Haerin Shin

Haerin Shin

Ph.D. Candidate in Comparative Literature

Focal Groups: Humanities Education Philosophy and Literature

Contact:

Phone: 919 332 9048

Email: darlin7@stanford.edu

Office Hours:

Wed 1:30~3:00 pm

OVERVIEW:

The advent of computers, the internet and networked mobile devices throughout the latter half of the 20th century has brought abstracted flows of data to the fore of social interaction and communication. With ghost-like images flickering on computer screens, disembodied voices in phone conversations flying all over the globe, and faceless chat windows occupying our daily lives, the touch and feel of physical interaction appears to have lost its necessity, burying us in fragmented sensory inputs and free-floating information. The greater body of critical and scientific scholarship produced so far has seen this proliferation of immaterial, digitally codified data as either an evolutionary triumph of technology or a deterioration into a cold, inhuman dystopia. My dissertation (titled The Dialectic of Spectrality: Reality and Being in the Age of Digital Telecommunication Media) subverting the two contending views’ premise that material agents could be divorced from the content of consciousness and knowledge, asserts that digitalization technology in fact reinstates, rather than denies, the significance of our material body as a crucial constituent of human existence.  

CURRICULUM VITAE:

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EDUCATION:

B.A. from Seoul National University (Korea) in English Literature

Comparative Literature

News & Events

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Courses

  • COMPLIT
    151
    Win
    2011-12

    In an age when phantasmal projections on the computer and smart phone screens rule our daily lives and disembodied fragments of our audio-visual/textual representations fly around the globe, the question of "what is real and how is one to know what is real" weighs us down with an ever-pressing urgency. This course explores different modes of reality and their literary representations that make ontological and epistemological inquiries into the concept and nature of the "real".  Readings include novels and short stories by Jorge Luis Borges, Stanislaw Lem, Philip K. Dick, William Gibson, Neil Stephenson and Murakami Haruki, and films (Ghost in the Shell, Inception). In English.