Petra Dierkes-Thrun
Petra Dierkes-Thrun
Lecturer in Comparative Literature
Focal Groups:Humanities Education
Philosophy and Literature
Contact:
Building 260, Room 232
Phone (650) 725-8646
pdthrun@stanford.edu
Office Hours:
By appointmentBIO:
Petra Dierkes-Thrun’s research and teaching interests include the European and transatlantic fin de siècle and modernism (including literature, the visual arts, opera, dance, and film); feminist and queer theory; LGBTQ literary and cultural studies; and literary theory. Her book, Salome’s Modernity: Oscar Wilde and the Aesthetics of Transgression, was published by The University of Michigan Press in Spring 2011. Other publications include articles on Oscar Wilde, Arthur Symons, Stéphane Mallarmé, George Bernard Shaw, Richard Strauss, Victoria Cross, fin-de-siècle realism, and feminism and modernist dance. Petra Dierkes-Thrun is an Editorial Board member of Rodopi's "Dialogue" series. She also co-edits The Latchkey: Journal of New Woman Studies, a peer-reviewed, international scholarly online journal dedicated to the figure of the New Woman in fin de siècle and modernist society and culture, published by The Rivendale Press (UK) and affiliated with The Oscholars.
EDUCATION:
2003: Ph.D. in Cultural and Critical Studies. English Department, University of Pittsburgh.
1995 and 1996: Erstes Staatsexamen in English, Theology, and German. Rheinische Friedrich-Wilhelms-Universität, Bonn, Germany.
News & Events
Courses
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COMPLIT110/310Win2012-13
Introduction to the comparative literary study of important gay, lesbian, queer, bisexual, and transgender writers and their changing social, political, and cultural contexts from the 1890s to today: Wilde, Gide, Lucie Delarue-Mardrus, Radclyffe Hall, E.M. Forster, Thomas Mann, Georges Bataille, James Baldwin, Jean Genet, Jeanette Winterson, Sarah Waters, Audre Lorde, discussed in the context of 20th-century feminist and queer literary and social theories of gender and sexuality (Judith Butler, Eve Sedgwick, Julia Serano, and others).
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COMPLIT112/312Aut2012-13
Close reading of Oscar Wilde's work together with major texts and authors of 19th-century French Decadence, including Symbolism, l'art pour l'art, and early Modernism. Points of contact between Wilde and avant-garde Paris salons; provocative, creative intersections between (homo)erotic and aesthetic styles, transgression; literary and cultural developments from Baudelaire to Mallarmé, Huysmans, Flaubert, Rachilde, Lorrain, and Proust compared with Wilde's Salomé, Picture of Dorian Gray, and critical writings; relevant historical and philosophical contexts. All readings in English; all student levels welcome.
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COMPLIT133/333Spr2012-13
Gender and sexuality in trans-Atlantic modernist literature and culture from the 1880s-1930s. Topics include the 19th-century culture wars and the figures of the dandy and the New Woman; modernist critiques of Enlightenment rationality; impact of World War I on gender roles; gender and the rise of modern consumer culture, fashion, design; the modernist metropolis and gender/sexuality; the avant-garde and gender; literary first-wave feminism; homoerotic modernism; modernism in the context of current theories of gender and sexuality.