| Divan | Shafiq Shamel | | 2010 |
| Images, mémoires et savoirs. Une histoire en partage avec Bogumil Koss Jewsiewicki | Elisabeth Mudimbe-Boyi | | 2009 |
| Henri Lopes: Comment écrire cette (h)Histoire? | Elisabeth Mudimbe-Boyi | | 2009 |
| The Scriene and the Channel: England and Spain in Book V of The Faerie Queene | Roland Greene | | 2009 |
| Close Reading Transformed: The New Criticism and the World | Roland Greene | | 2009 |
| Sir Thomas Wyatt | Roland Greene | | 2009 |
| La Danse sur le volcan de Marie Chauvet : le roman comme spectacle et représentation de la mémoire | Elisabeth Mudimbe-Boyi | | 2009 |
| Baroque and Neobaroque: Making Thistory | Roland Greene | | 2009 |
| The Occupation of Form: (Re)theorizing Literary History | David Palumbo-Liu | | 2009 |
| Empire Lost: France and Its Other Worlds | Elisabeth Mudimbe-Boyi | | 2009 |
| History and Autobiography | Shafiq Shamel | | 2009 |
| Review of Political Islam, World Politics and Europe: Democratic Peace and Euro-Islam versus Global Jihad | Shafiq Shamel | | 2009 |
| Rev. of Der deutsche Persien-Diskurs: Zur Verwissenschaftlichung und Literarisierung des Persien-Bildes im deutschen Schrifttum | Shafiq Shamel | | 2009 |
| Bad Education: Reevaluating Reconstruction in Afghanistan | Shafiq Shamel | | 2009 |
| Neoantiqua - Nove ensaios sobre literatura, linguagem e pensamento na Idade Média e no Renascimiento | Jeffrey Schnapp | | 2008 |
| Italiamerica | Jeffrey Schnapp | | 2008 |
| Rationality, Realism, and the Poet(h)ic Problem of Otherness: J.M. Coetzee's Elizabeth Costello | David Palumbo-Liu | | 2008 |
| Du roman comme Histoire: Marie Chauvet ou la révolution haïtienne au féminin | Elisabeth Mudimbe-Boyi | | 2008 |
| Le Français: langue paternelle, langue ‘poiètique’ | Elisabeth Mudimbe-Boyi | | 2008 |
| Salomé, C’est Moi? Salome and Wilde as Icons of Transgression | Petra Dierkes-Thrun | | 2008 |
| "The Brutal Music and the Delicate Text" | Petra Dierkes-Thrun | | 2008 |
| "The Global I: Rethinking an Early Modern Convention," Stories of the Self | Roland Greene | | 2007 |
| Inter-American Obversals: Allen Ginsberg and Haroldo de Campos Circa 1960 | Roland Greene | | 2007 |
| Inventing English: A Portable History of the Language | | | 2007 |
| Atlantic to Pacific: James, Blackmur, Todorov and Intercontinental Form | David Palumbo-Liu |
| 2007 |
| Epic Poetry and The Kite Runner: Paradigms of Cultural Identity in Afghan Society | Shafiq Shamel | | 2007 |
| Not Works But Networks: Colonial Worlds in Comparative Literature | Roland Greene | | 2006 |
| New World Studies and the Limits of National Literatures | Roland Greene | | 2006 |
| Pre-emption, Perpetual War, and the Future of the Imagination | David Palumbo-Liu | | 2006 |
| Crowds | Jeffrey Schnapp | | 2006 |
| Essais sur les cultures en contact: Afrique, Amériques, Europe | Elisabeth Mudimbe-Boyi | | 2006 |
| Léopold Sedar Senghor | Elisabeth Mudimbe-Boyi | | 2006 |
| Présence Africaine | Elisabeth Mudimbe-Boyi | | 2006 |
| Incest and the Trafficking of Women in G.B. Shaw’s Mrs. Warren’s Profession: "It Runs In the Family" | Petra Dierkes-Thrun | | 2006 |
| Arthur Symons’ Decadent Aesthetics: Stéphane Mallarmé and the Dancer Revisited | Petra Dierkes-Thrun | | 2006 |
| Introduction to Piccone's 'Perseverance of Stalinism' | Russell Berman | | 2005 |
| The Protocolonial Baroque of La Celestina | Roland Greene | | 2005 |
| Regimes of Description | John Bender | | 2005 |
| Revolutionary Tides | Jeffrey Schnapp | | 2005 |
| Colonial Becomes Postcolonial | Roland Greene | | 2004 |
| Eine Geschichte der spanischen Literatur | Hans Ulrich Gumbrecht | | 2004 |
| Production of Presence. What Meaning Cannot Convey. | Hans Ulrich Gumbrecht | | 2004 |
| The Philosophic Spectator: Theoria in Classical Greek Philosophy and Culture | Andrea Nightingale | | 2004 |
| Dante Moderno | Jeffrey Schnapp | | 2004 |
| Building Fascism, Communism, Democracy: Gaetano Ciocca-Builder, Inventor, Farmer, Writer, Engineer | Jeffrey Schnapp | | 2004 |
| Madame Bovary (Norton Critical Edition) | Margaret Cohen | | 2004 |
| Fluid States: The Maritime in Modernity | Margaret Cohen |
| 2004 |
| Complex Culture | Margaret Cohen | | 2004 |
| Modernity as Phantasmagoria: Benjaminís Arcades | Margaret Cohen | | 2004 |
| Paul Celan’s Other: History, Poetics, and Ethics | Amir Eshel | | 2004 |
| Introduction to special issue of New German Critique, 91 | Amir Eshel | | 2004 |
| In cima--Giuseppe Terragni per Mergerita Sarfatti (Architetture della memoria nel '900) | Jeffrey Schnapp | | 2004 |
| Filippo Tommaso Marinettit, Teatro | Jeffrey Schnapp | | 2004 |
| Demokratischer Krieg, repressiver Frieden: über den realexistierenden Antiamerikanismus | Russell Berman |
| 2003 |
| Against the power of time: the poetics of suspension in W. G. Sebald’s Austerlitz | Amir Eshel | | 2003 |
| Between Cosmos and Makom. Inhabiting the World and Searching for the Sacred Space in Jewish Literature | Amir Eshel | | 2003 |
| Blumen der Geschichte, Blumen der Erinnerung: Paul Celan und der postmoderne Diskurs | Amir Eshel |
| 2003 |
| The Powers of Philology. Dynamics of Textual Scholarship | Hans Ulrich Gumbrecht | | 2003 |
| Hybridities and Histories: Imaging the Pacific Rim | David Palumbo-Liu | | 2003 |
| The Morality of Form, or What's So Bad About 'Bad Writing'? | David Palumbo-Liu |
| 2003 |
| Anno X. La Mostra della Rivoluzione fascista del 1932: genesi - sviluppo | Jeffrey Schnapp | | 2003 |
| Claire d'Albe | Margaret Cohen |
| 2003 |
| Traveling Genres | Margaret Cohen | | 2003 |
| The Subjects of Community: Aspiration, Memory, Resistance | Russell Berman |
| 2002 |
| Adorno's Politics | Russell Berman |
| 2002 |
| Tradition and Betrayal in 'Das Urteil | Russell Berman |
| 2002 |
| The Literary Channel: The Inter-National Invention of the Novel | Margaret Cohen |
| 2002 |
| Effi Briest and the End of Realism | Russell Berman | | 2002 |
| The Past Recaptured: Günter Grass and Alexander Kluge at the turn of the Century | Amir Eshel |
| 2002 |
| The Post-English English | Roland Greene | | 2002 |
| Vom Leben und Sterben der großen Romanisten. Carl Vossler, Ernst Robert Curtius, Leo Spitzer, Erich Auerbach, Werner Krauss | Hans Ulrich Gumbrecht | | 2002 |
| Error and the Academic Self: The Scholarly Imagination, Medieval to Modern | | | 2002 |
| Beyond Dichotomies: Histories, Identities, Culture, and the Challenge of Globalization | Elisabeth Mudimbe-Boyi | | 2002 |
| Remembering Africa | Elisabeth Mudimbe-Boyi | | 2002 |
| Distant Views: Realistic and Fantastic Mimesis in Plato | Andrea Nightingale |
| 2002 |
| Multiculturalism Now: Civilization, National Identity, and Difference Before and After September 11th | David Palumbo-Liu |
| 2002 |
| The Operative Heart | David Palumbo-Liu | | 2002 |
| Ball and Hammer (Tenderenda the Fantast) | Jeffrey Schnapp | | 2002 |
| Le Français, langue paternelle | Elisabeth Mudimbe-Boyi | | 2002 |
| Spenser and Contemporary Vernacular Poetry | Roland Greene |
| 2001 |
| Corpo e forma. Letteratura, estetica, non-ermeneutica | Hans Ulrich Gumbrecht |
| 2001 |
| On Wondering and Wandering: Theoria in Greek Philosophy and Culture | Andrea Nightingale | | 2001 |
| ‘Useless Knowledge’? Greek Theoria and the Wonders of Wisdom | Andrea Nightingale | | 2001 |
| Towards an Ecological Eschatology: Plato and Bakhtin on Other Worlds and Times | Andrea Nightingale | | 2001 |
| Vom eigenen Gewissen: Die Walser-Bubis Debatte und der Ort des Nationalsozialismus im Selbstbild der Bundesrepublik | Amir Eshel | | 2000 |
| Island Logic | Roland Greene | | 2000 |
| Sages, Sophists, and Philosophers: Greek Wisdom Literature | Andrea Nightingale |
| 2000 |
| Gaetano Ciocca. Costruttore, inventore, agricoltore, scrittore. | Jeffrey Schnapp | | 2000 |
| A Primer of Italian Fascism | Jeffrey Schnapp | | 2000 |
| Jonathan Hammer | Jeffrey Schnapp | | 2000 |
| Vedette fiumane. L'occupazione vista e vissuta da Madeleine Witherspoon Dent Gori-Montanelli, crocerossina americana... | Jeffrey Schnapp | | 2000 |
| The Sentimental Education of the Novel | Margaret Cohen | | 1999 |
| Zeit der Zäsur. Jüdische Lyriker im Angesicht der Shoah | Amir Eshel | | 1999 |
| Das Gedicht im Angesicht. Jüdische Lyriker und die Shoah | Amir Eshel | | 1999 |
| Unrequited Conquests: Love and Empire in the Colonial Americas | Roland Greene |
| 1999 |
| Plato's Law Code in Context: Rule by Written Law in Athens and Magnesia | Andrea Nightingale |
| 1999 |
| Asian/American: Historical Crossings of a Racial Frontier | David Palumbo-Liu |
| 1999 |
| Enlightenment or Empire: Colonial Discourse in German Culture | Russell Berman | | 1998 |
| Die Wortlaut der Erinnerung. Christoph Ransmayrs Morbus Kitahara | Amir Eshel | | 1998 |
| Die hohle Sprache. Die Debatte um George Steiners Das hohle Wunder. | Amir Eshel |
| 1998 |
| Modernizaçao dos Sentidos | Hans Ulrich Gumbrecht | | 1998 |
| Atlas of the European Novel 1800-1900 | Franco Moretti | | 1998 |
| The Project of Prose in Early Modern Europe and the New World | Roland Greene |
| 1997 |
| In 1926. Living at the Edge of Time. | Hans Ulrich Gumbrecht | | 1997 |
| Courtly Letters in the Age of Henry VIII. | | | 1997 |
| Streams of Cultural Capital: Transnational Cultural Studies | David Palumbo-Liu | | 1997 |
| Genres in Dialogue: Plato and the Construct of Philosophy | Andrea Nightingale | | 1996 |
| Zur Topographie der Herkunft in der Lyrik von Dan Pagis und Paul Celan (with Thomas Sparr) | Amir Eshel | | 1996 |
| Russian Subjects: Nation, Empire, and the Culture of Russia's Golden Age | Monika Greenleaf | | 1996 |
| Modern Epic | Franco Moretti |
| 1996 |
| Aristotle on the Liberal and Illiberal Arts | Andrea Nightingale | | 1996 |
| Staging Fascism: 18 BL and The Theater of Masses for Masses | Jeffrey Schnapp | | 1996 |
| Shakespeare from the Margins: Language, Culture, Context | Patricia Parker | | 1996 |
| The Ethnic Canon: History, Institutions, Interventions | David Palumbo-Liu | | 1995 |
| Spectacles of Realism: Body, Gender, Genre | Margaret Cohen |
| 1995 |
| Pushkin and Romantic Fashion: Fragment, Elegy, Orient, Irony | Monika Greenleaf |
| 1994 |
| Profane Illumination: Walter Benjamin and the Paris of Surrealist Revolution | Margaret Cohen | | 1993 |
| Auschwitz als Metapher. Zu Jakob Hessings Gedichte nach Auschwitz. | Amir Eshel | | 1993 |
| Chaucer and His Readers | |
| 1993 |
| The Poetics of Appropriation: The Literary Theory and Practice of Huang Tingjian | David Palumbo-Liu | | 1993 |
| Making Sense in Life and Literature | Hans Ulrich Gumbrecht |
| 1992 |
| Jacques-Stephen Alexis: une écriture poétique, un engagement politique. Montréal: Humanitas/Nouvelle Optique,, 1992 | Elisabeth Mudimbe-Boyi | | 1992 |
| Post-Petrarchism: Origins and Innovations of the Western Lyric Sequence | Roland Greene |
| 1991 |
| Literacy and Power in Anglo-Saxon Literature | | | 1991 |
| The Poetry of Allusion: Virgil and Ovid in Dante's Commedia | Jeffrey Schnapp | | 1991 |
| Chronotypes: The Construction of Time | John Bender | | 1991 |
| Chicano Narrative: The Dialectics of Difference | Ramón Saldívar |
| 1990 |
| The Ends of Rhetoric: History, Theory, Practice | John Bender | | 1990 |
| L'Espositione di Bernardino Daniello da Lucca sopra la Commedia di Dante | Jeffrey Schnapp | | 1989 |
| David Humphrey | Jeffrey Schnapp | | 1988 |
| Literary Fat Ladies: Rhetoric, Gender, Property | Patricia Parker | | 1988 |
| Imagining the Penitentiary: Fiction and the Architecture of Mind in Eighteenth Century England. | John Bender | | 1987 |
| The Way of the World | Franco Moretti | | 1987 |
| The Rise of the Modern German Novel: Crisis and Charisma | Russell Berman |
| 1986 |
| The Transfiguration of History at the Center of Dante's Paradise | Jeffrey Schnapp | | 1986 |
| Shakespeare and the Question of Theory | Patricia Parker | | 1986 |
| Boethius and Dialogue | |
| 1985 |
| Figural Language in the Novel: The Flowers of Speech from Cervantes to Joyce | Ramón Saldívar |
| 1984 |
| Signs Taken for Wonders | Franco Moretti |
| 1983 |
| Inescapable Romance | Patricia Parker | | 1979 |
| Spenser and Literary Pictorialism | John Bender |
| 1972 |
