Fin de siècle

Petra Dierkes-Thrun

portrait: Petra Dierkes-Thrun
Contact: 

Building 260, Room 232
Phone (650) 725-8646
pdthrun@stanford.edu

Office Hours: 
By appointment
Focal Group(s): 
Humanities Education
Focal Group(s): 
Philosophy and Literature

Petra Dierkes-Thrun’s research and teaching interests include the European and transatlantic fin de siècle and modernism (including literature, the visual arts, opera, dance, and film); feminist and queer theory; LGBTQ literary and cultural studies; and literary theory. Her book, Salome’s Modernity: Oscar Wilde and the Aesthetics of Transgression, was published by The University of Michigan Press in Spring 2011.  Other publications include articles on Oscar Wilde, Arthur Symons, Stéphane Mallarmé, George Bernard Shaw, Richard Strauss, Victoria Cross, fin-de-siècle realism, and feminism and modernist dance.  Petra Dierkes-Thrun is an Editorial Board member of Rodopi's "Dialogue" series.  She also co-edits The Latchkey: Journal of New Woman Studies  ,   a peer-reviewed, international scholarly online journal dedicated to the figure of the New Woman in fin de siècle and modernist society and culture, published by The Rivendale Press (UK) and affiliated with The Oscholars.

Education: 

2003:  Ph.D. in Cultural and Critical Studies. English Department, University of Pittsburgh.
1995 and 1996:  Erstes Staatsexamen in  English, Theology, and German. Rheinische Friedrich-Wilhelms-Universität, Bonn, Germany.

Yevgenya (Jenny) Strakovsky

portrait: Yevgenya (Jenny) Strakovsky
Contact: 

yevgenya@stanford.edu

Office Hours: 
Friday, 12-2pm
Focal Group(s): 
Humanities Education

Jenny Strakovsky is a Ph.D. student in German Studies, specializing in the literature, visual culture, music, and philosophy of the long 19th century in Germany. She holds a Bachelor's Degree in German Studies from Dartmouth College and was the 2009-2010 recipient of a Fulbright Research Grant to attend the Humboldt University in Berlin.

While her background spans from the Enlightenment to Cold War literature, her current work explores the rise of individualism in Realism and High Modernism. She is particularly interested in understanding how literature depicts individual autonomy, education, and ethical responsibility through character development and portrayals of moral judgment. 

Her research interests also include: questions of agency, portrayals of artistic genius, legacies of the German Bildungsideal, Jena Romanticism, portrayals of women and gender, ethics and literature, 19th century Visual Culture, Translation studies, Digital Humanities, Humanities Education and Public Policy in post-secondary education. 

 

Upcoming and Recent Presentations

"Revolution as Apocalypse, Poetry as Redemption: Osip Mandelstam’s Cultural Mythology." Modernism, Christianity, and Apocalypse. Conference, Department of Foreign Languages, University of Bergen, Bergen, Norway. (18-20 July 2012)

"Interpreting Kafka's The Trial through Translation: Experimental Pedagogy." Stanford University, German Studies Forum. March 2012.

"Vocation as a Marker of Moral Agency in 19th Century Modernity." ZfL Sommerakademie, “Erste Kulturwissenschaft und ihre Potential für die Gegenwart”* Zentrum für Literatur- und Kulturforschung, Berlin. July 2011

 

Teaching Experience

At Dartmouth:

Guest Lecturer, "Beyond Good and Evil," Undergraduate Seminar, Dartmouth German Studies Department. Taught By Professor Klaus Mladek. Topic: Christa Wolf's Was Bleibt and Self-censorship in East Germany. Spring 2009

At Stanford:

Instructor/Teaching Assistant. German Language First-Year Sequence* (3 Quarters). Stanford Language Center*
Taught in German. Meets MTWThF. Concentration on Oral Proficiency.
Responsibilities include bringing novice and intermediate speakers to the intermediate-mid level in German; designing pedagogic activities that enable authentic conversational exchange and cultural understanding.

Materials: Textbook Deutsch: Na Klar!, Multimedia (including films, online videos, poetry, journalism, native speaker interviews, web content). 
Assessment: 
computerized oral and written exams. Oral Proficiency Interview (based on National Standards on Foreign Language Learning*).

 

Instructor. Beginner German Conversation. Taught in German. Meets once per week. Responsibilities include designing syllabus based on student interests, facilitating improvement for students of different levels and backgrounds. Haus Mitteleuropa, Stanford University. Spring 2011.

Tutor, Language and Orientation Tutoring Program (LOT)* Individual weekly meetings with international students to improve conversational abilities, writing and presentation skills, and cultural literacy in English. Spring 2011

 

Professional Activities

Co-Founder and Coordinator, DLCL Graduate Working Group on Translation Studies, Stanford University. Spring 2012

Steering Committee, DLCL Graduate Student Conference: Urban Jungles, Stanford University. Spring 2012

Graduate Assistant, Humanities Education Focal Group* Chaired by Russell Berman, Stanford University. 2011-2012.

Editorial Assistant, Professor Adrian Daub, Tristan's Shadow - Sexuality and the Total Work of Art. Fall 2011.

Seminar Assistant, Visiting Assistant Professor Falko Schmieder of the Berlin ZfL. Seminar: "Surviving and the Biopolitics of Bare Life." Spring 2011.

 

* indicates link to source.

Education: 

2009: B.A. in German Studies, Dartmouth College
Honors Thesis: Beyond the Literaturstreit: Understanding East German Literary History in Transition. Advisor: Irene Kacandes

  • This project traced the assimilation of East German artists into a post-Soviet cultural landscape in order to explore the ethical responsibilities of an artist/public figure in totalitarian and free-market societies

2009-2010: Fulbright Research Grant, Humboldt University, Berlin

  • Continuing work on autobiography and self-fashioning, research at the HU explored Goethe's Italienische Reise as a textual medium for performing Morphology.
Language(s): 
French
Language(s): 
German
Language(s): 
Russian

Luke Parker

portrait: Luke Parker
Contact: 

lparker1@stanford.edu

Focal Group(s): 
Workshop in Poetics
Curriculum Vitae: 

 

Dissertation:

“Literature at the Junction: Russian Writers in Interwar Paris, Berlin, Moscow, and St.Petersburg.” 

A study of Russian writers in the context of 1920s and ‘30s Europe, examining the interaction between émigré and Soviet literary production. Writers treated include Nabokov, Khodasevich, Shklovsky, Olesha, and Zamiatin.


Conference papers:

"Emigration, Backwardness, and the Search for a New Present: Russian and American Writers in Interwar Europe"
American Comparative Literature Association Annual Meeting 
Collapse/Catastrophe/Change

Brown University, March 29 - April 1 2012

"At the Front: War and Avant-Garde in British and Russian Post-WWI Poetry"
Stanford Graduate Conference in Comparative Literature
Agency and its Limits: Action, Paralysis, Lethargy, Arrest
Stanford University, April 15-16 2011

"The Unconscious Text: Pale Fire via Freud, pace Nabokov,
2010 Stanford Graduate Program in Humanities Symposium
Order, Disruption, and Representation of Legitimacy
Stanford University, May 14 2010

"An Analysis of Pale Fire as Verse Text"
2010 California Slavic Colloquium
New Takes on Old Text
University of Southern California, April 17 2010


Teaching:

Teaching Assistant, SLAVGEN 148, Dissent and Disenchantment: Russian Literature and Culture Since the Death of Stalin, Spring 2011-12

Teaching Assistant, SLAVGEN 190, Tolstoy’s Anna Karenina and the Social Thought of Its Time, Winter 2011-12

Instructor, SLAVLANG 1/2/3, First Year Russian, Fall/Winter/Spring 2010-11


Languages:

Russian (Advanced High)
French (Advanced)
German (Intermediate)
Polish (Novice)

Education: 

2008: B.A. Modern Languages (Russian & French). Oxford University (Christ Church). 


2007: Acting Program. St.Petersburg State Academy of Theater Art. St.Petersburg, Russia.

Language(s): 
Russian

D. Brian Kim

portrait: D. Brian Kim
Contact: 

dbkim@stanford.edu

Office Hours: 
by appointment
Focal Group(s): 
Performance

Entered Ph.D. program in Slavic Languages and Literatures in Fall 2009.

M.A. thesis in Russian literature:
'Seduction, Subterfuge, Subversion: Rewriting Molière in Imperial Russia'

Presentations:

'Seduction, Subterfuge, Subversion: Rewriting Molière in Imperial Russia.' The French Language in Russia, University of Bristol, 2012.

'The Play of Language and the Language of the Play.' California Slavic Colloquium, Stanford University, 2011.

Languages: French, Japanese, Korean, Polish, Russian

Education: 

2009: B.A., Williams College, cum laude in Linguistics

Language(s): 
French
Language(s): 
Russian
Language(s): 
Japanese
Language(s): 
Korean
Language(s): 
Polish
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