisciplinary Consortium for Italian Studies, UC Santa Cruz, 28 Feb – 1 Mar, 2008.

"A Conversation with Robert Harrison on the Poetry of A. R. Ammons.” Entitled Opinions (about Life and Literature), with Robert Harrison, on KZSU – 90.1 Stanford University Radio Station. February 2008.

"Religion and Politics in Bellocchio’s L’ora di religione.” Modern Language Association Conference, Chicago, IL, 27-30 December 2007.

“Mystical Insight and the Mimetic Self.” American Association of Italian Studies Annual Conference, The Colorado College, Colorado Springs, Colorado. May 5, 2007.

“A New Philology,” Yale Italian Alumni Conference in honor of Thomas Bergin, Yale University, New Haven, CT. October 28, 2006.

"The Fragility of the Plural.” Bay Area Schroedinger Conference. Stanford, May 20-21, 2005.

“Metaphor, Loss, and the Fragile Absolute in the Italian and French Fin-de-Siècle.” New York University, Casa Italiana, December 1, 2005.

“A Conversation with Robert Harrison on Michel Tournier’s Friday.” Entitled Opinions (about Life and Literature), with Robert Harrison, on KZSU – 90.1 Stanford University Radio Station. 14 September 2005.

Selected Awards and Fellowships

Summer Research Fellowship, American Academy in Rome (July-August 2008)

NEH Summer Research Stipend (summer 2002)

Rome Prize Fellowship, American Academy in Rome (Post-Classical Humanistic Studies) (1997-98)

Charlotte W. Newcombe Dissertation Fellowship, Woodrow Wilson Foundation (1996-97)

Fulbright Scholar (University of Bologna, Bologna, Italy) (1991-92)

Research
Interests:
19th- and 20th-century Italian and French literature, culture, and cinema. Connections between religion, philosophy, and literature, especially as regards secularization and new interest in religion in the modern West. Literary theory and philosophy. Poetry and poetics. Women mystics, women writers and the sacred. Nietzsche; Valéry; d’Annunzio; the French and Italian experimental novels; Italian Hermetic poetry.
Teaching
Current Courses:
Mind and Body in 20th-Century French FictionHow fiction articulates the tensions among the sensuous, the sensual, the embodied, and the aspiration to purity, abstraction, and transcendence. Focus is on questioning dichotomies such as nature/culture, masculine/feminine, sacred/profane, and written word/voice. Authors include Gide, Camus, Butor, Duras, and Tournier.Spr
Theater of the AbsurdThe theater of the absurd as an evolving commentary on modern alienation and attempt to make a humorous yet philosophical peace with it through the concreteness of performance. Authors include Jarry, Marinetti, Pirandello, Salacrou, Cocteau, Camus, and Sartre.Win
Modern Italian PoetryAn exploration of the main themes and movements in 20th-century Italian poetry, including avant-garde experimentation, war poetry, existential and religious quests, political activism, and feminism. Poets such as Govoni, Palazzeschi, Ungaretti, Montale, Sereni, Rosselli, Pasolini, Merini, Zanzotto. In Italian. Aut
French and Italian Women WritersHow does women's writing evolve from the very early twentieth-century, when women's liberation movements first began, and World War One brought major social changes, all the way to the big flowering of "feminine writing" in the 1970s and beyond? What is the relationship between women writers, women filmmakers, and feminism? Is it legitimate to consider women writers in a separate category? To what extent does a reevaluation of women writers mean reconsidering modern literary history? Authors/filmmakers include Aleramo, Yourcenar, de Beauvoir, Banti, Duras, Cavani. Aut
French and Italian Women WritersHow does women's writing evolve from the very early twentieth-century, when women's liberation movements first began, and World War One brought major social changes, all the way to the big flowering of "feminine writing" in the 1970s and beyond? What is the relationship between women writers, women filmmakers, and feminism? Is it legitimate to consider women writers in a separate category? To what extent does a reevaluation of women writers mean reconsidering modern literary history? Authors/filmmakers include Aleramo, Yourcenar, de Beauvoir, Banti, Duras, Cavani. Aut
Women Mystics from the Middle Ages to the Present This course explores the predominantly female mystical experience or direct embodied encounter with a spiritual reality that is difficult, perhaps impossible, to reduce to words, or to explain rationally. Through a variety of European texts from the Middle Ages to the present, by women and men, we will explore attempts to convey the experience metaphorically, to interpret it theologically and philosophically, and finally, to transmit it actively to others. Win
Women Mystics from the Middle Ages to the Present This course explores the predominantly female mystical experience or direct embodied encounter with a spiritual reality that is difficult, perhaps impossible, to reduce to words, or to explain rationally. Through a variety of European texts from the Middle Ages to the present, by women and men, we will explore attempts to convey the experience metaphorically, to interpret it theologically and philosophically, and finally, to transmit it actively to others. Win
Selected Publications:
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