TWENTIETH-CENTURY CHINESE ART:
INDIVIDUAL ARTISTS' BIBLIOGRAPHIES A - F
Stressing contemporary art

Home Page | General Bibliography | Artists

G - J | K - L |M - S | T - X| Y - Z

Where place of birth/residence is not specified, assume mainland China.

AAN = Asian Art News

AAP = Art and Asia Pacific; ART Asia Pacific

HSMS= Hsiung shih meishu ____

JSHK =Jiangsu huakan ____

OA = Oriental Art

MS =Meishu __

MSWX =Meishu wenxian ____

YSJ = Yishujia/ Artist ___


0 ART GROUP _____

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

101 MODERN ART GROUP (Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

A XIAN __ (b. 1960, Beijing; self-trained; 1990 to Sydney; AKA Ah Xian; member of Wandering Artists' Group) (bro. of Xiao Xian???)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

In and Out, Contemporary Art from China and Australia. Singapore: LaSalle-SIA College of Art, 1997.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Lenzi, Iola. "In and Out of China." ART Asia Pacific, no. 17 (1998), pp. 32-33. (Review.)

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

AH LO

"Works from the Premier Collection of Hanart TZ Gallery's Tsong-zung Chang." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/feature

AI AN __

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Hualang __ (Art Gallery), nos. 60-61 (1997, nos. 1-2).

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Puy, Inma. Ai An: Cloistered Cities (catalog). Yimen Art Productions, 1997.

AI WEIWEI ___ (b. 1957; 1981 to NY); see also Xingxing Pai

Artists from China–New Expressions. Bronxville, NY: Sarah Lawrence College, 1987.

Avant-Garde Chinese Art, Beijing/New York. (Murray, Michael, intro.) (Catalog) New York: City Gallery, 1986.

The Annual of Chinese United Overseas Artists Association. (Yearbook) New York: Chinese United Overseas Artists Association, 1987.

Bernell, Robert. "Interview: Ai Weiwei on CCAA, Identity and His Recent Conceptual Work,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 6 (January 1999). http://www.chinese-art.com/volume1issue6/

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Chinese Art in Exile, Project Group "Metabolism" (Kassel, 1992).

Cohen, Joan Lebold. "Two Steps Forward, One Step Back." Art News, vol. 87, May (1988), pp. 123-125.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Fifteen Years of the Stars (catalog). Tokyo: Tokyo Gallery, 1993.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Shin Yong-doug and Yin Jinan. A Point of Contact: Korean, Chinese Japanese Contemporary Art (catalog). Korea: Taegu Art and Culture Hall, 1997.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

__________ and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

AI XIAN

Sullivan, Michael. "New Directions in Chinese Art." Art International, vol. 25 (1982), pp. 40-58.

AI XUAN __ (b. 1947, Jinhua, Zhejiang)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

AN HONG __

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Lamain, Kitty. "Art at the Handover." ART Asia Pacific, no. 17 (1998), pp. 86-87. (Review.)

Preece, Robert. "Chinese Art, Manchester Style." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 39-41.

Schmidt, Andreas and Alexander Tolnay. Zeitgenössische Fotokunst aus der VR China (catalog, exhib. at Neuer Berliner Kunstverein). Berlin: Edition Braus, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

ANIWAR

Websites:

Red Gate Gallery. http://www.redgategallery.com/gallery.htm

BA HUANG (AKA Cai Rong)

Ba Huang (AKA Cai Rong). Temptations of Sunshine and Wilderness–Ba Huang. Sichuan Art Publishing House, 1994.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

BAI CHONGMIN ___ (See Wu Weihe)

BAI JINGZHOU ___ (b. 1947, Lanzhou)

Portraits by Bai Jingzhou. USA/CA: Inkstone Fine Art, 1995.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

BAI YILUO ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

BAO JIANFEI ___ (Pond Society)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

BAO LEI __ (with Feng Hansheng)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

BIG TAIL ELEPHANTS ______ (Lin Yilin, Chen Shaoxiong, Liang Juhui [Shaohui?], Xu Tan; and also Zheng Guogu, Wang Huimin)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Taylor, Roger and Helga Lasschuyt. "Fire Works." World Art, no. 5 (Feb., 1995), pp. 30-32.

Websites

China Art Expo ‘94, Guangzhou: http://iias.leidenuniv.nl/iiasn/iiasn4/ascul/chinart.txt

BLACK UNION ____ (Heze, Shandong)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

BLUE BELLY ART STUDIO _____ (Hei Yang __ [Zhao Rui Fan ___] and Mu Shi __ [Yan Xiao Hua ___]; b. Chongqing; to Beijing 1991)

Tao Yongbai ___ and Karen Smith. Blue Belly Art Studio _____. Pub. by the artists, 1995.

BO YUN (AKA Li Yongcun ___; b. 1948, Shanxi; CAFA)

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

The Stars: Ten Years. Hong Kong: hanart 2, 1989.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CAI GUO QIANG (b. 1957, Quanzhou City, Fujian; 1986 to Japan; 1995 to NY)

Art in Japan Today 1985-95. Tokyo: Museum of Contemporary Art, 1995.

Between Earth and the Heavens: Aspects of Contemporary Japanese Art II. Nagoya: Nagoya City Art Museum, 1996.

Cai Guo-Qiang. A Cosmic Diagram–The Fengshui Project for Mito. Mito: ATM Contemporary Art Center, 1994.

__________. Cultural Melting Bath: Projects for the 20th Century. New York: Queens Museum of Art, 1997.

__________. "On Thought and Action." The Potential of Asian Thought: Contemporary Art Symposium, 1994. Japan Foundation ASEAN Culture Center, 1994.

__________. Tixian huajia guannian de zhongyao shouduan (Important method of embodying the painter's concept). Meishu Shilun, 1/86, pp. 97-99, 96.

__________, with You Jindong. "Painting with Gunpowder." Leonardo, vol. 21, no. 3 (1988), pp. 251-254.

Cai Guo-Qiang: Calendar of Life. Nagoya: Gallery APA, 1994.

Cai Guo-Qiang: Changsheng/Fangsheng. Catalog supplement. Mito: Art Tower Mito, 1994.

Cai Guo-Qiang: Chaos. Tokyo: Setagaya Art Museum, 1994.

Cai Guo-Qiang: Concerning Flame (catalog/brochure). Tokyo: Tokyo Gallery, 1994.

Cai Guo-Qiang: From the Pan-Pacific. Iwaki: Iwaki City Art Museum, 1994.

Cai Guo-Qiang: Flying Dragon in the Heavens. Humlebaek, Denmark: Louisiana Museum of Modern Art, 1997.

Cai Guo-Qiang: His Work and Thought. A.T.E. Workshop Report, No. 3. Tokyo: P3 Art and Environment, 1991.

Cai Guo-Qiang: Long Mai/The Dragon Meridian. Tokyo: P3 Art and Environment, 1993.

Cai Guo-Qiang: Primeval Fireball–The Project for Projects. Tokyo: NEC and P3 Art and Environment, 1992.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990. (Pp. 52-54.)

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Cochran, Rebecca Dimling. "Cai Guo Qiang: Queens Museum of Art." Sculpture, vol. 17, no. 2 (2/98), pp. 65-66.

Cotter, Holland. "Playing to Whoever in Distant Galaxies." (Review: Cai Guo-Qiang, Queens Museum of Art.) New York Times (Living Arts Pages), vol. 146 (Fri, August 15, 1997): B24(N), C24(L), col 5, 19 col in.

__________. "A SoHo Sampler: Short List for Prize." ('The Hugo Boss Prize: 1996; various artists and media; the Guggenheim Museum SoHo branch.) New York Times (Living Arts Pages), vol. 146 (Tue, Nov 26, 1996): B3(N), col 1, 17 col in.

__________. "A SoHo Sampler: Short List for Prize." ('The Hugo Boss Prize: 1996; various artists and media; exhibition at the Guggenheim Museum.) New York Times (Living Arts Pages), vol. 146 (Fri, Nov 22, 1996): C26(L), col 1, 15 col in.

Creativity in Asian Art Now. Hiroshima: Hiroshima City Museum of Contemporary Art, 1994.

Creativity in Asian Art Now, Part 3: Asian Installation Work. Catalog supplement. Hiroshima: Hiroshima City Museum of Contemporary Art, 1994.

Daydreaming. Taipei: Cherng Piin Gallery, 1998.

Friis-Hansen, Dana. "Global Art: Cai Guo Qiang." Flash Art (International Edition), no. 176 (May/June '94), p. 102.

__________. "Cai Guo Qiang at the Iwaki City Art Museum." Art in America, November 1994.

Forum Fengshui. Art Tower Mito Contemporary Art Gallery Document, No. 22: Symposium Proceedings. Mito: Art Tower Mito, 1994.

Gao Minglu. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gallery APA, 1994. Nagoya: Gallery APA, 1994.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 68, 85, 86.)

Global Vision: New Art from the 90's, Part II (exhibition catalog/brochure). Athens: Deste Foundation, 1998.

Goodman, Jonathan. "Cai Guo-Qiang" (review). ART Asia Pacific, no. 18 (1998), p. 92.

Heart of Darkness. Otterlo: Kröller-Müller Museum, 1994.

Heartney, Eleanor. "Cai Guo-Qiang at the Queens Museum of Art." Art in America, vol. 86, no. 1 (1/98), p. 93. (Review.)

__________. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Hou, Hanru. "Brückenschläge." Neue Bildende Kunst, vol. 5, no. 1 (2-3/95), pp. 58-61.

__________. "Departure Lounge Art: Chinese Artists Abroad." AAP, vol. 1, no. 2 (April, 1994), pp. 36-41.

__________. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

HSMS, , no. 292 [6/95], p. 51

Huang Du. "Cai Guoqiang: From Mystery and Philosophy to Reality." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 58-61.

__________. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

__________. "Cai Guoqiang and Huang Yongping." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/other

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Jolles, C. "Cai Guo Qiang, Künstler sind wie Kung-Fu-Kämpfer" (interview). Kunstbulletin, no. 4 (April, 1997).

Levine, Paul. "Cai Guo Qiang." Art News, v. 96 (June '97), p. 135. (Review.)

Looking for the Tree of Life: Journey to the Asian Contemporary Art (catalog). Saitama: The Museum of Modern Art, 1992.

Lutfy, Carol. "Flame & Fortune." Art News, vol. 96 (Dec. '97), pp. 144-7.

Mito Annual ‘94: Open System. Mito: Art Tower Mito, 1994.

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

"On Thought and Action–Cai Guo Qiang" (interview), The Potential of Asian Thought. Tokyo: Japan Foundation, 1994.

Origins of Myth and Fire: New Art from Japan, China and Korea (catalog). Saitama: The Museum of Modern Art, 1996.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

__________. "Rewriting the Rules." Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 46-47.

Performance Anxiety. Chicago: Museum of Contemporary Art, 1997. (Pp. 38-41, 71, CD.)

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Promenade in Asia (catalog). Tokyo: Shiseido Gallery, 1994.

Promenade in Asia II (catalog). Tokyo: Shiseido Gallery, 1997.

Ryan, Lorna. "Cai Guoqiang at P3: Art & Environment." Asian Art News, 3-4/93, p. 71.

Schwabsky, Barry. "Tao and Physics: The Art of Cai Guo Qiang." Artforum, vol. 35 (Summer '97), pp. 118-21, 155.

Shikata, Yukiko. "Cai Guo Qiang: ‘Open System'" (rev.). World Art, no. 3 (11/94), p. 116.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Silent Energy. Oxford: Museum of Modern Art, 1993.

Suzuki, S. "Cai Guo Qiang–An Extraterrestrial from China." Bijutsu Techo, April 1991.

Universal Design: Fengshui Project for Mito City. Project Prospectus. Mito: Mito Chamber of Commerce and Art Tower Mito, 1994. (Same as: Cai Guo-Qiang,A Cosmic Diagram–The Fengshui Project for Mito.)

Ushiroshoji, Masahiro. "Present Encounters." AAP, no. 15 (1997), pp. 30-31.

van der Plas, Els. "Heart of Darkness" (review). AAP, vol. 2, no. 3 (1995), pp. 118-119.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Waves of Asia (catalog/brochure). Tokyo: Tokyo Gallery, 1991.

Wear, Eric Otto. "Uncertainties at the Sao Paulo Bienal." Asian Art News, vol. 7, no. 2 (Mar/Apr 1997), pp. 92-93.

Well-Spring: Messages and Revelations by Contemporary Artists to Animate the Ancient City of Bath. Bath: Bath Festivals Trust, 1994.

World of Environmental Design, Volume 8: Landscape Art. Madrid: Arco Editorial, 1995.

YSJ, no. 266 (7/97), p. 258-30 (illus.); no. 268 (9/97), pp. 316, 317 (illus.).

Zaya, Octavio. "Cai Guo Qiang." Flash Art (International Edition), no. 190 (Oct. '96), p. 103.

Zhang Zhaohui, Press release and exhibition pamphlet for "When Heaven and Earth Meet: Cai GuoQiang and Xu Bing," Bard College, 1998.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhongguo meishu bao, no. 39, 1988.

Websites

The Fondation Cartier pour l'art contemporain, "Issey Miyake," 1998 exhibition: http://www.fondation.cartier.fr/eng/presse/index.htm

"Inside Out": Commissions: http://www.asiasociety.org/arts/insideout/commissions.html

MCA-Performance Anxiety: http://www.mcachicago.org/anxiety/qiang.html

Venice Biennale 1997: http://www.labiennale.it/visual_ar...vii/mostre_en/Guo_Qiang/caiguo.htm

Louisiana Museum: http://www.louisiana.dk/caiguoqiang/caiguo.html

XXIII International Biennial of São Paulo, Brazil. http://www.uol.com.br/23bienal/universa/iuascg.htm

CAI JIN __ [F] (b. 1965, Tunxi, Anhui; CAFA; Tianjin)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Cai Jin (catalog). Beijing: Renmin Meishu Chubanshe, 1995.

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

Dewar, Susan. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Goodman, Jonathan. "Cai Jin at Ethan Cohen Fine Art." AAN, vol. 7, no. 5 (9-10/97), pp. 107-108. (Review.)

Lago, Francesca Dal. "Against the Tide: The United States." ART Asia Pacific, no. 17 (1998), p. 100. (Review of "Against the Tide.")

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MSWX, no. 4 (1995), various articles, repros.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

__________. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." AAP, vol. 2, no. 2 (April, 1995), pp. 44-51.

__________. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Yee, Lydia. Against the Tide (exhibition brochure). New York: Bronx Museum of the Arts, 1997.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites

World's Women On-line: http://wwol.inre.asu.edu/caijin.html

CAI LIXIONG ___ (b. 1960)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CAI RONG (see Ba Huang)

CAI YUAN (b. 1956)

Cai, Paul and Chen Yingde. "Notes from London and Paris."

CANG XIN __ (Heilongjiang; Beijing)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

CAO DALI ___ (b. 1940/34?, Beijing; Bali)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Binks, Hilary. "Cao Dali and Yan Zhenduo at Zee Stone Gallery." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 82-83.

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

"Exhibition Commentary" (photo only). ART Asia Pacific, no. 17 (1998), pp. 80-81.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

MS, 8/85

MS shilun, 4/86

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CAO DAN __ (b. 1960, Wuhan)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CAO HENG __

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

CAO GE (=Chao Ge?)

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

CAO LI __ (b. 1954, Guiyang, Guizhou; CAFA; CAFA)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

CAO LIWEI ___ (b. 1956, Liaoning; CAFA; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CAO QING __ [F] (b. 1966)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

CAO XIAODONG ___ (b. 1961, Jiangsu)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

CAO XIAODONG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CAO XINLIN ___ (b. 1940)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

CAO YONG __ (b. 1954, Lanzhou, Gansu; Lanzhou)

Bell, J. Bowyer. "Double Kitsch: Painters from China" (review). Review: The Critical State of Visual Art in New York, March 15, 1998.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Jose, Nicholas. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

CAO ZHONGWEI

Pi Li. "Threading Our Way through the Images." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

CHA GUOJUN (b. 1943, Suzhou; 1985 to USA)

Millichap, John. "Beyond Barriers." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 47-49.

CHA JIAWU ___

Jiang Jingsheng ___. Jianghu bai ye tu _____, illus. by Cha Jiawu. Hubei Meishu Chubanshe, 1996.

CHAI XIAOGANG ___ (b. 1962, Jiangsu)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHAI YIMIN ___ (Shanghai)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

(ANNIE) CHAN CHI LING [F] (HK/Macao?)

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

CHAN, GAYLORD (b. 1925; HK)

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/hk.html

CHAN KUOCHIANG (Taipei)

Oliva, John Bonito. "Between East and West." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 50-55.

CHAN, LUIS (1905-1995; AKA CHEN FUSHAN ___; b. Panama; HK)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Bennett, Alison. "Hong Kong Report." ART AsiaPacific, issue 19 (1998), pp. 35-36.

Clarke, David. "Psychic Decolonisation" (review of "Journey of an Artist: The Art of Luis Chan"). ART Asia Pacific, vol. 3, no. 4 (1996), pp. 39-41.

Clarke, David. "Twentieth-Century Chinese Painting" (Review of Tradition and Innovation). ART AsiaPacific, no. 15 (1997), pp. 42-43.

Luis Chan and His Vision. New York : Hanart Gallery, Inc., 1990.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Twentieth Century Chinese Painting: Tradition and Innovation. Hong Kong: Urban Council, 1995.

Wong, Wucius. "Chinese Painting in Hong Kong." In Kao, Mayching, ed. Twentieth-Century Chinese Painting. Hong Kong: Oxford University Press, 1988.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/hk.html

CHAN YIM-MAN (b. 1933; HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

CHAN, YUK KEUNG (= Chen Yuqiang; HK)

Bennett, Alison. "Hong Kong Report." ART AsiaPacific, issue 19 (1998), pp. 35-36.

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

__________. "Hong Kong Art and the Transfer of Sovereignty." Journal of the Oriental Society of Australia, vol. 29 (1997), pp. 1-21.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Smith, Karen. "Contemporary Chinese Art." AAP, no. 16 (1997), pp. 89-90. (Review of Watari-um exhibition.)

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

CHANG CHIA-CHE (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

CHANG NAI-WEN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

CHANG QING __ (b. 1965, Chengdu; SAFA; ZAFA)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

CHANG XUGONG ___

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

Puy, Inma G. "Spring in Beijing" (review). (April 14th, 1996): http://www.connect-arte.com/archive/china/echinab.htm

Smith, Karen. "Chang Xugong at the Beijing Modern Art Museum." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 80-81.

"Worldwide Exhibition Listings." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Yishujie ___ (Art Life), March-April, 1998.

CHANG YUNG-HO

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

CHANG ZE-LUNG (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

CHAO CHUNG-HSIANG (b. 1913; Hangzhou to Taiwan to Paris to NY)

Binks, Hilary. "Chao Chung-hsiang at Alisan Fine Arts." AAN, vol. 8, no. 1 (1-2/98), pp. 84-85.

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

The Exhibition of a Contemporary Master–Chao Chung-hsiang. Taipei: Taipei Fine Arts Museum, 1985.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

Zheng Sheng Tian. "The Historical Standings of the Hangchou School in 20th Century Chinese Art," in Christie's 20th Century Chinese Art Part I (auction Catalog). Taipei: Christie's, 25 October 1998.

CHAO GE (=Cao Ge?) __ (b. 1957, Mongolia)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Fan Di'an. Ten Contemporary Oil Painters and Their Artistry. Fujian Fine Arts Press, 1994.

Liu He __. "Jin Shangyi, Sun Jingbo, Chao Ge, and Liu Xiaodong: Discussing the Art of Portraiture with Breadth and Depth" _______________________. MS, no. 297 (9/92), pp. 8-9, 16.

Shui Tianzhong, ed. Chao Ge. Hong Kong: Hong Kong Modern Press/ Guangxi Fine Arts Press, 1993.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

CHAO HAI __ (b. 1955, Xingping, Shaanxi; Xian Fine Arts Academy)

The Works of Chao Hai. Guangxi Fine Arts Publishing House, 1998.

CHEN CHENG (France)

Gao Minglu. "From the Local Context to the International Context: An Essay on the Critique of Art and Culture," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

CHEN CHENG HSUN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

CHEN CHIEH-REN (Taiwan)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

Pai, Maggie. "Behind the Image Another Reality." Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), p. 44.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

__________. "Reflections and Reconsiderations at the Taipei Fine Arts Museum." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 92-93.

CHEN CHIEN-PEI (Taiwan)

Kent, Rachel. "The Venice Biennale: Japan, Korea and Taiwan" (review). ART Asia Pacific, no. 18 (1998), pp. 20-21.

Websites:

Venice Biennale xlvii: http://www.labiennale.it/visual_a/xlvii/pavillon2/taiwan/taiwan.htm

CHEN CHI-CHENG (Taiwan)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

CHEN CHIN [F] (1907-1988) (Taiwan)

Pai, Maggie. "Twelve Women Artists at Lung Men Art Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 90-91.

CHEN DANQING ___ (b. 1953, Shanghai; self-trained; 1982 to NY)

Ackbar Abbas. Chen Danqing: Painting after Tiananmen, Cultural Studies Series Number 6, 1995.

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

__________. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

__________. Painting the Chinese Dream: Chinese Art Thirty Years After the Revolution. Northampton, Massachusetts: Smith College Museum of Art, 1982.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Klein, Norman M. "Underneath the Wave: New Art by Chinese Artists." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 27-30.

Meishu zuopin 7, 1981, fig. 15

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tao Yongbai and Li Jianguo. Zhongguo youhua 1700-1985 (Oil Painting in China 1700-1985). Nanjing: Jiangsu Meishu Chubanshe, 1988.

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, No. 3 (Win. 1991-1992), pp. 25-43 and vol. VI, no. 4 (Spring 1992), pp. 1-18.

Zhang Shaoxia and Li Xiaoshan. Zhongguo xiandai huihua shi. Nanjing: Jiangsu Meishu Chubanshe, 1986.

Websites:

Art Beãtus. http://www.artbeatus.com/

CHEN FUYU (Taiwan)

Heartney, Eleanor. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

CHEN GUANWU (GUANGWU)

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/reviews

Wu Liming. "Plotting Space at Courtyard Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 81-82.

CHEN HAIYAN ___ [F] (b. 1955, Fushun, Liaoning; NZAFA; NZAFA)

Chen Haiyan, poems from her woodcuts. (Wall placard translations, Charles H. Scott Gallery, Vancouver, 4/98.)

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

New Art from China (catalog), Sydney, 1992.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The People's Progress: Twentieth Century Chinese Woodcuts (catalog). Sydney: Art Gallery of NSW, 1996.

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

__________ and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

van Dijk, Hans and Inge Lindermann. China, China–Aktuelles aus 15 Ateliers (catalog). Munich: Herausgeber Hahn Produktion, 1996.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." AAP, vol. 2, no. 2 (April, 1995), pp. 44-51.

__________. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

CHEN HSING-WAN ___ [F] (b. 1951, Taichung; Taipei)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

CHEN HUI-CHIAO [F] ___ (b. 1964; Taiwan)

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Pai, Maggie. "Twelve Women Artists at Lung Men Art Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 90-91.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

CHEN JIANHUA

Cohen, Joan Lebold. "Post-Tiananmen Art: The 1991 Graduating Classes–Beijing/ Wuhan." Fine Art Magazine, vol. 2, no. 2 (Dec. 1991), pp. 17-19.

CHEN JIANGHONG ___ (b. 1963, Tianjin; overseas)

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

CHEN JUNDE ___ (b. 1937, Zhenhai, Zhejiang)

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Strassberg, Richard E. and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

CHEN LAI-HSING ___ (b. 1949; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHEN LIDE ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CHEN LIANGJEI

Bright, Susan. "The Chinese Grand Tour at Chinese Contemporary" (review). Asian Art News, vol. 8, no. 2 (Mar-Apr 1998), p. 83.

CHEN LUSHOU ___ (b. 1955, Wuhan)

MSWX, no. 5 (1995), various articles, repros.

CHEN PING [F] (Taiwan)

Findlay, Ian. "Artists at Work." Asian Art News, vol. 5, no. 1 (1-2/95), pp. 70-71.

CHEN QI __ (b. 1963, Nanjing)

MSWX, no. 6 (1996), various articles, repros.

CHEN QIKUAN ___ (b. 1921, Beijing; USA; Taiwan)

Rizvi, Sajid. "A Bridge of Vermilion--Chinese Art in Tradition, Transition and Diaspora." Eastern Art Report, vol. IV, no. 4. (Synopsis: www.eapgroup.ndirect.co.uk/China3.htm)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHEN QIAOQIAO [F]

Liao Wen, "Tumultuous History of China's Feminist Values and Art,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (Jan. 1998). http://www.chinese-art.com/volume1issue2/

CHEN QINGQING ___ (b. 1953, Beijing)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Zhang Zhaohui, curator. Corruptionists __ (catalog). Beijing, 1998.

CHEN REN __ (b. Fujian; CAFA; New Space Group)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHEN SHAOFENG

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

CHEN SHAOPING ___ (b. 1947)

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Lu, Sheldon Hsiao-peng. "Global POSTmodernIZATION: The Intellectual, the Artist, and China's Condition." boundary 2, vol. 24, no. 3 (Fall 1997), pp. 65-97.

Smith, Karen. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

CHEN SHAOXIANG ___

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

CHEN SHAOXIONG ___ (b. 1962, Shantou, Guangdong; GAFA; Guangzhou) See Big Tail Elephants, S. Art Salon

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Hou, Hanru. "Beyond the Cynical: China Avant-Garde in the 1990's." AAP, vol. 3, no. 1 (1996), pp. 42-51.

__________. "Globalised, Chaotic, Empty, Dystopian . . . ." ShanghART website: "Texts on Chinese Art": http://www.shanghart.com/sh-texts.htm (1997 or 1/98.)

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

__________. "Notes on China's Video Installation Art." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn, 1996), pp. 19-21.

Taylor, Roger and Helga Lasschuyt. "Fire Works." World Art, no. 5 (Feb., 1995), pp. 30-32.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

__________, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

CHEN SHIMING (b. 1948; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

CHEN SHUXIA ___ [F] (b. 1963; CAFA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

CHEN SHUN-CHU ___ (b. 1963, Taiwan; Taipei)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Rowley, Sue. "Experiencing Taipei." ART AsiaPacific, no. 15 (1997), pp. 36-38.

CHEN TIEGENG ___ (1908-1969/70; native of Xingning, Guangdong; AKA Chen Kebo ___, Chen Yaotang ___; Muling Woodcut Society, Eighteen Art Society)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHEN TIEJUN (b. 1957)

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

CHEN TING-SHIH ___ (b. 1916, Fujian; Taiwan)

Ancient Ideas, New Techniques: Chinese Contemporary Art. Org. by: Visual Arts Resources of the University of Oregon Museum of Art and the Taipei Art Guild, c. 1988.

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wechsler, Jeffrey, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

CHEN TSING-FANG (Tainan; Paris; NY)

Pai, Maggie. "Fusing Five Continents." Asian Art News, vol. 6, no. 6 (Nov/Dec 1996), pp. 68-69.

CHEN WEIMIN ___ (b. 1959, Fujian)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

MSWX, no. 5 (1995), repros.

CHEN WENBO (b. Chongqing, 1969; SAFA)

Smith, Karen. "Chen Wenbo." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_wenbo.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

CHEN WENJI ___ (b. 1954, Shanghai; CAFA)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

MSWX, no. 2 (1994), repros.

Modern Chinese Prints from the Central Academy of Fine Arts, Peking. Preston: The Lancashire Polytechnic and The Harris Museum and Art Gallery, 1985?

Reincarnation: Initiation (catalog). Beijing: China Exhibition Exchange Centre, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yin, Ji'nan ___. Du zi kou men ____ (Knocking at the Door Alone). Beijing: ____________, 1993.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

CHEN XI __ [F] (b. 1968; CAFA; Beijing)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Chen Xi. Chen Xi: Oil Paintings 1987-1997. Beijing: pub. by the artist, 1997.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

CHEN XIANGXUN ___ (b. 1956, Hangzhou)

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

CHEN XINHUA

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

CHEN XINGMAO

Xu, Hong. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

CHEN YANYIN ___ [F] (b. 1958, Shanghai; NAFA; Shanghai)

Between Ego and Society: Exhibition of Contemporary Women Artists of China. Chicago: Artemisia Gallery, 1997. (Exhib. pamphlet.)

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Gu Chengfeng. "Conceptual Art and Art Concept," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Gustafson, Paula. "Jiangnan: South of the Yangtze in Vancouver" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 39-41.

Kapoor, Kamala. "Art Across Oceans" (review of "Containers ‘96: Art Across Oceans," Copenhagen). ARTAsia Pacific, no. 14 (1997), pp. 34-37.

The Second Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1996.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Breaking the Silence: New Art from China." Art Monthly, no. 186 (May 1995), pp. 24-25.

__________. "Chinese Conceptual Art at the Kazerne." AAN, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Ushiroshoji, Masahiro. "Present Encounters." AAP, no. 15 (1997), pp. 30-31.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

Xu, Hong. "Dialogue: The Awakening of Chinese Women's Consciousness." AAP, vol. 2, no. 2 (April, 1995), pp. 44-51.

__________. "Dialogue: The Awakening of Chinese Women's Consciousness," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 16-23. (Same as above.)

__________. "The Spotted Leopard: Seeking Truth from History and Reality: Trends in the Development of Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 31-35.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

Websites:

ShanghART Website. http://www.shanghart.com/sh-cyy.htm

CHEN YIFEI ___ (b. 1946, Zhenhai, Zhejiang; Shanghai College of Art; 1991 to USA)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Chen Yifei (catalog). Hong Kong: Marlborough Fine Art (London) Ltd., 1996.

Cohen, New Ch Ptg

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

__________. "Beijing Report" (review of "China Exposition ‘95"). ARTAsia Pacific, vol. 3, no. 1 (1996), pp. 101-102.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Lenzi, Iola. "Hong Kong [auction report]." ART Asia Pacific, no. 18 (1998), pp. 82-83.

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Military Mus. of Ch., 1991, pl. 79

Pai, Maggie. "The Romantic Realist." Asian Art News, vol. 7, no. 2 (Mar/Apr 1997), pp. 88-91.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHEN YIMING __ (b. 1951, Shanghai; 1981 to USA; brother of Chen Yifei)

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHEN YUCUN ___ [F]

Contemporary Art Series, No 3: Transformism–Genesis and Displacement. Changsha: Hunan Fine Arts Publishing House, 1992.

CHEN YUFEI ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CHEN YUN-LU (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

CHEN ZHEN __ (b. 1955, Shanghai; Paris [1986]/Shanghai)

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Chen Zhen (catalog). Grenoble: Centre National d'Art Contemporain de Grenoble, 1993.

Chen Zhen (catalog), Artistes de l'Ecole Nationale Supérieure des Beaux-Arts de Paris, 1991.

Chen Zhen, Valentina Moncade, Rome, 1991.

Chen Zhen Hangar 028 (catalog), Paris, 1990.

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Chine Demain: Art Chinois, Chine Demain Pour Hier. (Catalog). Paris: Carte Secrete, 1990. (Pp. 52-54.)

Cream: Contemporary Art in Culture. London: Phaidon, 1998.

Fumio Nanjo. Immutability and Fashion: Chinese Contemporary Art in the Midst of Changing Surroundings (catalog). Tokyo: Kirin Brewing Co., Ltd., 1997.

Gao Minglu. "Inside Out: New Chinese Art." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). http://www.chinese-art.com/volume1issue5/special

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Gebrochene Bilder–Junge Kunst aus China (Broken Pictures–Young Chinese Art). Hamburg: Drachenbrücke, Horlemann Verlag, Unkel/Rhein and Bad Honnef, 1991. (Pp. 72-75.)

Global Vision: New Art from the 90's, Part II (exhibition catalog/brochure). Athens: Deste Foundation, 1998.

Heart of Darkness. Otterlo: Kröller-Müller Museum, 1994.

Heartney, Eleanor. "The Return of the Red-Brick Alternative." Art in America, vol. 86, no. 1 (1/98), pp. 56-67.

__________. "Report from Taiwan: The Costs of Desire" (review). Art in America, vol. 86, no. 12 (December 1998), pp. 38-43.

__________. "Skeptics in Utopia." Art In America, vol. 80, no. 7 (July, 1992), pp. 76-81.

Hou, Hanru. "Brückenschläge." Neue Bildende Kunst, vol. 5, no. 1 (2-3/95), pp. 58-61.

__________. "Chinatown: Ken Lum and Chen Zhen Interviewed." AAP, no. 15 (1997), pp. 60-65.

__________. "Departure Lounge Art: Chinese Artists Abroad." AAP, vol. 1, no. 2 (April, 1994), pp. 36-41.

__________. "Entropy; Chinese Artists, Western Art Institutions: A New Internationalism." In: Global Visions: Towards a New Internationalism in the Visual Arts. London: Kala Press, 1994. Pp. 79-88.

__________, curator. Out of the Center (catalog). Pori, Finland: Porin Tadeimuseo, 1994.

__________. "Le Plaisir du Texte: Zen and the Art of Contemporary China." Flash Art (int'l ed.), no. 173 (11/12 ‘93), p. 64.

__________ and Gao Minglu. "Strategies of Survival in the Third Space: A Conversation on the Situation of Overseas Chinese Artists in the 1990s." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________ and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

Huang Yongping "Chinese Hand Laundry"; "Field of Waste," Chen Zhen. New York: New Museum of Contemporary Art, 1994. (Video.)

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Koplos, Janet. "Huang Yong Ping and Chen Zhen at the New Museum." Art in America, vol. 83 (1/95), pp. 104-105.

McFadden, Sarah. "The ‘Other' Biennial." Art in America, vol. 85, no. 11 (11/97), pp. 84-91.

Morin, France. Huang Yongping "Chinese Hand Laundry"; "Field of Waste," Chen Zhen. New York: New Museum of Contemporary Art, 1994. (Exhibition brochure.)

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Origins of Myth and Fire: New Art from Japan, China and Korea (catalog). Saitama: The Museum of Modern Art, 1996.

Pai, Maggie. "Challenges to Change" (review of Taipei Biennial). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 36-47.

Parisien(ne)s. London: Inst. of International Visual Arts and Camden Arts Center, 1997.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

Sans, Jerome. "Chen Zhen" (review). Artforum, vol. 34 (Jan. '96), p. 92.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Silent Energy. Oxford: Museum of Modern Art, 1993.

van der Plas, Els. "Heart of Darkness" (review). AAP, vol. 2, no. 3 (1995), pp. 118-119.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Yang, Alice. "Daily Incantations" (rev.). World Art, no. 11 (4/96), p. 85. (Reprinted in: Yang, in Yang, Why Asia? Contemporary Asian and Asian American Art [New York: New York University Press, 1998], pp. 57-59.)

Yishujie ___ (Art Life), January-February, 1997.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

Websites: hong kong etc. (2nd Johannesburg Biennale, 1997)

CHENG CONGLIN ___ (b. 1954)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CHENG KA KAY (HK)

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

CHENG TSAI-TUNG ___ (b. 1953, Taipei, Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Chang, Tsong-zung, curator. Man and Earth: Contemporary Paintings from Taiwan. Denver: Asian Art Coordinating Council, 1994.

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

Jaivin, Linda. "Sexual Realpolitik" (review). Art and Asia Pacific, vol. 2, no. 4 (1995), pp. 32-33.

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Lutchmansingh, Larry D. "Man and Earth" (review). Art and Asia Pacific, vol. 2, no. 1 (1995), pp. 32-33.

Pai, Maggie. "Cheng Tsai-tung and Yu Peng at Hanart Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), p. 86.

__________. "Cheng Tsai-tung at the Crown Art Center" (review). Asian Art News, March-April 1994, p. 90.

Prakash, Siddartha. "Cheng Tsai Tung and Yu Peng at Hanart T Z Gallery" (review). Asian Art News, November-December 1993, pp. 122-123.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/taiwan.html

CHENG WEI-KWOK (=Zheng Weiguo; b. Guangzhou; HK)

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

CHENG YANAN ___ [F] (b. 1963; CAFA; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CHENG YANPING (b. 1951; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

CHENG XIAOYU ___

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

CHEUNG, CHRISTOPHER (b. : Paris, 1970)

"Arts Exchange" (review). Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 15.

Hacker, Arthur. "In Search of Tranquility." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 88-91.

CHEUNG, LISA (HK)

Millichap, John. "Breaking Down Gallery Walls." Asia-Pacific Sculpture News, vol. 2, no. 2 (Spring 1996), pp. 32-33.

CHEUNG, LUCIA (b. 1950, Macao)

Cheng, Scarlet. "At the Cutting Edge." Asian Art News, vol. 4, no. 4 (Jul/Aug 1994). pp. 56-59.

__________. "Barometer of Change." World Art, no. 12 (Jan., 1997), pp. 72-75.

Hantover, Jeffrey. "Lucia Cheung at Hanart TZ Gallery" (exhib. review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 62-63.

Hobbs, Robert. Hong Kong Now! (cat.) Richmond, Virginia: Anderson Gallery, 1997.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

CHI TI-NAN (Taiwan)

Hou Hanru and Hans Ulrich Obrist, eds. Cities on the Move (catalog). Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997.

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

CHI YING __ (AKA HE LILAN ___) [F] (b. 1944, Wuhan; Guangzhou AFA; Shenzhen)

Werner, Chris, Qiu Ping, and Marianne Pitzen, eds. Die Hälfte des Himmels: Chinesische Künstlerinnen. Bonn: Frauen Museum, 1998.

CHIANG BAO-CHU/ AKA TAMAYO [F] (b. 1917) (Taiwan)

Pai, Maggie. "Twelve Women Artists at Lung Men Art Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 90-91.

CHIANG MING-SHYAN (b. 1942, Taizhong)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

CHIEN FU-CHUAN (Taiwan)

Shih, J. J. "From Anguish to Irony: The Chinese Identity Complex in Taiwanese Art." Art and Asia Pacific, vol. 2, no. 3 (1995), pp. 88-95.

CHING (WONG SAU CHING) (HK)

Findlay, Ian. "Eight Artists at Gallery 7" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), pp. 61-62.

CHIR, WEI JANE (Taiwan)

Goodman, Jonathan. "Site of Asia" (review). ART Asia-Pacific, issue 20 (Autumn 1998), pp. 25-27.

__________. "Wei Jane Chir at Alexandre de Folin." Art in America, vol. 85, no. 9 (9/97), pp. 108-109.

CHIU TZE-HUNG (b. 1936, HK)

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

CHIU TZU-YAN [F] (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

Yang, Wen-I. "Four Female Artists" (review of shows by Irene Chou, Chiu Tze-yan, and Yan Ming-hui; and Margaret Shui Tan). Art and Asia Pacific, vol. 2, no. 2 (April, 1995), pp. 117-118.

CH'IU YA-TS'AI ___ (b. 1949, Yilan, Taiwan)

Kuo, Jason C. "After the Empire: Chinese Painters of the Post-War Generation in Taiwan." In John Clark, ed. Modernity in Asian Art: The University of Sydney East Asian Series, no. 7. Broadway, New South Wales: Wild Peony, 1993.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

CHO YU-JUI ___ [F] (b. 1950, Taipei, Taiwan)

Goodman, Jonathan. "Y. J. Cho at O. K. Harris Gallery." Asian Art News, vol. 7, no. 6 (11-12/97), p. 92.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

CHOI YAN-CHI (HK)

McIntyre, Sophie. "River: New Asian Art in Taipei" (review). ART AsiaPacific, issue 19 (1998), pp. 68-73.

CHOU CHEN (b. 1941, I-Lan, Taiwan)

Legacy and Transition of Ink Painting: Exhibition of Ten Artists from Taiwan. San Francisco: Chinese Culture Center, 1996.

CHOU EARTHSTONE (b. 1950, Taiwan)

Ancient Ideas, New Techniques: Chinese Contemporary Art. Org. by: Visual Arts Resources of the University of Oregon Museum of Art and the Taipei Art Guild, c. 1988.

CHOU, IRENE ___ (b. 1924, Shanghai; HK; Australia)

Binks, Hilary. "The Universe Within." Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 34-38.

Clarke, David. "Between East and West: Negotiations with Tradition and Modernity in Hong Kong Art. Third Text, no. 28/29 (Autumn/Winter, 1994), pp. 71-86.

Contemporary Vision of Landscape. Hong Kong: Kong Kong Museum of Art, 1982.

"Irene Chou Luyun." Asian Art News, vol. 8, no. 5 (9-10/98), p. 32.

Kirker, Anne. "Poised in Equilibrium: One of Hong Kong's Leading–and Expatriate–Painters, Irene Chou." Art and Asia Pacific, vol. 1, no. 2 (April, 1994), pp. 56-60.

__________. "Poised in Equilibrium: Introducing the Work of Irene Chou," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 52-57. (Same as above.)

Munro, Susan. "Irene Chou at the Taipei Fine Arts Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 67.

Overseas Chinese Artists Exhibition. Taipei: Taipei Fine Arts Museum, 1984.

Smith, Karen. "‘Art at the Handback' at Blunden Oriental." Asian Art News, vol. 7, no. 5 (9-10/97), p. 97. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wong, Wucius. "Chinese Painting in Hong Kong." In Kao, Mayching, ed. Twentieth-Century Chinese Painting. Hong Kong: Oxford University Press, 1988.

CHOU MENG-TE (Taiwan)

Pai, Maggie. "Reflections and Reconsiderations at the Taipei Fine Arts Museum." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 92-93.

CHU CHIAHUA ___ (b. 1960, Taipei)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. "Toward a Transnational Modernity: An Overview of Inside Out: New Chinese Art." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

CHU GE

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

CHU HING-WAH (b. 1935; HK)

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/hk.html

CHU KO/ Chu Ge (Yuan Dexing, b. 1931; Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

Lee, Leo Ou-fan. "Across Trans-Chinese Landscapes: Reflections on Contemporary Chinese Cultures." In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Sturman, Peter C. "Measuring the Weight of the Written Word: Reflections on the Character-Paintings of Chu Ko and the Role of Writing in Contemporary Chinese Art." Orientations, vol. 23, no. 7 (July, 1992), pp. 44-52.

CHU TEH-CHUN (b. 1920, North Jiangsu; student, Nat'l Acad. Hangzhou 1935-37; Chongqing -1941; Asst. Prof., Nat'l Acad. 1941-46; Prof., Nat'l U., Arch. Dept. 1944 Chongqing-1949 Nanking; Prof., National Normal University, Arch. Dept., Taipei, 1951-1956; 1956 to Paris; Ecole de Paris)

Binks, Hilary. "Passion for Life." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 54-56.

CHUANG CHE __ (b. 1934, Beijing; Taiwan; USA)

Pai, Maggie. "Chuang Che at the Lung Men Art Gallery" (review). Asian Art News, vol. 8, no. 6 (November/December 1998), pp. 75-76.

Pai, Maggie. "Symbol vs Symbolic at the Lung Men Art Gallery" (review). Asian Art News, vol. 8, no. 4 (Jul/Aug 1998), pp. 92-93.

Shanghai Biennale, 1998 (catalog). Shanghai: Shanghai Art Museum, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Wechsler, Jeffrey. "Toward a New Tradition." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 40-47.

__________, ed. Asian Traditions/Modern Expressions: Asian American Artists and Abstraction 1945-1970. New York: Harry N. Abrams and New Brunswick, New Jersey: Jane Voorhees Zimmerli Art Museum, 1997.

CHUANG MING-CHI (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

CHUANG PU (b. 1923; Taiwan)

Clark, John. "Aspects of Taipei Modernism in the 1980s." Orientations, vol. 23, no. 7 (July 1992), pp. 28-36.

CHUNG PU (Taiwan)

Rowley, Sue. "Experiencing Taipei." ART AsiaPacific, no. 15 (1997), pp. 36-38.

CHUNLI WANG-GURT (Same as Wang Chunli, b. 1957?)

Changing Cultures: Immigrant Artists from China. New York: Baruch College Gallery/ City University of New York, 1991.

Modern Chinese Prints from the Central Academy of Fine Arts, Peking. Preston: The Lancashire Polytechnic and The Harris Museum and Art Gallery, 1985? (?)

CONCEPT 21 ____ (Beijing; Zhao Jianhai ___, Zheng Yuke ___, Kang Mu __, Sheng Qi, Xi Jianjun; and art critics, Zhu Qingsheng, Kong Chang'an, Hou Hanru, Fan Di'an)

China/Avant-Garde. Beijing: China Art Gallery, 1989. (Not illus.)

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

CUI GUOQIANG ___ (b. 1956, Xian)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

CUI XIUWEN ___ [F] (b. 1970; CAFA; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

DATONG DAZHANG ____

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

DAI GUANGYU ___ (b. 1955, Chengdu; Chengdu)

Cohen, Joan Lebold. "Sichuan Surprise: Cosmopolitan Chengdu" (review). Asian Art News, March/April 1994, pp. 50-56.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

DAI HENGYANG ___ (b. 1946, Shanghai; Shanghai)

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Strassberg, Richard E., ed. "I Don't Want to Play Cards with Cézanne" and Other Works: Selections from the Chinese "New Wave" and "Avant-Garde" Art of the Eighties. Pasadena, California: Pacific Art Museum, 1991.

__________ and Waldemar A. Nielsen. Beyond the Open Door: Contemporary Paintings from the People's Republic of China. Pasadena, California: Pacific Art Museum, 1987.

Sturman, Peter C. "Measuring the Weight of the Written Word: Reflections on the Character-Paintings of Chu Ko and the Role of Writing in Contemporary Chinese Art." Orientations, vol. 23, no. 7 (July, 1992), pp. 44-52.

DAI SHIHE ___ (b. 1948, Beijing; CAFA)

Contemporary Oil Paintings from the People's Republic of China. New York: The Harkness House, 1987.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

DENG JIANJIN ___ (b. 1961, Guangdong; Jingdezhen Inst. of Porcelain; Guangzhou AFA)

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

He Bing. Oil Paintings by Twelve Chinese (catalog). Tianjin: Tianjin People's Fine Arts Publishing House, 1995.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MSWX, no. 2 (1994), various articles, repros.

The Second Oil Painting Department Biennial (catalog). Guangdong: Guangzhou Art Academy, 1994.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

DENG LIN __ [F] (b. 1941, Shexian, Hebei; Deng Xiaoping's daughter)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Contemporary Chinese Women Painters. Beijing: Foreign Languages Press, 1995.

Smith, Karen. "Female Artists from China/Britain at Kingston University." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 96-97. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

DENG PINGXIANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

DI NAIZHUANG ___

Hualang __ (Art Gallery), no. 55 (1996, no. 2).

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

DING BIN

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

DING CONG __ (Xiao Ding; b. 1916, Shanghai; Beijing)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Zha, Jianying. China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture. New York: The New Press, 1995.

DING DEFU ___

China/Avant-Garde. Beijing: China Art Gallery, 1989.

DING FANG __ (b. 1956, Shanxi; NAFA; Beijing)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

__________, "Official Reactions to Modern Art in China since the Beijing Massacre," Pacific Affairs, vol. 65, no. 3 (Fall, 1992), pp. 334-352.

Ding Fang. Ding Fang wenji ____ (Collected essays of Ding Fang). Beijing: Beijing Yanshan Publishing House, 1998.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

JSHK 11/85: 20, 21

Jose, Nicholas. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MS shilun, 3/89

MS yanjiu, no. 84; 1996, no. 4 [11/96], p. 19

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shui Tianzhong. The Annual Exhibition of Works of Artists Nominated by Art Critics, 1994 (catalog, exhib. at Ch. Art Gallery). Sichuan Fine Arts Press, 1994.

__________, ed. Ding Fang. Guangxi Fine Arts Publishing House, 1994.

Smith, Karen. "1994 Critics Exhibition at the China Art Gallery" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 59.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

DING LIREN ___ (b. 1930, Haimen, Zhejiang)

MSWX, no. 3 (1995), repros.

Union of Contemporary Artists in China ________ (catalog). Shanghai: [committee for the exhibition], 1998.

DING PIN __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

DING YI __ (AKA Ding Rong; b. 1963/ b. 1962, Shanghai; Shanghai)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Aura Aurea (Golden Aera.) Chiostri Benedettini, Reggio Emilia, Italy. (Catalog)

Baillon, Daniel. "Critiques: On the New Crosses of ‘15 x Red'." 1996. http://www.shanghart.com/sh-dy-text.htm#text

La Biennale Di Venezia: XLV Esposizione Internazionale d'Arte. Venice: Marsilio Editori S.P.A., 1993. (Catalog)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Change–Chinese Contemporary Art (catalog). Göteborg, Sweden: Konsthallen Götaborg, 1995.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

"Crosses ‘97" (review). "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). http://www.chinese-art.com/volume1issue2/

Dematte, Monica. "Theory of Casualness." 1997. http://www.shanghart.com/sh-dy-text.htm#text

__________. "Simplicity, Complexity, Synthesis: Ding Yi's Painting Process." 1994. http://www.shanghart.com/sh-dy-text.htm#text

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Ding Yi (catalog). Shanghai: Shanghai Art Museum, 1994.

Ding Yi (catalog). Shanghai: ShanghART, 1997.

Ding Yi opera su Carte - Paper Works of Ding Yi. Galleria degli Archi, Comiso, Sicily. (Catalog)

Ding Yi's Abstract Works. Shanghai: Art Museum. (Catalog)

The First Asia-Pacific Triennial of Contemporary Art. Brisbane: Queensland Art Gallery, 1993.

The First China Oil Painting Society Exhibition. Beijing: China Art Gallery. (Catalog)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Helbling, Lorenz. "15 x Red by Ding Yi." 1996. http://www.shanghart.com/sh-dy-text.htm#text

History of Chinese Oil Painting from Realism to Post-Modernism (catalog). Hong Kong: Schoeni Art Gallery, 1995.

Hore, Tessa. "Independence and Individuality: Six Contemporary Artists Working in Shanghai." Asian Art Newspaper (Belgium), January 1998, pp. 16-17.

Huang Du. "A Few Questions on the Relationship between the Development of Chinese Contemporary Art and the Development of Contemporary International Art," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

JSHK 8/87: 39

Li Chao __. A History of Oil Painting in Shanghai _____. Shanghai: Shanghai People's Fine Arts Publishing House, 1995.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

Peters, Paul and Hans van Dijk, curators. Mondrian in China: A Documentary Exhibition with Chinese Originals (catalog). Beijing: The Netherlands Ministry of Foreign Affairs, 1998.

Post 89 Chinese Modern Art. HK: Hong Kong Arts Centre, 1995? (CATALOG)

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Raddock, David M. "Beyond Mao and Tiananmen: China's Emerging Avant-Garde." The New Art Examiner, March 1995, pp. 25-27, 54.

"Reviews." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). (Illus. only.) http://www.chinese-art.com/volume1issue4/

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Shanghai Biennale, 1996 (catalog). Shanghai: Shanghai Art Museum, 1996.

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

Shin Yong-doug and Yin Jinan. A Point of Contact: Korean, Chinese Japanese Contemporary Art (catalog). Korea: Taegu Art and Culture Hall, 1997.

Smith, Karen. "Mondrian in China at the International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 83-84.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Watari, Koichi, comp. Chinese Contemporary Art, 1997. Tokyo: Watari-um, 1997.

Yao, Catherine. "Shanghai's Lonely Avant-Garde." Asian Wall Street Journal, 2/2-3/96, p. 7.

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

Zhongguo meishu bao, no. 10, 1989, p. 2.

Websites:

Haus der Kulturen der Welt: http://www.asianartnow.de/

ShanghART Website. http://www.shanghart.com/sh-dy.htm

DING YILIN ___ (b. 1953, Nanjing)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

DING ZHUOQIN (AKA DING ZI _) ___ [F] (b. 1968)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

DON JEN-PEN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

DONG CHAO __

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

DONG KEJUN ___ (b. 1939, Chongqing; self-trained; Guiyang)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Van Dijk, Hans. "Painting in China after the Cultural Revolution: Style Developments and Theoretical Debates." China Information, vol. VI, no. 4 (Spring 1992), pp. 1-18.

DONG XIWEN ___ (1914-1973; native of Shaoxing)

Andrews, Julia. Painters and Politics in the People's Republic of China, 1949-1979. Berkeley and Los Angeles: University of California Press, 1994.

Clark, John. Modern Asian Art. Sydney: Craftsman House and Honolulu: University of Hawai'i Press, 1998.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

DUAN JIANWEI ___ (b. 1961, Xuchang, Henan; Zhengzhou)

MSWX, no. 5 (1995), repros.

Smith, Karen. "Duan Jianwei." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/a_duan.htm

__________. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. "Fundamentals: Between Curator & Public." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_fund.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

DUAN XIUCANG ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

DUAN YINGMEI ___ [F] (Heilongjiang; Beijing)

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Bai pi shu ___ (The White Cover Book). Beijing, 1995.

__________, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

DUAN ZHENGQU ___ (b. 1958, Henan)

Collection of the Exhibition of One Hundred Years of Portrait Painting in China (catalog, exhib. at China Art Gallery). Guangxi Fine Arts Pub. House, 1996.

Duan Zhengqu and Lao He. Duan Zhengqu. China, 1995.

MSWX, no. 5 (1995), various articles, repros.

The Second Oil Painting Department Biennial (catalog). Guangdong: Guangzhou Art Academy, 1994.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

ER KEE (Taiwan)

Pai, Maggie. "A Glimpse of Sculpture." Asia-Pacific Sculpture News, vol. 2, no. 4 (Autumn 1996), pp. 32-33.

FAN BO __ (b. 1966, Tianjin)

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

FAN BO __

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

FAN SHURU ___ (b. 1960, Nantong, Jiangsu)

‘89-'92 Contemporary Art of China. Jiangsu Fine Arts Publishing House, 1994.

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

FAN ZHONGMING ___ (b. 1958, Shanghai)

Waves of Asia (catalog/brochure). Tokyo: Tokyo Gallery, 1991.

Zhongguo xiandai meishu (jin) zhan (catalog) [AKA: China Avant-garde OR Documentary Exhibition on Chinese Contemporary Art]. Tokyo Gallery, 1989.

FANG LIJUN ___ (b. 1963, Handan, Hebei; CAFA; Beijing)

ART AsiaPacific, no. 15 (1997), p. 5. (Photo.)

"Auction News,""Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 1 (late 1997). (Illus. only.) http://www.chinese-art.com/volume1issue1/

Barmé, Geremie. "Culture at Large: Consuming T-Shirts in Beijing." China Information, vol. VIII, nos. 1/2 (1993), pp. 1-44.)

Bell, J. Bowyer. "Double Kitsch: Painters from China" (review). Review: The Critical State of Visual Art in New York, March 15, 1998.

Chan, Lauk'ung. "Ten Years of the Chinese Avantgarde: Waiting for the Curtain to Fall." Flash Art, January/February 1992, pp. 110-114, cover.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________. Chinese Contemporary Art at Sao Paolo (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cheng, Scarlet. "What Would Mao Think?" (review). Los Angeles Times Calendar, 10/11/98.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

Cotter, Holland. "Double Kitsch: Painters from China" (review). The New York Times, March 13, 1998.

Dal Lago, Francesca. "Inside Out: Chinese Avant-Garde Art [A Conversation with Gao Minglu]." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 42-49.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dewar, Susan. "Beijing Report" (review of "1st Academic Exhib. of Ch. Contemp. Art 96-96"; "Homecoming of Chen Yifei", "Chair about a Chair: Shao Fan"' Red Gate, Courtyard, Marlborough Galleries). ART AsiaPacific, no. 15 (1997), pp. 39-41.

Fang Lijun: Human Images in an Uncertain Age. Tokyo: Japan Foundation, 1996.

Fifth Anniversary Exhibition: Selected Paintings by Twenty-Three Contemporary Artists (catalog). Hong Kong: Schoeni Art Gallery, 1997.

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Huang Junqing, ed. Dream of China: ‘97 Chinese Contemporary Art. Beijing: China Today Press, 1997.

JSHK, 12/89, p. 10; 1/92, p. 42.

Jolliffe, Hylton. "Contemporary Chinese Artists at the Fung Ping Shan Museum" (review). Asian Art News, vol. 5, no. 1 (Jan-Feb 1995), p. 61.

Jose, Nicholas. "Fang Lijun." AAP, no. 15 (1997), p. 93. (Review of Japan Foundation show.)

__________. "My Search for a Shaman: The Impact of 1989 on Chinese Art." AAP, vol. 1, no. 2 (April, 1994), pp. 78-83.

__________. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

__________. "Notes from Underground, Beijing Art, 1985-89." Orientations, vol. 23, no. 7 (July, 1992), pp. 53-58.

Leng Lin, curator. It's Me: A Profile of Chinese Contemporary Art in the 90s (catalog). Beijing: Contemporary Art Center Co., 1998.

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

MacRitchie, Lynn. "Precarious Paths on the Mainland." Art in America, vol. 82 (3/94), pp. 51-53, 55, 57.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art and Victoria National Gallery, Melbourne, 1994.

MS, 4/89, p. 18; 5/89, p. 17 (illus.).

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Noth, Jochen, et al., eds. China Avant-Garde: Counter-Currents in Art and Culture. Hong Kong: Oxford University Press, 1993.

The Painting Den (catalog), Beijing, 1992.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Roberts, Claire. New Art from China (catalog). Sydney: Art Gallery of New South Wales, 1992.

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Sang Ye; trans. & intro. by Barmé. "Fringe-Dwellers: Down and Out in the Yuan Ming Yuan Artists' Village." AAP, no. 15 (1997), pp. 74-77.

Smith, Karen. "First Word." Representing the People (exhibition at the Chinese Arts Center, Manchester, 1999). http://www.the-people.org/e_first.htm

__________. Representing the People (catalog). Manchester: Chinese Arts Center, 1999.

Puy, Inma G. "Spring in Beijing" (review). (April 14th, 1996): http://www.connect-arte.com/archive/china/echinab.htm

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Thiek, Catherine. Four Points of Reference (4 Points de Recontre. Chine, 1996) (catalog). Paris: Galerie de France, 1996.

Twenty-First Century, no. 9, 1992.

Visions of Happiness: Ten Asian Contemporary Artists (catalog). Tokyo: Japan Foundation, 1995.

"Worldwide Exhibition Listings." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 3 (Mar. 1998). http://www.chinese-art.com/volume1issue3/

Yang, Alice. "Beyond Nation and Tradition: Art in Post-Mao China," in Yang, Why Asia? Contemporary Asian and Asian American Art (New York: New York University Press, 1998), pp. 107-118.

Yishujie ___ (Art Life), January-February, 1997.

Zha, Jianying. China Pop: How Soap Operas, Tabloids, and Bestsellers Are Transforming a Culture. New York: The New Press, 1995.

__________. "Raise the Red Lantern." ART Asia-Pacific, issue 20 (Autumn 1998), pp. 28-29.

Zhongguo xiandai meishu quanji: youhua 4 ____________ (Complete collection of modern Chinese art: oil painting 4). Tianjin: Tianjin People's Art Publishing House, 1997.

Websites:

Chinese Contemporary. (Bio. and illus.) http://www.chinesecontemporary.com./home/artists/fang_lijun.html

"Connect-Arte in China: Fang Lijun" (illus. only). http://www.connect-arte.com/archive/china/artistas/fangliju.htm

Haus der Kulturen der Welt: http://www.asianartnow.de/

FANG, MARVIN MINTO (b. 1955, Taipei; Los Angeles; Taipei)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Websites:

47th International Art Exhibition Venice, June 15-November 9, 1997 http://www.labiennale.it/visual_a/xlvii/patr_en/segmenta.htm

FANG SHAOHUA ___ (b. 1962, Shashi, Hubei; Guangzhou)

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Lu Hong. "A Process of ‘SELF' Discovery–Chinese Contemporary Oil Painting in the 1990s," in The First Academic Exhibition of Chinese Contemporary Art. Beijing/Hong Kong (?): Ning Nan Arts Publishing Co., 1996.

"Quotation Marks": Chinese Contemporary Paintings. Singapore: Singapore Art Museum, 1997. (Almost the same as China! Zeitgenössische Malerei.)

Ronte, Dieter, Walter Smerling, and Evelyn Weiss. China! Zeitgenössische Malerei. Bonn: Dumont, 1996.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 2. Henan Fine Arts Publishing House, 1997.

FANG TU __ (b. 1963, Guangzhou; Guangzhou)

Gao Minglu. "From Elite to Small Man: The Many Faces of a Transitional Avant-Garde in Mainland China" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

FANG WEIWEN ___ (b. 1970, Brunei; Tainan)

Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Lu, Victoria Y. "Striving for a Cultural Identity in the Maze of Power Struggles: A Brief Introduction to the Development of the Contemporary Art of Taiwan. " In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

FANG XIAOHUA

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

FEI DAWEI ___ (Paris)

Shanghai Fax–Let's Talk About Money: An International Exhibition of Art by Fax. Huashan Fine Arts College, Shanghai, 1996.

FEI ZHENG __ (b. 1938; CAFA)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

FENG FENG __ (Guangzhou)

Hualang __ (Art Gallery), nos. 60-61 (1997, nos. 1-2).

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Yang Xiaoyan. "A Glimpse into Recent Contemporary Art in Guangzhou." Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 4 (May 1998). http://www.chinese-art.com/volume1issue4/

FENG GUODONG ___ (b. 1948, Panyux, Guangdong)

China/Avant-Garde. Beijing: China Art Gallery, 1989.

Cohen, Joan Lebold. The New Chinese Painting, 1949-1986. New York: Harry N. Abrams, 1987.

Galikowski, Maria. Art and Politics in China 1949-1984. Hong Kong: Chinese University Press, 1998.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

FENG HANSHENG ___ (with Bao Lei)

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

FENG JIALI ___ [F] (b. 1963; SAFA, CAFA; CAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

Dewar, Susan. "In the Eye of the Beholder: The Art of Wang Jin and Feng Jiali." ART AsiaPacific, no. 15 (1997), pp. 66-73.

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

The Pedigree of Painted Faces: Feng Jiali. Beijing: World Chinese Arts Publication Co., 1998.

Smith, Karen. "Century: Woman at the China Art Gallery/ Modern Art Museum/ International Art Palace." Asian Art News, vol. 8, no. 3 (May/Jun 1998), pp. 82-83.

FENG LIANGHONG ___ (b. 1962, Shanghai; 1990 to USA)

China/Avant-Garde. (Not illus.)

Thomas, Greg. Global Roots: Artists from China Working in New York (catalog). New York: Purdue University, 1998.

FENG MENGBO ___ (b. 1966, Beijing; CAFA; Beijing)

Asiaweek. Special Anniversary Issue: "Twenty Great Asians 1975-1995 and Twenty for the Future." 2 June 1995, p. 97.

Barmé, Geremie. "Mb@Game, a Beijing Screensaver." ART Asia Pacific, no. 15 (1997), pp. 78-83.

Carter, Curtis L. Feng Mengbo Video Games (exhibition brochure). Milwaukee: Haggerty Museum of Art, 1998.

Chang Tsong-zung. "Beyond the Middle Kingdom: An Insider's View" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

__________, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Configura 2: Dialog der Kulturen (catalog). Erfurt, Germany: Configura-Projekt, 1995.

Cotter, Holland. "Feng Mengbo" (review). New York Times, 13 March 1998, p. E35.

D'Annunzio, Grazia. "Feng Mengbo." L'Uomo Vogue, December 1997, pp. 12-15.

Des del Pais del Centre: Avantguardes Artistiques Xineses. Barcelona: Centre d'Art Santa Monica, 1995.

Dreissen, Chris and Heidi van Mierlo, eds. Another Long March: Chinese Conceptual and Installation Art in the Nineties. Breda: Fundament Foundation, 1997.

Eisenberg, Daniel and Jon Goldstein. "Culture Shock." Time Digital, 4/27/98, p. 10.

Esquire (Japan). January 1994, pp. 54-55, cover.

Faces and Bodies of the Middle Kingdom (catalog). Prague: Galerie Rudolfinum, 1997.

Feng Mengbo. Game Over: Long March (catalog). Hong Kong: Hanart TZ Gallery, 1994.

__________, "Private Paths," trans. by Geremie Barmé (Beijing, 1996).

"Feng Mengbo" (review). The New Yorker, 3/16/98, p. 15.

"Feng Mengbo: Playing Games with the Past." Asiaweek, June 2, 1995, p. 97.

Goodman, Jonathan. "Feng Mengbo at Holly Solomon" (review). Art in America, vol. 86, no. 9 (September 1998), p. 126.

Healy, Anthony. "Chinese Political Pop Art: Game Over?" Window, 10/14/94, pp. 42-43.

__________. "Power Play." World Art, no. 13 (1994), pp. 24-25.

Hou, Hanru. Uncertain Pleasure: Chinese Artists in the 1990's. Vancouver and Hong Kong: Art Beãtus, 1997.

In the Absence of Ideology (catalog). Hamburg: Kampnagel Hamburg, 1995.

In Between Limits (catalog). Korea: Sonje Museum of Contemporary Art, 1997.

Jana, Reena. "One to Watch: Feng Mengbo/International Asian Art in Brief." Flash Art, May-June 1998, p. 59.

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Klawans, Stuart. "Feng Mengbo" (review). Daily News (NY), 7 March 1998.

Levin, Kin. "Feng Mengbo" (review). Village Voice, 10 March 1998, p. 90.

Li, Xianting. "The Imprisoned Heart: Ideology in an Age of Consumption." ART Asia Pacific, vol. 1, no. 2 (April, 1994), pp. 25-30.

__________. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

London, Barbara. Stir-Fry: A Video Curator's Dispatches from China. New York: Mus. of Modern Art, 1997. (Web-site: http://www.adaweb.com/context/stir-fry/)

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

New Art from China, Post-1989 (catalog). London: Marlborough Fine Art, 1993.

New Generation of Asian Art (catalog). Yonago: Yonago City Museum of Art, 1997.

Pollack, Barbara. "PoMaoism." Art & Auction, March 1998, pp. 110-115.

"Post 1989: Art Beijing." Esquire (Japan), January 1994, pp. 54-55, front cover.

Reckoning with the Past. Edinburgh: The Fruitmarket Gallery, 1996.

Sand, Olivia J. "Feng Mengbo." Asian Art Newspaper, June 1998, p. 14.

Smith, Karen. "Another Long March." ART Asia Pacific, no. 17 (1998), pp. 26-28. (Review.)

__________. "Chinese Conceptual Art at the Kazerne." Asian Art News, vol. 7, no. 5 (9-10/97), pp. 98-99. (Review.)

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Tsang, Henry. "Uncertain Pleasure." ART Asia Pacific, no. 17 (1998), pp. 29-31. (Review.)

"Universes in Universe Special: documenta X: Wang Jianwei." http://www.kulturbox.de/univers/doc/jianwei/e_jian1.htm

Vine, Richard. "Reporting from Korea: Asian Futures" (review). Art in America, vol. 86, no. 7 (July 1998), pp. 34-41, 43.

Visions of Happiness: Ten Asian Contemporary Artists (catalog). Tokyo: Japan Foundation, 1995.

"Works from the Premier Collection of Hanart TZ Gallery's Tsong-zung Chang." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 5 (September 1998). (Illus. only.) http://www.chinese-art.com/volume1issue5/feature

Wu Hung. "Ruins, Fragmentation, and the Chinese Modern/Postmodern" In Gao Minglu, ed. Inside Out: New Chinese Art (catalog). Berkeley: University of California Press, 1998.

Xu Bing. "Drawing Instruction: Generally Speaking and in Practical Terms" __________. Meishu yanjiu, 1988, no. 4 (11/88), pp. 36-39.

Websites:

Art Beãtus. http://www.artbeatus.com/

Asia Week: "Twenty Great Asians": http://pubweb.nwu.edu/~flip/asians.html

Barmé, Geremie. "Mb@Game, a Beijing Screensaver.": http://www.artasiapacific.com/articles/mengbo/mengbo1.html

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/china.html

Personal website: http://www.nease.net/~mbgame

http://www.connect-arte.com/archive/china/artistas/fmbo

FENG WEIDONG ___

Zeng Xiaojun ___, and Ai Weiwei ___, eds. Hui pi shu ___ (The Grey Cover Book). Beijing, 1997.

FENG ZHENJIE ___ (same as Feng Zhengjie?)

Liao Wen, curator. Personal Touch (catalog). Tianjin: TEDA Contemporary Art Museum, 1998.

FENG ZHENGJIE ___ (b. 1968, Sichuan; SAFA)

Li Xianting. "Seven Chinese Artists and Contemporary Chinese Art after Political Pop." In Force, Yvonne and Carmen Zita, curators. 4696/1998: Contemporary Art from China (catalog). Vancouver: Art Beatus, 1998.

"A Look at Beijing Contemporary Art Collections." "Chinese Type" Contemporary Art Online Magazine, vol. 1, issue 2 (January 1998). (Illus. only.) http://www.chinese-art.com/volume1issue2/

Yishujie ___ (Art Life), March-April, 1998.

Zhongguo dangdai youhua (Chinese contemporary oil painting), vol. 1. Henan Fine Arts Publishing House, 1997.

FONG, LUISE [F] (HK/New Zealand)

Kember, Pamela. "Luise Fong at John Batten Gallery." Asian Art News, vol. 8, no. 3 (May/Jun 1998), p. 88.

FU CHIA-HUN (Taiwan)

Yang, Wen-I. "A Banana Is Not a Banana: The New Women Artists of Taiwan," in Dinah Dysart and Hannah Fink, eds., Asian Women Artists, (Roseville East, New South Wales: Craftsman House, 1996), pp. 42-51.

FU LIYA ___ [F] (b. 1957; SAFA, CAAA; SAFA)

Century.Woman _____ (catalog). Hong Kong: Shijie Huaren Yishu Chubanshe, 1998.

FU PO-NIEN (Taiwan)

Kuo, Jason S. T. "Taiwan Sculpture: Growing up and Moving on." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 34-40.

FU ZENAN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

FU ZHONGWANG ___ (b. 1956, Wuhan; Central Inst. Technology; Hubei)

Chang Tsong-Zung, Valerie Doran, et. al. China's New Art, Post-1989. Hong Kong: Hanart T Z Gallery, 1993.

Cohen, Joan Lebold. "Chinese Art Today: No U-Turn." ARTnews, vol. 91, no. 2 (February 1992), pp. 104-107.

Contemporary Art Series, No 2: Constructions–Approaching Textualization. Changsha: Hunan Fine Arts Publishing House, 1992.

Contemporary Art Series, No 3: Transformism–Genesis and Displacement. Changsha: Hunan Fine Arts Publishing House, 1992.

Doar, Bruce and Susan Dewar. "From Tradition to Modernity." Asia-Pacific Sculpture News, vol. 1, no. 1 (Winter 1995), pp. 41-45.

The First Academic Exhibition of Chinese Contemporary Art 96-97 (catalog). Hong Kong: China Oil Painting Gallery Ltd., 1996.

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

Hualang __ (Art Gallery), no. 50 (1995, no. 3).

Jose, Nicholas. "Next Wave Art: The First Major Exhibition of Post-Tiananmen Vanguard Chinese Art Seen Outside the Mainland." New Asia Review, Sum. 1994, pp. 18-24.

Mao Goes Pop, China Post-89 (catalog). Sydney: Museum of Contemporary Art, 1993.

MSWX, no. 1 (1994), various articles, repros.; no. 8 (1997), repros.

Sullivan, Michael. Art and Artists of Twentieth Century China. Berkeley and Los Angeles: University of California Press, 1996.

Yishujie ___ (Art Life), March-April, 1998.

Zeng Xiaojun ___, Ai Weiwei ___, and Xu Bing __, eds. Hei pi shu ___ (The Black Cover Book). Beijing, 1994.

FU QIANGSHEN ___

Gao Minglu ___, et al. Zhongguo dangdai meishu shi _______, 1985-1986. Shanghai: Renmin Meishu Chubanshe, 1991.

FUNG MING-CHIP (b. 1951; Taiwan)

Asian Avant-Garde (auction catalog). London: Christie's, King Street, 1998.

Websites:

Hanart T Z Gallery Website. (Illus. and short list of exhibitions.) http://www.hanart.com/taiwan.html

FUNG, RAYMOND (HK)

Chattopadhyay, Collette. "Out of Hong Kong." Asian Art News, vol. 6, no. 5 (Sept-Oct, 1996), pp. 76-78.

"New York First." Asian Art News, vol. 7, no. 6 (11-12/97), pp. 19, 21.


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