Vincent Barletta

Vincent Barletta

Associate Professor of Iberian and Latin American Cultures

Focal Groups:
    Renaissances

Contact:

Pigott Hall 225
650 723 4921
vbarletta@stanford.edu

Office Hours:

By appointment

BIO:

Vincent Barletta is Associate Professor of Iberian and Latin American cultures and Research Associate at Stanford's Europe Center in the Freeman Spogli Institute for International Studies. In 2013-14, he will be a full-time faculty fellow at the Stanford Humanities Center. He teaches late medieval and early modern Iberian literatures, and his research focuses on Renaissance Portugal, empire and language, pastoral literature, and anthropological approaches to literature.

Vincent Barletta's most recent book is Dreams of Waking: An Anthology of Iberian Lyric Poetry, 1400-1700 (U of Chicago P, 2013), co-edited and translated with Mark L. Bajus and Cici Malik. Before this, he authored Death in Babylon: Alexander the Great and Iberian Empire in the Muslim Orient (U of Chicago P, 2010). He is also the author of Covert Gestures: Crypto-Islamic Literature as Cultural Practice in Early Modern Spain (U of Minnesota P, 2005) and editor/translator of Granadan Morisco Francisco Núñez Muley's A Memorandum for the President of the Royal Audiencia and Chancery Court of the City and Kingdom of Granada (U of Chicago P, 2007). His current book project, Rhythm: A Poetics of Patience, examines specific theories of rhythm in writers ranging from Aeschylus to Luís de Camões.

Before joining the Stanford faculty in 2007, Vincent Barletta taught at the University of Colorado, Boulder. He is the recipient of the La corónica International Book Award (2007) for Covert Gestures, and he has received fellowships from the Stanford Humanities Center and the Del Amo Foundation. He received an MA and PhD in Hispanic Languages and Literatures, both from UCLA, and he also carried out two years of post-doctoral study in linguistic anthropology at UCLA.

EDUCATION:

1999-2001: Post-doctoral study, UCLA, Linguistic Anthropology

1998: Ph.D., UCLA, Hispanic Languages and Literature

1989: BA with honors, Saint Mary's College of CA, English

Courses

  • ILAC
    305
    Aut
    2012-13

    Focus is on the notion of rhythm as a theoretical frame for the analysis of medieval and early modern Iberian poetry. Topics include Ancient Greek and modern conceptions of rhythm and the links between poetics and ethics in the medieval period and beyond. Authors include: Aeschylus, Plato, Aristoxenus, Maurice Blanchot, Paul Celan, Emmanuel Levinas, Arcipreste de Hita, Ausiås March, Garcilaso de la Vega, and Luís de Camões. Taught in English.

  • ILAC
    157
    Aut
    2012-13

    Survey of major literary works (in Catalan, Portuguese, and Spanish) from the thirteenth through the seventeenth centuries. Topics include manuscript culture; lyric poetry and performance; cultural/linguistic contact and exchange; gender; empire; and the rise of the novel. Authors may include Alfonso X, Llull, Arcipreste de Hita, Zurara, Ausias March, Gil Vicente, Garcilaso de la Vega, Camoes, Gongora, Soror Violante do Ceu, Lope de Vega, Calderon de la Barca, and Antonio Vieira. Taught in Spanish.

  • ILAC
    207E
    Win
    2012-13

    Major works of Iberian pastoral lyric poetry and narrative fiction. What made this classical mode so popular during the Renaissance and beyond? What are its essential characteristics? What does it tell us about early modern theories of humanity's relation to nature? Was it merely a form of erotic escapism or is something darker and more troubling lurking between its lines? What can it teach us today about nature, eros, ethics, death, and love? Authors include: Theocritus; Virgil; Sannazaro; Garcilaso de la Vega; Montemayor; Ribeiro; Usque; Camões; and Cervantes. We'll also look at selected contemporary examples of the pastoral in film and the novel. Readings in English, Portuguese, and Spanish. Discussion in English.

Publications